Música clássica indiana (Portuguese Wikipedia)

Analysis of information sources in references of the Wikipedia article "Música clássica indiana" in Portuguese language version.

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Sastri, S.S. (1943). «Introduction». Sangita Ratnakara (em inglês). Adyar Library Press. pp. v–vi, ix–x. ISBN 0-8356-7330-8
Sastri 1943. Sastri, S.S., ed. (1943). Sangitaratnakara of Sarngadeva. Adyar: Adyar Library Press. ISBN 0-8356-7330-8

books.google.com

Sorrell & Narayan 1980, pp. 3–4. Sorrell, Neil; Narayan, Ram (1980). Indian Music in Performance: A Practical Introduction. [S.l.]: Manchester University Press. ISBN 978-0-7190-0756-9
Sorrell & Narayan 1980, pp. 4–5. Sorrell, Neil; Narayan, Ram (1980). Indian Music in Performance: A Practical Introduction. [S.l.]: Manchester University Press. ISBN 978-0-7190-0756-9
Rowell 2015, p. 9–10, 59–61. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Beck 2012: "A tradição clássica de música e dança indianas conhecida como Sangita está fundamentalmente enraizada nas dimensões sônicas e musicais dos Vedas (Sama veda), dos Upanixades e dos Agamas, tanto que a música indiana possui, quase sempre, um caráter religioso". Beck, Guy L. (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. Columbia: University of South Carolina Press. ISBN 978-1-61117-108-2
Rens Bod (2013). A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present. [S.l.]: Oxford University Press. p. 116. ISBN 978-0-19-164294-4
Reginald Massey; Jamila Massey (1996). The Music Of India. [S.l.]: Abhinav Publications. p. 42. ISBN 978-81-7017-332-8. Consultado em 23 de julho de 2013
Sorrell & Narayan 1980, pp. 1–3. Sorrell, Neil; Narayan, Ram (1980). Indian Music in Performance: A Practical Introduction. [S.l.]: Manchester University Press. ISBN 978-0-7190-0756-9
James B. Robinson (2009). Hinduism. [S.l.]: Infobase Publishing. pp. 104–106. ISBN 978-1-4381-0641-0
Vijaya Moorthy (2001). Romance of the Raga. [S.l.]: Abhinav Publications. pp. 45–48, 53, 56–58. ISBN 978-81-7017-382-3
Te Nijenhuis 1974, p. 80. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Rowell 2015, p. 9. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
William Forde Thompson (2014). Music in the Social and Behavioral Sciences: An Encyclopedia. [S.l.]: SAGE Publications. pp. 1693–1694. ISBN 978-1-4833-6558-9
Rowell 2015, p. 59–61. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, p. 62–63. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, pp. 11–14. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, pp. 11–12. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, pp. 12–13. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, pp. 13–14. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rowell 2015, p. 14. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Rens Bod (2013). A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present. [S.l.]: Oxford University Press. p. 116. ISBN 978-0-19-164294-4
Rowell 2015, pp. 12–14. Rowell, Lewis (2015). Music and Musical Thought in Early India. [S.l.]: University of Chicago Press. ISBN 978-0-226-73034-9
Lisa Owen (2012). Carving Devotion in the Jain Caves at Ellora. [S.l.]: BRILL Academic. pp. 76–77. ISBN 90-04-20629-9
Madhukar Keshav Dhavalikar (2003). Ellora. [S.l.]: Oxford University Press. p. 35. ISBN 978-0-19-565458-5
Te Nijenhuis 1974, pp. 3–4. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Ludo Rocher (1986). The kakkas Purāṇas. [S.l.]: Otto Harrassowitz Verlag. pp. 151–152. ISBN 978-3-447-02522-5
Randel 2003, p. 813. Randel, Don Michael (2003). The Harvard Dictionary of Music fourth ed. Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2
Schwartz 2004. Schwartz, Susan L. (2004). Rasa: Performing the Divine in India. [S.l.]: Columbia University Press. ISBN 978-0-231-13144-5
Te Nijenhuis 1974, p. 7. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Hormoz Farhat (2004). The Dastgah Concept in Persian Music. [S.l.]: Cambridge University Press. pp. 97–99. ISBN 978-0-521-54206-7
Ramesh N. Rao; Avinash Thombre (2015). Intercultural Communication: The Indian Context. [S.l.]: SAGE Publications. pp. 69–70. ISBN 978-93-5150-507-5
Joseph P. Swain (2016). Historical Dictionary of Sacred Music. [S.l.]: Rowman & Littlefield. pp. 228–229. ISBN 978-1-4422-6463-2
Bardwell L. Smith (1982). Hinduism: New Essays in the History of Religions. [S.l.]: BRILL Academic. pp. 153–154. ISBN 90-04-06788-4
Bonnie C. Wade (1998). Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India. [S.l.]: University of Chicago Press. pp. 108–114. ISBN 978-0-226-86841-7
Edmour J. Babineau (1979). Love of God and Social Duty in the Rāmcaritmānas. [S.l.]: Motilal Banarsidass. p. 54. ISBN 978-0-89684-050-8
Bruno Nettl (1995). Heartland Excursions: Ethnomusicological Reflections on Schools of Music. [S.l.]: University of Illinois Press. p. 68. ISBN 978-0-252-06468-5 : "Esta é uma enumeração das identidades de seus professores, talvez dos próprios professores dos professores e associação com gharanas, ou escolas, de habilidade musical, e, em geral, uma tentativa de ligar o principal artista da época através de genealogias estudante-professor a uma das grandes figuras iniciais da música, como o venerado Tansen, o mítico herói cultural e fundador da música hindustiani."
Andrea L. Stanton; Edward Ramsamy; Peter J. Seybolt; et al. (2012). Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia. [S.l.]: SAGE Publications. p. 125. ISBN 978-1-4522-6662-6
Nazir Ali Jairazbhoy (1975). Arthur Llewellyn Basham, ed. A Cultural History Of India. [S.l.]: Oxford University Press. pp. 212–215. ISBN 978-0-19-821914-9
Caudhurī 2000, p. 152. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. [S.l.]: Motilal Banarsidass. ISBN 978-81-208-1708-1
Te Nijenhuis 1974, pp. 80–81. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Caudhurī 2000, p. 146. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. [S.l.]: Motilal Banarsidass. ISBN 978-81-208-1708-1
Caudhurī 2000, pp. 54–55. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. [S.l.]: Motilal Banarsidass. ISBN 978-81-208-1708-1
Te Nijenhuis 1974, pp. 81–82. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Caudhurī 2000, pp. 33–34. Caudhurī, Vimalakānta Rôya (2000). The Dictionary of Hindustani Classical Music. [S.l.]: Motilal Banarsidass. ISBN 978-81-208-1708-1
Te Nijenhuis 1974, pp. 80–82. Te Nijenhuis, Emmie (1974). Indian Music: History and Structure. [S.l.]: BRILL Academic. ISBN 90-04-03978-3
Bruno Nettl (2016). George E. Lewis and Benjamin Piekut, ed. The Oxford Handbook of Critical Improvisation Studies. [S.l.]: Oxford University Press. pp. 176–178. ISBN 978-0-19-989292-1
Dorothea E. Hast; James R. Cowdery; Stanley Arnold Scott (1999). Exploring the World of Music. [S.l.]: Kendall/Hunt. pp. 124–126. ISBN 978-0-7872-7154-1
Baily, John (2011). Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. [S.l.]: Ashgate Publishing. pp. 6–7. ISBN 978-0-7546-5776-7
Baily, John (1988). Music of Afghanistan: Professional Musicians in the City of Herat. [S.l.]: Cambridge University Press. pp. 18–19. ISBN 978-0-521-25000-9
van der Meer 2012, pp. 3–5. van der Meer, W. (2012). Hindustani Music in the 20th Century. [S.l.]: Springer. ISBN 978-94-009-8777-7
Mehta 1995, pp. xxix, 248. Mehta, Tarla (1995), Sanskrit Play Production in Ancient India, ISBN 978-81-208-1057-0, Motilal Banarsidass
Randel 2003, pp. 816–817. Randel, Don Michael (2003). The Harvard Dictionary of Music fourth ed. Cambridge, MA: Harvard University Press. ISBN 978-0-674-01163-2
Ellen Koskoff (2013). The Concise Garland Encyclopedia of World Music, Volume 2. [S.l.]: Routledge. pp. 938–939. ISBN 978-1-136-09602-0

britannica.com

Nettl 2010. Nettl, Bruno (2010), Raga, Indian Musical Genre, Encyclopædia Britannica

doi.org

dx.doi.org

Rao, Suvarnalata; Rao, Preeti (2014). «An Overview of Hindustani Music in the Context of Computational Musicology». Routledge. Journal of New Music Research. 43 (1): 26–28. doi:10.1080/09298215.2013.831109 |acessodata= requer |url= (ajuda)

google.co.uk

books.google.co.uk

Jairazbhoy 1995, pp. 16–17. Jairazbhoy, Nazir Ali (1995). The Rāgs of North Indian Music: Their Structure & Evolution first revised Indian ed. Bombay: Popular Prakashan. ISBN 978-81-7154-395-3
Jairazbhoy 1995, pp. 15–17. Jairazbhoy, Nazir Ali (1995). The Rāgs of North Indian Music: Their Structure & Evolution first revised Indian ed. Bombay: Popular Prakashan. ISBN 978-81-7154-395-3
Jairazbhoy 1995, pp. 94–95. Jairazbhoy, Nazir Ali (1995). The Rāgs of North Indian Music: Their Structure & Evolution first revised Indian ed. Bombay: Popular Prakashan. ISBN 978-81-7154-395-3

jstor.org

Bake, A. A. (1962). «Review: Textes des Purāṇas sur la Théorie musicale by Alain Daniélou, N. R. Bhatt». BRILL Academic. Indo-Iranian Journal. 5 (2): 157–160