Pintura do Rococó (Portuguese Wikipedia)

Analysis of information sources in references of the Wikipedia article "Pintura do Rococó" in Portuguese language version.

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59books.google.com

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7britannica.com

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books.google.com

COHEN, George M. (ed). The Essentials of Art History. Research & Education Association, 1995. pp. 111-112
ZAGALA, Stephen. Aesthetics: a place I've never seen. In MASSUMI, Brian (ed). A shock to thought: expression after Deleuze and Guattari. Routledge, 2002. p. 34
KLEINER, Fred. Gardner's Art Through the Ages: A Global History. Cengage Learning EMEA, 2008. Vol. II. pp. 751-752
PLAX, Julie-Anne Interpreting Watteau across the Centuries. In SHERIFF, Mary (ed). Antoine Watteau: Perspectives on the Artist and the Culture of his Time. University of Delaware Press, 2006. pp. 34-35
MELVILLE, Stephen W. Philosophy beside itself: on deconstruction and modernism. Manchester University Press ND, 1986. pp. 8-ss
NICI, John B. Barron's AP Art History. Barron's Educational Series, 2008. p. 333
KLEINER, Fred. pp. 751-752
BOER, Inge. Culture as a gendered battleground: The patronage of Madame de Pompadour. In AKKERMAN, Tjitske & STUURMAN, Sip. Perspectives on feminist political thought in European history. Routledge, 1998. pp. 118-119
WETTLAUFER, Alexandra. Pen vs. paintbrush. Palgrave Macmillan, 2001. pp. 48-49
HAUSER, Arnold. The social history of art. Routledge, 1951-1999. Vol. III, pp. 1-11
HAUSER, Arnold. pp. 11-12
HAUSER, Arnold. p. 14
HYDE, Vernon. The death of the baroque and the rhetoric of good taste. Cambridge University Press, 2006. pp. 61-63
HAUSER, Arnold. pp. 14-18; 28
HYDE, Vernon. pp. 68-69
CRASKE, Matthew. Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford University Press, 1997. p. 145
CRASKE, Matthew. p. 145
CRASKE, Matthew. p. 145-146
CRASKE, Matthew. pp. 151; 158
MILAN, Jennifer. Miming Play: Picturing Amusement in Rococo Decorative Panels and Garden Design. In CAVANAUGH, Alden. Performing the "everyday": the culture of genre in the eighteenth century. University of Delaware Press, 2007. p. 47
MELVILLE, Stephen W. pp. 8-9
OGÉE, Frédéric. Sterne and Fragonard: Escapades of Death. In WAGNER, Peter (ed). Icons - Texts - Iconotexts: Essays on Ekphrasis and Intermediality. Walter de Gruyter, 1996. pp. 144-145
SMITH, Bernard. Modernism's history. UNSW Press, 1998. p. 58
PAVEY, Don. Colour and Humanism: Colour Expression Over History. Universal-Publishers, 2003. pp. 9-11
KLEINER, Fred. p. 752
FORSTER, Marc R. Catholic revival in the age of the baroque. Cambridge University Press, 2001. p. 82
VOSKO, Richard. Worship Environments: Between No More and Not Yet. In BERNSTEIN, Eleanor & CONNELL, Martin (eds). Traditions and Transitions: Notre Dame Pastoral Liturgy Conference. Liturgy Training, 1998. p. 184
NICI, John B. p. 333
CUSSET, Catherine. Watteau: The Aesthetics of Pleasure. In WAGNER, Peter (ed). Icons - Texts - Iconotexts: Essays on Ekphrasis and Intermediality. Walter de Gruyter, 1996. pp. 125-126
In CUSSET, Catherine. p. 127
CUSSET, Catherine. p. 133
OGÉE, Frédéric. pp. 138; 144-145
HAUSER, Arnold. p. 30
GOODMAN, Elise. Art and culture in the eighteenth century. University of Delaware Press, 2001. pp. 44-45
OGÉE, Frédéric. pp. 146-148
HAUSER, Arnold. pp. 35-38
RIDING, Christine. Foreign artists and craftsmen and the introduction of the Rococo style in England. In VIGNE, Randolph & LITTLETON, Charles (eds). From strangers to citizens: the integration of immigrant communities in Britain, Ireland, and colonial America, 1550-1750. Sussex Academic Press, 2001. pp. 133-ss
RIDING, Christine. pp. 136-ss
ASFOUR, Amal & WILLIAMSON, Paul. Gainsborough's vision. Liverpool University Press, 1999. pp. 54-56
HONOUR, Hugh & FLEMING, John. A world history of art. Laurence King Publishing, 2005
KAUFMANN, Thomas DaCosta. Painterly enlightenment: The art of Franz Anton Maulbertsch. University of North Carolina Press, 2005. pp. 3-ss
CRASKE, Matthew. p. 161
KLEINER, Fred. pp. 757-758
FRIEDELL, Egon. A Cultural History of the Modern Age: Baroque, Rococo and Enlightenment. Transaction Publishers, 1927-1931/2009. Vol. II, pp. 136-137
WETTLAUFER, Alexandra. pp. 48-55
IVERSEN, Margaret. Spectators of Postmodern art: From Minimalism to Feminism. In BARKER, Francis; HULME, Peter & IVERSEN, Margaret (eds). Postmodernism and the re-reading of modernity. Manchester University Press ND, 1992. p. 186
PLAX, Julie-Anne. pp. 34-35
SILVERMAN, Debora L. Art nouveau in fin-de-siècle France. University of California Press, 1992. pp. 142-158
SALYS, Rimgaila. Olesha's Envy: a critical companion. Northwestern University Press, 1999. pp. 117-118
SPENGLER, Oswald. The decline of the West. Oxford University Press US, 1918-1923/1991. p. 152
FRIEDELL, Egon. pp. 136-137
CRASKE, Matthew. pp. 7-9
CONTI, Alessandro et alii. L'arte. Critica e conservazione. Editoriale Jaca Book, 193. p. 393
TAPIÈ, Victor-Lucien. Barrocco e classicismo. Vita e Pensiero, 1998. p. 353
OLIVEIRA, Myriam A. pp. 19-20
CUNNINGHAM, Lawrence S. & REICH, John J. Culture and values. Cengage Learning, 2005. p. 416
HONOUR, Hugh & FLEMING, John
HIGHNAM, David. Crébillon Fils in Context: The Rococo Ethos in French Literature in the Early 18th Century. In University of South Carolina. Authors and their centuries. Rodopi, 1975. pp. 82-84
In CRASKE, Matthew. p. 152

britannica.com

Rococo style. Encyclopaedia Britannica online. 4 de maio de 2009
Western Painting: Late Baroque and Rococo: Britain: 18th century. Encyclopædia Britannica Online. 06 May. 2009
John Zoffany. Encyclopædia Britannica Online. 06 May. 2009
Sir Thomas Lawrence. Encyclopædia Britannica Online. 06 May. 2009
Western Painting: Late Baroque and Rococo. Encyclopædia Britannica Online. 07 May. 2009
Francisco de Goya. Encyclopædia Britannica Online. 06 May. 2009
Francisco Bayeu. Encyclopædia Britannica Online. 06 May. 2009

google.es

books.google.es

OLIVEIRA, Myriam A. Rococó religioso no Brasil e seus antecedentes europeus Cosac Naify Edições, 2005. p. 43
OLIVEIRA, Myriam A. pp. 43; 279-293
OLIVEIRA, Myriam A. pp. 53-55
OLIVEIRA, Myriam A., p. 44
OLIVEIRA, Myriam A. pp. 51-55

unl.pt

www2.fcsh.unl.pt

BARBUDO, Maria Isabel. Arte pela arte (Ars gratia artis). E-Dicionário de Termos Literários