Ukiyo-e (Portuguese Wikipedia)

Analysis of information sources in references of the Wikipedia article "Ukiyo-e" in Portuguese language version.

Last modified: 13:47:56, 7 August 2026 (UTC)

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books.google.com (Global: 3^rd place; Portuguese: 7^th place)

Kobayashi 1997, p. 66. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 66–67. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 67–68. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Marks 2012, p. 17. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Kobayashi 1997, p. 68. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Harris 2011, p. 37. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Kobayashi 1997, p. 69. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 69–70. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kita 2011, p. 155. Kita, Sandy (2011). «Japanese Prints». In: Nietupski, Paul Kocot; O'Mara, Joan. Reading Asian Art and Artifacts: Windows to Asia on American College Campuses. [S.l.]: Rowman & Littlefield. pp. 149–162. ISBN 978-1-61146-070-4
Kita 1999, p. 39. Kita, Sandy (1999). The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1826-5
Kita 2011, pp. 149, 154–155. Kita, Sandy (2011). «Japanese Prints». In: Nietupski, Paul Kocot; O'Mara, Joan. Reading Asian Art and Artifacts: Windows to Asia on American College Campuses. [S.l.]: Rowman & Littlefield. pp. 149–162. ISBN 978-1-61146-070-4
Kita 1999, pp. 44–45. Kita, Sandy (1999). The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1826-5
Yashiro 1958, pp. 216, 218. Yashiro, Yukio (1958). 2000 Years of Japanese Art. [S.l.]: H. N. Abrams. OCLC 1303930
Kobayashi 1997, pp. 70–71. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 71–72. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 71. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 72–73. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 72–74. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 75–76. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 74–75. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Noma 1966, p. 188. Noma, Seiroku (1966). The Arts of Japan: Late Medieval to Modern. [S.l.]: Kodansha International. ISBN 978-4-7700-2978-2
Hibbett 2001, p. 69. Hibbett, Howard (2001). The Floating World in Japanese Fiction. [S.l.]: Tuttle Publishing. ISBN 978-0-8048-3464-3
Munsterberg 1957, p. 154. Munsterberg, Hugo (1957). The Arts of Japan: An Illustrated History. [S.l.]: Charles E. Tuttle Company. ISBN 9780804800426
Kobayashi 1997, p. 76. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 76–77. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 77. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
King 2010, p. 47. King, James (2010). Beyond the Great Wave: The Japanese Landscape Print, 1727–1960. [S.l.]: Editora Peter Lang. ISBN 978-3-0343-0317-0
Kobayashi 1997, p. 78. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 77–79. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 80–81. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 82. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 81. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Munsterberg 1957, p. 155. Munsterberg, Hugo (1957). The Arts of Japan: An Illustrated History. [S.l.]: Charles E. Tuttle Company. ISBN 9780804800426
Kobayashi 1997, pp. 82–83. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 83. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 84–85. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Hockley 2003, p. 3. Hockley, Allen (2003). The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan. [S.l.]: University of Washington Press. ISBN 978-0-295-98301-1
Kobayashi 1997, p. 85. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Marks 2012, p. 68. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Stewart 1922, p. 224. Stewart, Basil (1922). A Guide to Japanese Prints and Their Subject Matter. [S.l.]: Courier Corporation. ISBN 978-0-486-23809-8
Neuer, Libertson & Yoshida 1990, p. 259. Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990). Ukiyo-e: 250 Years of Japanese Art. [S.l.]: Studio Editions. ISBN 978-1-85170-620-4
Salter 2006, p. 204. Salter, Rebecca (2006). Japanese Popular Prints: From Votive Slips to Playing Cards. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-3083-0
Neuer, Libertson & Yoshida 1990, p. 145. Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990). Ukiyo-e: 250 Years of Japanese Art. [S.l.]: Studio Editions. ISBN 978-1-85170-620-4
Kobayashi 1997, p. 91. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 85–86. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 87. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Michener 1954, p. 231. Michener, James Albert (1954). The Floating World. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-0873-0
Kobayashi 1997, pp. 87–88. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, p. 88. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 88–89. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Neuer, Libertson & Yoshida 1990, p. 40. Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990). Ukiyo-e: 250 Years of Japanese Art. [S.l.]: Studio Editions. ISBN 978-1-85170-620-4
Kobayashi 1997, pp. 91–92. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Kobayashi 1997, pp. 89–91. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Neuer, Libertson & Yoshida 1990, pp. 40–41. Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990). Ukiyo-e: 250 Years of Japanese Art. [S.l.]: Studio Editions. ISBN 978-1-85170-620-4
Harris 2011, p. 38. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Salter 2001, pp. 12–13. Salter, Rebecca (2001). Japanese Woodblock Printing. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-2553-9
Winegrad 2007, pp. 18–19. Winegrad, Dilys Pegler (2007). Dramatic Impressions: Japanese Theatre Prints from the Gilbert Luber Collection. [S.l.]: University of Pennsylvania Press. ISBN 978-0-8122-1985-2
Harris 2011, p. 132. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Kobayashi 1997, pp. 92–93. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Lewis & Lewis 2008, p. 385. Lewis, Richard; Lewis, Susan I. (2008). The Power of Art. [S.l.]: Cengage Learning. ISBN 978-0-534-64103-0
Honour & Fleming 2005, p. 709. Honour, Hugh; Fleming, John (2005). A World History of Art. [S.l.]: Laurence King Publishing. ISBN 978-1-85669-451-3
Benfey 2007, p. 17. Benfey, Christopher (2007). The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan. [S.l.]: Random House. ISBN 978-0-307-43227-8
Addiss, Groemer & Rimer 2006, p. 146. Addiss, Stephen; Groemer, Gerald; Rimer, J. Thomas (2006). Traditional Japanese Arts And Culture: An Illustrated Sourcebook. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-2018-3
Buser 2006, p. 168. Buser, Thomas (2006). Experiencing Art Around Us. [S.l.]: Cengage Learning. ISBN 978-0-534-64114-6
Belloli 1999, p. 98. Belloli, Andrea P. A. (1999). Exploring World Art. [S.l.]: Getty Publications. ISBN 978-0-89236-510-4
Munsterberg 1957, p. 158. Munsterberg, Hugo (1957). The Arts of Japan: An Illustrated History. [S.l.]: Charles E. Tuttle Company. ISBN 9780804800426
King 2010, pp. 84–85. King, James (2010). Beyond the Great Wave: The Japanese Landscape Print, 1727–1960. [S.l.]: Editora Peter Lang. ISBN 978-3-0343-0317-0
Harris 2011, pp. 153–154. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Kobayashi 1997, pp. 94–95. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Munsterberg 1957, pp. 158–159. Munsterberg, Hugo (1957). The Arts of Japan: An Illustrated History. [S.l.]: Charles E. Tuttle Company. ISBN 9780804800426
King 2010, p. 116. King, James (2010). Beyond the Great Wave: The Japanese Landscape Print, 1727–1960. [S.l.]: Editora Peter Lang. ISBN 978-3-0343-0317-0
Kobayashi 1997, p. 95. Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. [S.l.]: Kodansha International. ISBN 978-4-7700-2182-3
Seton 2010, p. 71. Seton, Alistair (2010). Collecting Japanese Antiques. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1122-6
Seton 2010, p. 69. Seton, Alistair (2010). Collecting Japanese Antiques. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1122-6
Harris 2011, p. 153. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Meech-Pekarik 1986, pp. 125–126. Meech-Pekarik, Julia (1986). The World of the Meiji Print: Impressions of a New Civilization. [S.l.]: Weatherhill. ISBN 978-0-8348-0209-4
Neuer, Libertson & Yoshida 1990, p. 48. Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990). Ukiyo-e: 250 Years of Japanese Art. [S.l.]: Studio Editions. ISBN 978-1-85170-620-4
Harris 2011, p. 163. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Salter 2001, p. 12. Salter, Rebecca (2001). Japanese Woodblock Printing. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-2553-9
Jobling & Crowley 1996, p. 89. Jobling, Paul; Crowley, David (1996). Graphic Design: Reproduction and Representation Since 1800. [S.l.]: Manchester University Press. ISBN 978-0-7190-4467-0
Jobling & Crowley 1996, p. 90. Jobling, Paul; Crowley, David (1996). Graphic Design: Reproduction and Representation Since 1800. [S.l.]: Manchester University Press. ISBN 978-0-7190-4467-0
Merritt 1990, p. 15. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
Mansfield 2009, p. 134. Mansfield, Stephen (2009). Tokyo A Cultural History. [S.l.]: Oxford University Press. ISBN 978-0-19-972965-4
Sullivan 1989, p. 230. Sullivan, Michael (1989). The Meeting of Eastern and Western Art. [S.l.]: University of California Press. ISBN 978-0-520-05902-3
Jobling & Crowley 1996, pp. 90–91. Jobling, Paul; Crowley, David (1996). Graphic Design: Reproduction and Representation Since 1800. [S.l.]: Manchester University Press. ISBN 978-0-7190-4467-0
Gerstle & Milner 1995, p. 70. Gerstle, C. Andrew; Milner, Anthony Crothers (1995). Recovering the Orient: Artists, Scholars, Appropriations. [S.l.]: Psychology Press. ISBN 978-3-7186-5687-5
Hughes 1960, p. 213. Hughes, Glenn (1960). Imagism & the Imagists: A Study in Modern Poetry. [S.l.]: Biblo & Tannen Publishers. ISBN 978-0-8196-0282-4
King 2010, pp. 119, 121. King, James (2010). Beyond the Great Wave: The Japanese Landscape Print, 1727–1960. [S.l.]: Editora Peter Lang. ISBN 978-3-0343-0317-0
Seton 2010, p. 81. Seton, Alistair (2010). Collecting Japanese Antiques. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1122-6
Brown 2006, p. 22. Brown, Kendall H. (2006). «Impressions of Japan: Print Interactions East and West». In: Javid, Christine. Color Woodcut International: Japan, Britain, and America in the Early Twentieth Century. [S.l.]: Chazen Museum of Art. pp. 13–29. ISBN 978-0-932900-64-7
Brown 2006, p. 23. Brown, Kendall H. (2006). «Impressions of Japan: Print Interactions East and West». In: Javid, Christine. Color Woodcut International: Japan, Britain, and America in the Early Twentieth Century. [S.l.]: Chazen Museum of Art. pp. 13–29. ISBN 978-0-932900-64-7
Brown 2006, p. 21. Brown, Kendall H. (2006). «Impressions of Japan: Print Interactions East and West». In: Javid, Christine. Color Woodcut International: Japan, Britain, and America in the Early Twentieth Century. [S.l.]: Chazen Museum of Art. pp. 13–29. ISBN 978-0-932900-64-7
Merritt 1990, p. 109. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
Munsterberg 1957, p. 181. Munsterberg, Hugo (1957). The Arts of Japan: An Illustrated History. [S.l.]: Charles E. Tuttle Company. ISBN 9780804800426
Sims 1998, p. 298. Sims, Richard (1998). French Policy Towards the Bakufu and Meiji Japan 1854–95. [S.l.]: Psychology Press. ISBN 978-1-873410-61-5
Harris 2011, p. 60. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, pp. 95, 98. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, p. 41. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, pp. 38, 41. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, pp. 124. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Seton 2010, p. 64. Seton, Alistair (2010). Collecting Japanese Antiques. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1122-6
Harris 2011, p. 119. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Screech 1999, p. 15. Screech, Timon (1999). Sex and the Floating World: Erotic Images in Japan, 1700–1820. [S.l.]: Reaktion Books. ISBN 978-1-86189-030-6
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Harris 2011, p. 166–167. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, p. 170. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
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Frédéric 2002, p. 884. Frédéric, Louis (2002). Japan Encyclopedia. [S.l.]: Harvard University Press. ISBN 978-0-674-01753-5
Harris 2011, p. 62. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Marks 2012, p. 180. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Salter 2006, p. 19. Salter, Rebecca (2006). Japanese Popular Prints: From Votive Slips to Playing Cards. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-3083-0
Marks 2012, p. 10. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Marks 2012, p. 18. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Marks 2012, p. 21. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Marks 2012, p. 13. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Marks 2012, pp. 13–14. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Marks 2012, p. 22. Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. [S.l.]: Tuttle Publishing. ISBN 978-1-4629-0599-7
Merritt 1990, pp. ix–x. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
Link & Takahashi 1977, p. 32. Link, Howard A.; Takahashi, Seiichirō (1977). Utamaro and Hiroshige: In a Survey of Japanese Prints from the James A. Michener Collection of the Honolulu Academy of Arts. [S.l.]: Ōtsuka Kōgeisha. OCLC 423972712
King 2010, pp. 48–49. King, James (2010). Beyond the Great Wave: The Japanese Landscape Print, 1727–1960. [S.l.]: Editora Peter Lang. ISBN 978-3-0343-0317-0
Ishizawa & Tanaka 1986, p. 38. Ishizawa, Masao; Tanaka, Ichimatsu (1986). The Heritage of Japanese art. [S.l.]: Kodansha International. ISBN 978-0-87011-787-9
Merritt 1990, p. 18. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
Harris 2011, p. 26. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Harris 2011, p. 31. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Takeuchi 2004, pp. 118, 120. Takeuchi, Melinda (2004). The Artist as Professional in Japan. [S.l.]: Stanford University Press. ISBN 978-0-8047-4355-6
Hockley 2003, pp. 13–14. Hockley, Allen (2003). The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan. [S.l.]: University of Washington Press. ISBN 978-0-295-98301-1
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Stewart 2014, pp. 28–29. Stewart, Ronald (2014). «Manga as Schism: Kitazawa Rakuten's Resistance to "Old-Fashioned" Japan». In: Berndt, Jaqueline; Kümmerling-Meibauer, Bettina. Manga's Cultural Crossroads. [S.l.]: Routledge. pp. 27–49. ISBN 978-1-134-10283-9
Stewart 2014, p. 30. Stewart, Ronald (2014). «Manga as Schism: Kitazawa Rakuten's Resistance to "Old-Fashioned" Japan». In: Berndt, Jaqueline; Kümmerling-Meibauer, Bettina. Manga's Cultural Crossroads. [S.l.]: Routledge. pp. 27–49. ISBN 978-1-134-10283-9
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Hockley 2003, pp. 7–8. Hockley, Allen (2003). The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan. [S.l.]: University of Washington Press. ISBN 978-0-295-98301-1
Harris 2011, p. 180, 183–184. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. [S.l.]: Tuttle Publishing. ISBN 978-4-8053-1098-4
Merritt 1990, p. 36. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
Faulkner & Robinson 1999, p. 40. Faulkner, Rupert; Robinson, Basil William (1999). Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum. [S.l.]: Kodansha International. ISBN 978-4-7700-2387-2
Merritt 1990, p. 13. Merritt, Helen (1990). Modern Japanese Woodblock Prints: The Early Years. [S.l.]: University of Hawaii Press. ISBN 978-0-8248-1200-3
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Checkland 2004, p. 107. Checkland, Olive (2004). Japan and Britain After 1859: Creating Cultural Bridges. [S.l.]: Routledge. ISBN 978-0-203-22183-9
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bsu.edu (Global: low place; Portuguese: low place)

libx.bsu.edu

Penkoff 1964, pp. 4–5. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 6. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 16. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, pp. 9–11. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 21. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 1. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700

doi.org (Global: 2^nd place; Portuguese: 4^th place)

dx.doi.org

Watanabe 1984, p. 667. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371
Watanabe 1984, pp. 680–681. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371
Watanabe 1984, p. 675. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371

google.com (Global: 109^th place; Portuguese: 211^th place)

AFP staff 2009. AFP staff (16 de outubro de 2009). «Print by Japan's Toshusai Sharaku sold for record price». AFP. Consultado em 17 de dezembro de 2013. Cópia arquivada em 3 de março de 2014

jstor.org (Global: 23^rd place; Portuguese: 43^rd place)

Kita 1984, p. 252–253. Kita, Sandy (setembro de 1984). «An Illustration of the Ise Monogatari: Matabei and the Two Worlds of Ukiyo». Cleveland Museum of Art. The Bulletin of the Cleveland Museum of Art. 71 (7): 252–267. JSTOR 25159874
Singer 1986, p. 66. Singer, Robert T. (março–abril de 1986). «Japanese Painting of the Edo Period». Archaeological Institute of America. Archaeology. 39 (2): 64–67. JSTOR 41731745
Hickman 1978, pp. 5–6. Hickman, Money L. (1978). «Views of the Floating World». Museu de Belas Artes de Boston. MFA Bulletin. 76: 4–33. JSTOR 4171617
Thompson 1986, p. 44. Thompson, Sarah (inverno–primavera de 1986). «The World of Japanese Prints». Philadelphia Museum of Art. Philadelphia Museum of Art Bulletin. 82 (349/350, The World of Japanese Prints): 1, 3–47. JSTOR 3795440
Watanabe 1984, p. 667. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371
Meech-Pekarik 1982, p. 93. Meech-Pekarik, Julia (1982). «Early Collectors of Japanese Prints and the Metropolitan Museum of Art». University of Chicago Press. Metropolitan Museum Journal. 17: 93–118. JSTOR 1512790
Watanabe 1984, pp. 680–681. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371
Watanabe 1984, p. 675. Watanabe, Toshio (1984). «The Western Image of Japanese Art in the Late Edo Period». Cambridge University Press. Modern Asian Studies. 18 (4): 667–684. JSTOR 312343. doi:10.1017/s0026749x00016371
Weisberg, Rakusin & Rakusin 1986, p. 7. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (primavera de 1986). «On Understanding Artistic Japan». Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. The Journal of Decorative and Propaganda Arts. 1: 6–19. JSTOR 1503900
Weisberg 1975, p. 120. Weisberg, Gabriel P. (abril de 1975). «Aspects of Japonisme». Cleveland Museum of Art. The Bulletin of the Cleveland Museum of Art. 62 (4): 120–130. JSTOR 25152585
Meech-Pekarik 1982, p. 96. Meech-Pekarik, Julia (1982). «Early Collectors of Japanese Prints and the Metropolitan Museum of Art». University of Chicago Press. Metropolitan Museum Journal. 17: 93–118. JSTOR 1512790
Weisberg, Rakusin & Rakusin 1986, p. 6. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (primavera de 1986). «On Understanding Artistic Japan». Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. The Journal of Decorative and Propaganda Arts. 1: 6–19. JSTOR 1503900
Meech-Pekarik 1982, pp. 101–103. Meech-Pekarik, Julia (1982). «Early Collectors of Japanese Prints and the Metropolitan Museum of Art». University of Chicago Press. Metropolitan Museum Journal. 17: 93–118. JSTOR 1512790
Meech-Pekarik 1982, pp. 96–97. Meech-Pekarik, Julia (1982). «Early Collectors of Japanese Prints and the Metropolitan Museum of Art». University of Chicago Press. Metropolitan Museum Journal. 17: 93–118. JSTOR 1512790
Meech-Pekarik 1982, p. 99. Meech-Pekarik, Julia (1982). «Early Collectors of Japanese Prints and the Metropolitan Museum of Art». University of Chicago Press. Metropolitan Museum Journal. 17: 93–118. JSTOR 1512790
Fitzhugh 1979, p. 27. Fitzhugh, Elisabeth West (1979). «A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art». Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. Ars Orientalis. 11: 27–38. JSTOR 4629295
Fitzhugh 1979, pp. 29, 34. Fitzhugh, Elisabeth West (1979). «A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art». Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. Ars Orientalis. 11: 27–38. JSTOR 4629295
Fitzhugh 1979, pp. 35–36. Fitzhugh, Elisabeth West (1979). «A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art». Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. Ars Orientalis. 11: 27–38. JSTOR 4629295
Tanaka 1999, p. 190. Tanaka, Hidemichi (1999). «Sharaku Is Hokusai: On Warrior Prints and Shunrô's (Hokusai's) Actor Prints». IRSA s.c. Artibus et Historiae. 20 (39): 157–190. JSTOR 1483579
Fleming 1985, p. 61. Fleming, Stuart (novembro–dezembro de 1985). «Ukiyo-e Painting: An Art Tradition under Stress». Archaeological Institute of America. Archaeology. 38 (6): 60–61, 75. JSTOR 41730275
Fleming 1985, p. 75. Fleming, Stuart (novembro–dezembro de 1985). «Ukiyo-e Painting: An Art Tradition under Stress». Archaeological Institute of America. Archaeology. 38 (6): 60–61, 75. JSTOR 41730275
Toishi 1979, p. 25. Toishi, Kenzō (1979). «The Scroll Painting». Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. Ars Orientalis. 11: 15–25. JSTOR 4629294

metmuseum.org (Global: 854^th place; Portuguese: 821^st place)

resources.metmuseum.org

Ives 1974, p. 17. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 37–39, 45. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 80. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 96. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 56. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 67. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573

questia.com (Global: 1,682^nd place; Portuguese: 1,477^th place)

Lane 1962, pp. 8–9. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, pp. 150, 152. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 224. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, pp. 284–285. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 290. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 285. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 9. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Hillier 1954, p. 20. Hillier, Jack Ronald (1954). Japanese Masters of the Colour Print: A Great Heritage of Oriental Art. [S.l.]: Phaidon Press. OCLC 1439680 (Assinatura necessária)
Lane 1962, p. 313. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)

viewingjapaneseprints.net (Global: low place; Portuguese: low place)

Fiorillo 1999. Fiorillo, John. «Kindai Hanga». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 8 de dezembro de 2013
Fiorillo 1999–2001. Fiorillo, John. «FAQ: Care and Repair of Japanese Prints». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 4 de novembro de 2014
Fiorillo 2001–2002a. Fiorillo, John. «FAQ: How do you grade quality and condition?». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 3 de novembro de 2012
Fiorillo 1999–2005. Fiorillo, John. «FAQ: "Original" Prints». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 24 de junho de 2013
Fiorillo 2001–2002b. Fiorillo, John. «Deceptive Copies (Takamizawa Enji)». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 7 de dezembro de 2013

web.archive.org (Global: 1^st place; Portuguese: 1^st place)

Fiorillo 1999. Fiorillo, John. «Kindai Hanga». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 8 de dezembro de 2013
Fiorillo 1999–2001. Fiorillo, John. «FAQ: Care and Repair of Japanese Prints». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 4 de novembro de 2014
Fiorillo 2001–2002a. Fiorillo, John. «FAQ: How do you grade quality and condition?». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 3 de novembro de 2012
AFP staff 2009. AFP staff (16 de outubro de 2009). «Print by Japan's Toshusai Sharaku sold for record price». AFP. Consultado em 17 de dezembro de 2013. Cópia arquivada em 3 de março de 2014
Fiorillo 1999–2005. Fiorillo, John. «FAQ: "Original" Prints». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 24 de junho de 2013
Fiorillo 2001–2002b. Fiorillo, John. «Deceptive Copies (Takamizawa Enji)». Viewing Japanese Prints. Consultado em 17 de dezembro de 2013. Arquivado do original em 7 de dezembro de 2013

worldcat.org (Global: 4^th place; Portuguese: 5^th place)

Lane 1962, pp. 8–9. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Penkoff 1964, pp. 4–5. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 6. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Kikuchi & Kenny 1969, p. 31. Kikuchi, Sadao; Kenny, Don (1969). A Treasury of Japanese Wood Block Prints (Ukiyo-e). [S.l.]: Crown Publishers. OCLC 21250
Yashiro 1958, pp. 216, 218. Yashiro, Yukio (1958). 2000 Years of Japanese Art. [S.l.]: H. N. Abrams. OCLC 1303930
Penkoff 1964, p. 16. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Lane 1962, pp. 150, 152. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Michener 1959, p. 89. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Lane 1962, p. 224. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Michener 1959, p. 175. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Michener 1959, pp. 176–177. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Lane 1962, pp. 284–285. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 290. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Lane 1962, p. 285. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Michener 1959, p. 200. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Ives 1974, p. 17. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 37–39, 45. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 80. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 96. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 56. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Ives 1974, p. 67. Ives, Colta Feller (1974). The Great Wave: The Influence of Japanese Woodcuts on French Prints (PDF). [S.l.]: Metropolitan Museum of Art. OCLC 1009573
Penkoff 1964, pp. 9–11. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Lane 1962, p. 9. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)
Michener 1959, p. 11. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Michener 1959, pp. 11–12. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Michener 1959, p. 90. Michener, James A. (1959). Japanese Print: From the Early Masters to the Modern. [S.l.]: Charles E. Tuttle Company. OCLC 187406340
Hillier 1954, p. 20. Hillier, Jack Ronald (1954). Japanese Masters of the Colour Print: A Great Heritage of Oriental Art. [S.l.]: Phaidon Press. OCLC 1439680 (Assinatura necessária)
Penkoff 1964, p. 21. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Penkoff 1964, p. 1. Penkoff, Ronald (1964). Roots of the Ukiyo-e; Early Woodcuts of the Floating World (PDF). [S.l.]: Ball State Teachers College. OCLC 681751700
Link & Takahashi 1977, p. 32. Link, Howard A.; Takahashi, Seiichirō (1977). Utamaro and Hiroshige: In a Survey of Japanese Prints from the James A. Michener Collection of the Honolulu Academy of Arts. [S.l.]: Ōtsuka Kōgeisha. OCLC 423972712
Lane 1962, p. 313. Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. [S.l.]: Doubleday. OCLC 185540172 (Assinatura necessária)

Ukiyo-e (Portuguese Wikipedia)

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jstor.org (Global: 23rd place; Portuguese: 43rd place)

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