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Keizer, Arlene R. (2008). «Gone Astray in the Flesh: Kara Walker, Black Women Writers, and African American Postmemory». PMLA. 123 (5): 1649–1672. JSTOR25501968. doi:10.1632/pmla.2008.123.5.1649
Prabhu, Vas (1990). «Instructional Resources: Contemporary Art: Familiar Objects in New Contexts». Art Education. 43 (4): 25–32. JSTOR3193213. doi:10.2307/3193213
Dallow, Jessica (2004). «Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood». Feminist Studies. 30 (1): 75–113. JSTOR3178559
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Langer, Cassandra (1994). «Review of Dirt & Domesticity: Constructions of the Feminine». Woman's Art Journal. 15 (1). 51 páginas. ISSN0270-7993. JSTOR1358500. doi:10.2307/1358500
Wall, David (2010). «Transgression, Excess, and the Violence of Looking in the Art of Kara Walker». Oxford Art Journal. 33 (3): 279–299. JSTOR40983288. doi:10.1093/oxartj/kcq035
Keizer, Arlene R. (2008). «Gone Astray in the Flesh: Kara Walker, Black Women Writers, and African American Postmemory». PMLA. 123 (5): 1649–1672. JSTOR25501968. doi:10.1632/pmla.2008.123.5.1649
Tani, Ellen Y. (13 de dezembro de 2016). «Keeping Time in the Hands of Betye Saar: Betye Saar». American Quarterly (em inglês). 68 (4): 1081–1109. ISSN1080-6490. doi:10.1353/aq.2016.0082
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Bernier, Celeste-Marie (1 de janeiro de 2009). African American visual arts : from slavery to the present. [S.l.]: University of North Carolina Press. ISBN9780807832561. OCLC646771766