References analysis of the Wikipedia article "Ars nova" in the Portuguese version

books.google.com

Earp, Lawrence. .Ars nova. IN Kibler, William W. Medieval France: an encyclopedia. Volume 2 de Garland encyclopedias of the Middle Ages. Routledge, 1995. pp. 72-73

Duffin, Ross W. A Performer's Guide to Medieval Music. Indiana University Press, 2000. p. 190

Ultan, Lloyd. Music theory: problems and practices in the Middle Ages and Renaissance. University of Minnesota Press, 1977. pp. 61-74

Cross, Lucy. Ars subtilior. IN Duffin, Ross W. A Performer's Guide to Medieval Music. Indiana University Press, 2000. pp. 228-233

Schreur, Philip Evan. Tractatus figurarum. Volume 6 de Greek and Latin music theory. University of Nebraska Press, 1989. pp. 1-10

Leichtentritt, Hugo. Music, History, and Ideas. Read Books, 2007. pp. 62-67

Delaere, Mark. Self-Portrait with Boulez and Machaut (and Ligeti is there as well): Harrison Birtwistle's "Hoquetus Petrus". IN Heile, Björn. The modernist legacy: essays on new music. Ashgate Publishing, Ltd., 2009. pp. 191-202

Křenek, Ernst. Horizons circled: reflections on my music. University of California Press, 1974. pp. 76-77

Erickson, Raymond. Eriugena, Boethius and the Neoplatonism of Musica and Scolica Enchiriadis. IN Palisca, Claude V.; Baker, Nancy Kovaleff & Hanning, Barbara Russano. Musical humanism and its legacy: essays in honor of Claude V. Palisca. Edição 11 de Festschrift series. Pendragon Press, 1992. pp. 53-78

Bell, Nicolas. Signs of Change from Ars antiqua do Ars nova in Polyphonic Music of the Early Fourteenth-Century. IN Bell, Nicolas; Clüver, Claus & Petersen, Nils Holger. Signs of change: transformations of Christian traditions and their representation in the arts, 1000-2000. Volume 43 de Textxet: studies in comparative literature. Rodopi, 2004. pp. 364-366

Randel, Don Michael. The Harvard dictionary of music. Harvard University Press, 2003. p. 59

Herlinger, Jan W. The Lucidarium of Marchetto of Padua. University of Chicago Press, 1985. p. 6

Christensen, Thomas Street. The Cambridge history of Western music theory . Cambridge University Press, 2002. p. 635

Berger, Anna Maria Busse. Medieval music and the art of memory. University of California Press, 2005. p. 237

Pratt, Waldo Selden. The History of Music - A Handbook and Guide for Students. Read Books, 2004. pp. 84-85

Ziino, Agostino. Oliver Strunk and the Italian Ars Nova. IN Strunk, William Oliver; Huemer, Christina & Petrobelli, Pierluigi. Remembering Oliver Strunk, teacher and scholar. Volume 21 de Festschrift series. Pendragon Press, 2005. pp. 71-74

Marchetto (da Padova) & Herlinger, Jan W. The Lucidarium of Marchetto of Padua. University of Chicago Press, 1985. pp. 1-8

Lowinsky, Edward. Music in Renaissance Culture. IN Kristeller, Paul Oskar; Wiener, Philip Paul & Connell. William J. Renaissance essays, Volume 1. Volume 9 de Library of the history of ideas. Boydell & Brewer, 1992. pp. 371-374

Crosby, Alfred W. The measure of reality: quantification and Western society, 1250-1600. Cambridge University Press, 1997. p. 158

Schaefer, Edward. Catholic Music Through the Ages: Balancing the Needs of a Worshipping Church. Liturgy Training, 2008. pp. 66-67

Wisnik, José Miguel. Som e o sentido: uma outra história das músicas. Companhia das Letras, 1989. pp. 124-125

«Schaefer, pp. 70-71»

Kleinhenz, Christopher (ed). Medieval Italy: an encyclopedia. Routledge, 2004. Volume 1, pp. 61-66

Deutsch, Diana. Psychology and Music. IN Bornstein, Marc H. Psychology and Its Allied Disciplines. Routledge, 1984. Volume 1, pp. 155-157

Rygg, Kristin. Masqued mysteries unmasked: early modern music theater and its Pythagorean subtext. Pendragon Press, 2000. pp. 78-80

Ferreira, Manuel Pedro. Proportions in Ancient and Medieval Music. IN Assayag, Gérard; Feichtinger, Hans G. & Rodrigues, José Francisco. Mathematics and music: a Diderot Mathematical Forum. Springer, 2002. pp. 1-10

Parrish, Carl. The notation of medieval music. Pendragon Press, 1978. pp. 142-143

Ferreira, pp. 22-24

«Parrish, pp. 143-144»

Lefferts, Peter M. Regule. Volume 7 de Greek and Latin music theory. University of Nebraska Press, 1991. pp. 48-49

Kinsman, Robert S. The Darker vision of the Renaissance: beyond the fields of reason. University of California Press, 1974. pp. 205-207

«Kinsman, pp. 212-213»

«Ultan, pp. 61-64»

«Ultan, pp. 65-66»

Caldwell, John. Editing early music. Oxford University Press, 1995. pp. 29-30

Deleuze, Jean-Pierre & Bellegem, Sébastien Van. Les écritures musicales: recherche et enseignement basés sur les pratiques compositionnelles. Editions Mardaga, 2007. pp. 43-44

Ultan, p. 74

Parrish, pp. 166-168

Beldemandis, Prosdoscimus de' & Herlinger, Jan W. Contrapunctus. Volume 1 de Greek and Latin music theory. University of Nebraska Press, 1984. p. xi

Christensen, pp. 640-642

Gleason, Harold; Becker, Warren & Gleason, Catherine C. Music Literature Outline 1: Outline 1, Middle Ages and Renaissance. Alfred Publishing, 1988. p. 74

Drees, Clayton J. The late medieval age of crisis and renewal, 1300-1500: a biographical dictionary. The great cultural eras of the Western world. Greenwood Publishing Group, 2001. pp. 495-496

«Drees, pp. 310-311»

Barker, John. Johannes Ciconia. IN Emmerson, Richard Kenneth & Clayton-Emmerson, Sandra. Key figures in medieval Europe: an encyclopedia. Taylor & Francis CRC Press, 2006. p. 140

Caldwell, John. The Oxford History of English Music: From the beginnings to c. 1715. Oxford University Press, 1991. pp. 76-139

Classmen, Albert. Oswald von Wolkenstein. IN Emmerson, Richard Kenneth & Clayton-Emmerson, Sandra. Key figures in medieval Europe: an encyclopedia. Taylor & Francis CRC Press, 2006. pp. 438-439

Kreitner, Kenneth. The church music of fifteenth-century Spain. Volume 2 de Studies in medieval and Renaissance music. Boydell Press, 2004. pp. 12-25

Scully, Terence. French Songs in Aragon: the place of origin of the Chansonnier Chantilly, Musée Condé 564. IN Busby, Keith & Kooper, Erik. Courtly literature: culture and context: selected papers from the 5th Triennal Congress of the International Courtly Literature Society, Dalfsen, the Netherlands, 9-16 August, 1986. John Benjamins Publishing Company, 1990. pp. 509-518

Apel, Willi. Harvard dictionary of music. Harvard University Press, 1969. pp. 114-115

Christensen, p. 648

Cury, Vera Helena Massuh. Contraponto: o ensino e o aprendizado no curso superior de música. Editora da Universidade Estadual Paulista, 2007. pp. 25-26

Karp. Theodore. Medieval Music in Perspective. IN Powell, James M. Medieval studies: an introduction. Syracuse University Press, 1992. pp. 401-433

Leech-Wilkinson, Daniel. The modern invention of medieval music: scholarship, ideology, performance. Cambridge University Press, 2002. pp. 26-34; 158-164

Leech-Wilkinson, pp. 158-160

Leech-Wilkinson, p. 159

Leech-Wilkinson, pp. 165-174

Leech-Wilkinson, p. 179

Griffiths, Paul. A concise history of western music. Cambridge University Press, 2006. pp. 33-34

McGee, Timothy James. The sound of medieval song: ornamentation and vocal style according to the treatises. Volume 2 de Oxford monographs on music. Oxford University Press, 1998. p. 4

Boorman, Stanley. Studies in the performance of late mediaeval music. Cambridge University Press Archive, 1983.

Godwin, Joscelyn. Music, mysticism, and magic: a sourcebook. Taylor & Francis, 1986. p. 102

Winsor, John. Breaking the Sound Barrier: An Argument for Mainstream Literary Music. iUniverse, 2002. pp. 101-103

Ars nova (Portuguese Wikipedia)

books.google.com

britannica.com

classical.net

uvm.edu