Analysis of information sources in references of the Wikipedia article "Victoria Dubourg" in Romanian language version.
The Irish Writer George Moore, who had trained as a painter in Paris in the 1870s, examined the issue of sexual difference in his book Modern Painting (1893). He suggested that woman painters have tended to parody men: [they] astonish us as much by their want of originality as they do by their extraordinary powers of assimilation. I am thinking now of the ladies who marry painters, and who, after few years of married life, exhibit work identical in execution with that of their illustrious husbands - Mrs E.M. Ward, Madame Fantin-Latour, Mrs Swan, Mrs Alma-Tadema. In a word, what Manet used to call la peinture a quatre mains.
Nor do the facts support Moore's argument. Fantin and Dubourg first met in 1866, when they both belonged to the circle around Manet. Dubourg, however, had produced her first still life two years previously, and Fantin did not exhibit his first still life at the Salon until 1866, so it would appear that Doubourg discovered the genre independently. The two did not marry until 1876, by which time Dubourg had already exhibited still lifes at eight Salons.
|title= (ajutor)|title= (ajutor)