"Deftones - Koi No Yokan Album Review"Архивировано 21 февраля 2013 года.. AbsolutePunk.net. Retrieved March 7, 2016. [...] the band is taking the experimental elements of Saturday Night Wrist and evolving it with the sound they created on Diamond Eyes. Unlike its predecessor however, this album has more of bassist Sergio Vega's handprints over it, as he and drummer Abe Cunningham's percussion skills give Koi No Yokan its backbone throughout. Carpenter will keep listeners guessing with the twists and tempo changes within his guitar work.,
"Deftones - Koi No Yokan Album Review"Архивировано 21 февраля 2013 года.. AbsolutePunk.net. Retrieved March 7, 2016. [...] the band is taking the experimental elements of Saturday Night Wrist and evolving it with the sound they created on Diamond Eyes. Unlike its predecessor however, this album has more of bassist Sergio Vega's handprints over it, as he and drummer Abe Cunningham's percussion skills give Koi No Yokan its backbone throughout. Carpenter will keep listeners guessing with the twists and tempo changes within his guitar work.,
"Deftones, 'Koi No Yokan' – Album Review"Архивная копия от 25 апреля 2013 на Wayback Machine. Loudwire. Retrieved March 7, 2016. Overall, if the Smashing Pumpkins were heavier, ballsier and angrier, they'd make albums that sound like this, since Deftones do have an alt-metal vibe. Moreno's lyrics are often from-the-journal-page and stream of thought, making them entirely open-ended and capable of attracting the disaffected.
Dick, Jonathan. "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'"Архивная копия от 13 апреля 2017 на Wayback Machine. npr.org. NPR. Retrieved 3 June 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own.
Dick, Jonathan. "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'"Архивная копия от 13 апреля 2017 на Wayback Machine. npr.org. NPR. Retrieved 3 June 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own."
"Deftones, 'Koi No Yokan' – Album Review"Архивная копия от 25 апреля 2013 на Wayback Machine. Loudwire. Retrieved March 7, 2016. Overall, if the Smashing Pumpkins were heavier, ballsier and angrier, they'd make albums that sound like this, since Deftones do have an alt-metal vibe. Moreno's lyrics are often from-the-journal-page and stream of thought, making them entirely open-ended and capable of attracting the disaffected.
Hoard, Christian (Oct 26, 2006). "Deftones, Saturday Night Wrist". Rolling Stone. Archived from the original on April 9, 2010. Retrieved 5 May 2015.
Dick, Jonathan. "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'"Архивная копия от 13 апреля 2017 на Wayback Machine. npr.org. NPR. Retrieved 3 June 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own.
Dick, Jonathan. "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'"Архивная копия от 13 апреля 2017 на Wayback Machine. npr.org. NPR. Retrieved 3 June 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own."
