Wendy Jeffers.Dorothy C. Miller: The discerning eye of the collector-curator (неопр.). Christie's art auction catalogue (ноябрь 2003). — «Remarkable both for its quality and breadth, the Dorothy C. Miller collection echoes the lively aesthetic debates that took place in and around her Greenwich Village apartment during the intellectual genesis of Abstract Expressionist art in the 1930s and 1940s.… Alexander Calder… fabricated the mobile The Red Ghost for the focal point of the ceiling of her apartment. As Miller told the story, Calder arrived with pliers, a suitcase full of wires and various biomorphic shapes which, after mounting a rickety wooden stepladder, he hung from a chandelier finial in her ceiling.» Дата обращения: 20 сентября 2019. Архивировано 3 марта 2016 года.
Rona Roob.Dorothy C. Miller 1904-2003 - Front Page - Obituary (неопр.). Art in America (сентябрь 2003). Дата обращения: 20 сентября 2019. Архивировано 5 сентября 2008 года. Robert Rosenblum: «Dorothy Miller… played a brilliant role in tracing, at the right time and in the right place, two astonishing decades of American art. She wrote a major history of those incredible years … through a series of living visual events that steered spectators, both sophisticated and naive, through the most uncharted and thrilling seas the New York art world has ever known.»
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Lindsay Pollock.Mama MoMA (неопр.). New York Magazine (3 ноября 2003). — «Unlike her mentor, who tended to spend most of his time amid the white-glove set on the Upper East Side, Miller was most comfortable in the bohemian casualness downtown.… Her favorite hangout in the thirties was Romany Marie's Cafe, on 8th Street, which served cheap Romanian food and beer and had, at the time, the best salon... "At Marie's, people didn't have enough money to get drunk. People just talked and talked and talked," she said.» Дата обращения: 20 сентября 2019. Архивировано 3 октября 2011 года.
Lindsay Pollock.Mama MoMA (неопр.). New York Magazine (3 ноября 2003). — «Unlike her mentor, who tended to spend most of his time amid the white-glove set on the Upper East Side, Miller was most comfortable in the bohemian casualness downtown.… Her favorite hangout in the thirties was Romany Marie's Cafe, on 8th Street, which served cheap Romanian food and beer and had, at the time, the best salon... "At Marie's, people didn't have enough money to get drunk. People just talked and talked and talked," she said.» Дата обращения: 20 сентября 2019. Архивировано 3 октября 2011 года.
Wendy Jeffers.Dorothy C. Miller: The discerning eye of the collector-curator (неопр.). Christie's art auction catalogue (ноябрь 2003). — «Remarkable both for its quality and breadth, the Dorothy C. Miller collection echoes the lively aesthetic debates that took place in and around her Greenwich Village apartment during the intellectual genesis of Abstract Expressionist art in the 1930s and 1940s.… Alexander Calder… fabricated the mobile The Red Ghost for the focal point of the ceiling of her apartment. As Miller told the story, Calder arrived with pliers, a suitcase full of wires and various biomorphic shapes which, after mounting a rickety wooden stepladder, he hung from a chandelier finial in her ceiling.» Дата обращения: 20 сентября 2019. Архивировано 3 марта 2016 года.
Rona Roob.Dorothy C. Miller 1904-2003 - Front Page - Obituary (неопр.). Art in America (сентябрь 2003). Дата обращения: 20 сентября 2019. Архивировано 5 сентября 2008 года. Robert Rosenblum: «Dorothy Miller… played a brilliant role in tracing, at the right time and in the right place, two astonishing decades of American art. She wrote a major history of those incredible years … through a series of living visual events that steered spectators, both sophisticated and naive, through the most uncharted and thrilling seas the New York art world has ever known.»
