Garrard, Mary D.Here’s Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist (англ.) // Renaissance Quarterly : journal. — Vol. 47, no. 3. — P. 556—622. — doi:10.2307/2863021.. — «It is an ignoble position for a male, one that Caravaggio, when he borrowed the motif, was careful to dignify by eroticizing. As Roberto Longhi first observed, Caravaggio is likely to have taken from Anguissola the finger-biting motif in his Boy Bitten by a Lizard; the point is reiterated in recent literature (e.g., Mina Gregori’s catalogue entry in The Age of Caravaggio).». (недоступная ссылка)
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Garrard, Mary D.Here’s Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist (англ.) // Renaissance Quarterly : journal. — Vol. 47, no. 3. — P. 556—622. — doi:10.2307/2863021.. — «It is an ignoble position for a male, one that Caravaggio, when he borrowed the motif, was careful to dignify by eroticizing. As Roberto Longhi first observed, Caravaggio is likely to have taken from Anguissola the finger-biting motif in his Boy Bitten by a Lizard; the point is reiterated in recent literature (e.g., Mina Gregori’s catalogue entry in The Age of Caravaggio).». (недоступная ссылка)
