downloadsАрхивная копия от 11 декабря 2019 на Wayback Machine on creativecommons.org «The building blocks icon used to represent „to remix“ is derived from the FreeCulture.org logo.»
Rufus Pollock.Optimal copyright over time: Technological change and the stock of works (неопр.) (PDF). University of Cambridge (1 октября 2007). — «The optimal level for copyright has been a matter for extensive debate over the last decade. Using a parsimonious theoretical model this paper contributes several new results of relevance to this debate. In particular we demonstrate that (a) optimal copyright is likely to fall as the production costs of 'originals' decline (for example as a result of digitization) (b) technological change which reduces costs of production may imply a decrease or a decrease in optimal levels of protection (this contrasts with a large number of commentators, particularly in the copyright industries, who have argued that such change necessitates increases in protection) (c) the optimal level of copyright will, in general, fall over time as the stock of work increases.» Дата обращения: 11 января 2015. Архивировано 21 февраля 2013 года.
Rufus Pollock.Forever minus a day? Calculating optimal copyright term (неопр.) (PDF). University of Cambridge (15 июня 2009). — «The optimal term of copyright has been a matter for extensive debate over the last decade. Based on a novel approach we derive an explicit formula which characterises the optimal term as a function of a few key and, most importantly, empirically-estimable parameters. Using existing data on recordings and books we obtain a point estimate of around 15 years for optimal copyright term with a 99% confidence interval extending up to 38 years. This is substantially shorter than any current copyright term and implies that existing terms are too long.» Дата обращения: 11 января 2015. Архивировано 12 января 2013 года.
Julian Sanchez.Lawrence Lessig: Re-examining the remix (неопр.) (video). TEDxNYED. ted.com (1 апреля 2010). — «Time 7:14: "social remixes [...] for performing social realities"; 8:00 "copyright policies about [...] level of control permitted to be exercised over our social realities"». Дата обращения: 27 февраля 2016. Архивировано 5 марта 2016 года.
downloadsАрхивная копия от 11 декабря 2019 на Wayback Machine on creativecommons.org «The building blocks icon used to represent „to remix“ is derived from the FreeCulture.org logo.»
Rufus Pollock.Optimal copyright over time: Technological change and the stock of works (неопр.) (PDF). University of Cambridge (1 октября 2007). — «The optimal level for copyright has been a matter for extensive debate over the last decade. Using a parsimonious theoretical model this paper contributes several new results of relevance to this debate. In particular we demonstrate that (a) optimal copyright is likely to fall as the production costs of 'originals' decline (for example as a result of digitization) (b) technological change which reduces costs of production may imply a decrease or a decrease in optimal levels of protection (this contrasts with a large number of commentators, particularly in the copyright industries, who have argued that such change necessitates increases in protection) (c) the optimal level of copyright will, in general, fall over time as the stock of work increases.» Дата обращения: 11 января 2015. Архивировано 21 февраля 2013 года.
Rufus Pollock.Forever minus a day? Calculating optimal copyright term (неопр.) (PDF). University of Cambridge (15 июня 2009). — «The optimal term of copyright has been a matter for extensive debate over the last decade. Based on a novel approach we derive an explicit formula which characterises the optimal term as a function of a few key and, most importantly, empirically-estimable parameters. Using existing data on recordings and books we obtain a point estimate of around 15 years for optimal copyright term with a 99% confidence interval extending up to 38 years. This is substantially shorter than any current copyright term and implies that existing terms are too long.» Дата обращения: 11 января 2015. Архивировано 12 января 2013 года.
Julian Sanchez.Lawrence Lessig: Re-examining the remix (неопр.) (video). TEDxNYED. ted.com (1 апреля 2010). — «Time 7:14: "social remixes [...] for performing social realities"; 8:00 "copyright policies about [...] level of control permitted to be exercised over our social realities"». Дата обращения: 27 февраля 2016. Архивировано 5 марта 2016 года.
Ferguson, Kirby.Everything's A Remix (неопр.). Everything Is A Remix Part 1. Дата обращения: 2 мая 2011. Архивировано 26 июня 2011 года.
Rostama, Guilda.Remix Culture and Amateur Creativity: A Copyright Dilemma (неопр.). WIPO (1 июня 2015). — «in 2013 a district court ruled that copyright owners do not have the right to simply take down content before undertaking a legal analysis to determine whether the remixed work could fall under fair use, a concept in US copyright law which permits limited use of copyrighted material without the need to obtain the right holder’s permission (US District Court, Stephanie Lenz v. Universal Music Corp., Universal Music Publishing Inc., and Universal Music Publishing Group, Case No. 5:07-cv-03783-JF, January 24, 2013).[...] Given the emergence of today’s “remix” culture, and the legal uncertainty surrounding remixes and mash-ups, the time would appear to be ripe for policy makers to take a new look at copyright law.». Дата обращения: 14 марта 2016. Архивировано 23 марта 2016 года.
Rostama, Guilda.Remix Culture and Amateur Creativity: A Copyright Dilemma (неопр.). WIPO (1 июня 2015). — «in 2013 a district court ruled that copyright owners do not have the right to simply take down content before undertaking a legal analysis to determine whether the remixed work could fall under fair use, a concept in US copyright law which permits limited use of copyrighted material without the need to obtain the right holder’s permission (US District Court, Stephanie Lenz v. Universal Music Corp., Universal Music Publishing Inc., and Universal Music Publishing Group, Case No. 5:07-cv-03783-JF, January 24, 2013).[...] Given the emergence of today’s “remix” culture, and the legal uncertainty surrounding remixes and mash-ups, the time would appear to be ripe for policy makers to take a new look at copyright law.». Дата обращения: 14 марта 2016. Архивировано 23 марта 2016 года.
