„Kill Your Stereo - Reviews: Shai Hulud - Misanthropy Pure”.Arhiviranoiz originalana datum 2012-03-27.Pristupljeno 2010-07-27.»Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band’s earliest release is widely credited with influencing an entire generation of musicians«
lambgoat.com "This is deathcore. This is what happens when death metal and hardcore, along with healthy doses of other heavy music styles, are so smoothly blended..."
„EXCLUSIVE INTERVIEW WITH SHAI HULUD GUITARIST MATT FOX”.Pristupljeno 09. 10. 2008.»"When we used to joke with the term, it was just a clever (or not so clever) way of describing a metallic hardcore, metal-influenced hardcore, or hardcore-influenced metal band."«
„Shai Hulud, interview with Punknews.org - 05/28/08”.Arhiviranoiz originalana datum 2008-10-16.Pristupljeno 21. 09. 2008.»"As far as coining the term “metalcore” or coining a sound, I don’t think we did. There were bands before Shai Hulud started that my friends and I were referring to as “metalcore”. Bands like Burn, Deadguy, Earth Crisis, even Integrity. These bands that were heavier than the average hardcore bands. These bands that were more progressive than the average hardcore band. My friends and I would always refer to them as “metalcore” because it wasn’t purely hardcore and it wasn’t purely metal. It was like a heavier hardcore band with hardcore ethics and attitude but clearly a metal influence. So we would joke around and say “Hey, it’s metalcore. Cool!” But it was definitely a tongue-in-cheek term."«
„Shai Hulud - Hearts Once Nourished With Hope And Co Review - sputnikmusic”.»Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore. So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them, because of how perfect they blend hardcore and metal.«
"The best part of every metalcore song is the breakdown, the part where the drums drop out and the guitars slow their frantic gallop to a devastating, precise crunch-riff and everyone in the moshpit goes extra nuts." - Tom Breihan. "Status Ain't Hood". "Live: Trivium, the Jackson 5 of Underground Metal". The Village Voice Daily Voice. October 11, 2006. Arhivirano 2008-09-21 na Wayback Machine-u Access date: July 21, 2008.
„Shai Hulud, interview with Punknews.org - 05/28/08”.Arhiviranoiz originalana datum 2008-10-16.Pristupljeno 21. 09. 2008.»"As far as coining the term “metalcore” or coining a sound, I don’t think we did. There were bands before Shai Hulud started that my friends and I were referring to as “metalcore”. Bands like Burn, Deadguy, Earth Crisis, even Integrity. These bands that were heavier than the average hardcore bands. These bands that were more progressive than the average hardcore band. My friends and I would always refer to them as “metalcore” because it wasn’t purely hardcore and it wasn’t purely metal. It was like a heavier hardcore band with hardcore ethics and attitude but clearly a metal influence. So we would joke around and say “Hey, it’s metalcore. Cool!” But it was definitely a tongue-in-cheek term."«
"The best part of every metalcore song is the breakdown, the part where the drums drop out and the guitars slow their frantic gallop to a devastating, precise crunch-riff and everyone in the moshpit goes extra nuts." - Tom Breihan. "Status Ain't Hood". "Live: Trivium, the Jackson 5 of Underground Metal". The Village Voice Daily Voice. October 11, 2006. Arhivirano 2008-09-21 na Wayback Machine-u Access date: July 21, 2008.
Felix von Havoc, Maximum Rock'n'Roll #198 Arhivirano 2008-06-05 na Wayback Machine-u Access date: June 20, 2008
„Kill Your Stereo - Reviews: Shai Hulud - Misanthropy Pure”.Arhiviranoiz originalana datum 2012-03-27.Pristupljeno 2010-07-27.»Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band’s earliest release is widely credited with influencing an entire generation of musicians«
