CRITICOS, Mihaela. The Ornamental Dimension: Contributions to a Theory of Ornament. New Europe College Yearbook. Special ed. 2004, pp. 185-219 [13]
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FICKLIN, Valerie.Mannerist Staircases: A Twist in the Tale.University of Alabama at Birmingham, 2000 [11][ligação inativa]
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TATARKIEWICZ, Władysław. History of Aesthetics. Continuum International Publishing Group, 2006. p. 152 [1]
BURKE, Peter. The Uses of Italy. In PORTER, Roy & TEICH, Mikuláš. The Renaissance in national context. Cambridge University Press, 1992. pp. 6-ss [3]
BOUCHER, Bruce. Time and Place: Jacob Burckhardt and the "Renaissance" north of the Alps. In KAUFMANN, Thomas DaCosta & PILIOD, Elisabeth. Time and Place: A Geohistory of Art. Ashgate Publishing, Ltd., 2005. pp. 1-ss [4]
EDELMAN, Murray. From Art to Politics. University of Chicago Press, 1995. p. 20 [5]
LOHR, Charles. The Sixteenth-Century Transformation of the Aristotelian Division of the Speculative Sciences. In KELLEY, Donald & POPKIN, Richard (eds). The Shapes of Knowledge from the Renaissance to the Enlightement. Springer, 1991. pp. 49-57 [6]
BAILEY, Gauvin. Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610. University of Toronto Press, 2003. pp. 31; 265 [7]
FARAGO, Claire. The Classification of the Visual Arts in the Renaissance. In KELLEY, Donald & POPKIN, Richard (eds). The Shapes of Knowledge from the Renaissance to the Enlightement. Springer, 1991. pp. 25-27 [9]
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Um resumo da discussão se encontra em SCHNOOR, Gustavo. Considerações sobre a arquitetura francesa dos séculos XVI e XVII. UFRJ, sd. [2][ligação inativa]
