The precise role of Raphael in Perugino's works, executed during his apprenticeship, is disputed by scholars. The independent works depicted in Perugia are: the Ansidei Madonna (taken by the French under the terms of the Treaty of Tolentino in 1798), the Deposition by Raphael (Pala Baglioni, this masterpiece was expropriated by Scipione Borghese in 1608, cf. The Guardian, October 19, 2004), the Madonna and Child Enthroned with Saints, by Raphael (formerly in the convent of St Anthony of Padua cf.The Colonna Altarpiece review at Art HistoryArchived 2007-12-19 at the Wayback Machine), the Connestabile Madonna (this picture left Perugia in 1871, when Count Connestabile sold it to the emperor of Russia for £13,200, cf. Encyclopædia Britannica), the Oddi altar by Raphael (requisitioned by the French in 1798)
Procopius, Bellum Gothicum, 3 (7).2.35.2, characteristically does not mention the incident, reported in Gregory the Great, Dialogues, 13Archived 2009-09-17 at the Wayback Machine, who imagines a seven-year siege (i.e. since 540, before the accession of Baduila) and dramatically reports Herculanus' grotesque murder.
The precise role of Raphael in Perugino's works, executed during his apprenticeship, is disputed by scholars. The independent works depicted in Perugia are: the Ansidei Madonna (taken by the French under the terms of the Treaty of Tolentino in 1798), the Deposition by Raphael (Pala Baglioni, this masterpiece was expropriated by Scipione Borghese in 1608, cf. The Guardian, October 19, 2004), the Madonna and Child Enthroned with Saints, by Raphael (formerly in the convent of St Anthony of Padua cf.The Colonna Altarpiece review at Art HistoryArchived 2007-12-19 at the Wayback Machine), the Connestabile Madonna (this picture left Perugia in 1871, when Count Connestabile sold it to the emperor of Russia for £13,200, cf. Encyclopædia Britannica), the Oddi altar by Raphael (requisitioned by the French in 1798)
The precise role of Raphael in Perugino's works, executed during his apprenticeship, is disputed by scholars. The independent works depicted in Perugia are: the Ansidei Madonna (taken by the French under the terms of the Treaty of Tolentino in 1798), the Deposition by Raphael (Pala Baglioni, this masterpiece was expropriated by Scipione Borghese in 1608, cf. The Guardian, October 19, 2004), the Madonna and Child Enthroned with Saints, by Raphael (formerly in the convent of St Anthony of Padua cf.The Colonna Altarpiece review at Art HistoryArchived 2007-12-19 at the Wayback Machine), the Connestabile Madonna (this picture left Perugia in 1871, when Count Connestabile sold it to the emperor of Russia for £13,200, cf. Encyclopædia Britannica), the Oddi altar by Raphael (requisitioned by the French in 1798)
Procopius, Bellum Gothicum, 3 (7).2.35.2, characteristically does not mention the incident, reported in Gregory the Great, Dialogues, 13Archived 2009-09-17 at the Wayback Machine, who imagines a seven-year siege (i.e. since 540, before the accession of Baduila) and dramatically reports Herculanus' grotesque murder.
"...some studies for the figure of St. John the Martyr which Raphael used in 1505 in his great fresco in the Church of San Severo at Perugia." (The Notebooks of Leonardo da Vinci (X)
