Lindley, Craig (јун 24—26, 2004). „Narrative, Game Play, and Alternative Time Structures for Virtual Environments”. Ур.: Göbel, Stefan. Technologies for Interactive Digital Storytelling and Entertainment: Proceedings of TIDSE 2004. Darmstadt, Germany: Springer. стр. 183-194. ISBN978-3-540-22283-5. doi:10.1007/978-3-540-27797-2_25. „.. gameplay gestalt, understood as a pattern of interaction with the game system." ("A gestalt may be understood as a configuration or pattern of elements so unified as a whole that it cannot be described merely as a sum of its parts."); ".. In general, it [game play gestalt] is a particular way of thinking about the game state from the perspective of a player, together with a pattern of repetitive perceptual, cognitive, and motor operations. A particular gameplay gestalt could be unique to a person, a game, or even a playing occasion. Unique game play gestalts can also be identified across games, game genres, and players.”Проверите вредност парамет(а)ра за датум: |date= (помоћ)
Salen, Katie; Zimmerman, Eric (2004). Rules of Play: Game Design Fundamentals. Cambridge, Massachusetts: The MIT Press. стр. 3. ISBN978-0-262-24045-1. „Game play is the formalized interaction that occurs when players follow the rules of a game and experience its system through play.”
Adams, Ernest; Rollings, Andrew (2003). Andrew Rollings and Ernest Adams on game design. New Riders Publishing. ISBN978-1-59273-001-8. „One or more casually linked series of challenges in a simulated environment"; "Gameplay is the result of a large number of contributing elements.. gameplay is not a singular entity. It is a combination of many elements, a synergy that emerges from the inclusion of certain factors.. The gameplay emerges from the interaction among these elements, ..”
Concise Oxford English Dictionary (11, Revised изд.). Oxford University Press, USA. 2008. ISBN978-0-19-954841-5. „gameplay (in a computer game) the plot and the way the game is played, as distinct from the graphics and sound effects”
Oxland, Kevin (2004). Gameplay and design. Addison Wesley. ISBN978-0-321-20467-7. „.. gameplay is the components that make up a rewarding, absorbing, challenging experience that compels player to return for more .. [Gameplay] does not come from a great visual character, not does it come from state-of-art technology and beautifully rendered art.”
Tavinor, Grant (2009). The Art of Videogames. Wiley-Blackwell. ISBN978-1-4051-8788-6. „[T]he interactive involvement typically associated with videogames, that is, the activities that occur when one plays a videogame.”
Egenfeldt-Nielson, Simon; Smith, Jonas Heide; Tosca, Susana Pajares (2008). Understanding Video Games: The Essential Introduction. Routledge. ISBN978-0-415-97721-0. „In line with the common use of the term, we will define gameplay as: the game dynamics emerging from the interplay between rules and game geography.”
Adams, Ernest (2006). Fundamentals of Game Design. Prentice Hall. ISBN978-0-13-168747-9. „.. defined gameplay as consisting of the challenges and actions that a game offers: challenges for the player to overcome and actions that let her overcome them.. [T]he essence of gameplay remains the relationship between the challenges and the actions available to surmount them.”
Lindley, Craig; Nacke, Lennart; Sennersten, Charlotte (новембар 3—5, 2008). „Dissecting Play – Investigating the Cognitive and Emotional Motivations and Affects of Computer Gameplay”. Proceedings of CGAMES 08. Wolverhampton, UK: University of Wolverhampton. ISBN978-0-9549016-6-0. Архивирано из оригинала 23. 9. 2015. г. Приступљено 25. 9. 2018. „The experience of gameplay is one of interacting with a game design in the performance of cognitive tasks, with a variety of emotions arising from or associated with different elements of motivation, task performance and completion”Проверите вредност парамет(а)ра за датум: |date= (помоћ)
Lindley, Craig (јун 24—26, 2004). „Narrative, Game Play, and Alternative Time Structures for Virtual Environments”. Ур.: Göbel, Stefan. Technologies for Interactive Digital Storytelling and Entertainment: Proceedings of TIDSE 2004. Darmstadt, Germany: Springer. стр. 183-194. ISBN978-3-540-22283-5. doi:10.1007/978-3-540-27797-2_25. „.. gameplay gestalt, understood as a pattern of interaction with the game system." ("A gestalt may be understood as a configuration or pattern of elements so unified as a whole that it cannot be described merely as a sum of its parts."); ".. In general, it [game play gestalt] is a particular way of thinking about the game state from the perspective of a player, together with a pattern of repetitive perceptual, cognitive, and motor operations. A particular gameplay gestalt could be unique to a person, a game, or even a playing occasion. Unique game play gestalts can also be identified across games, game genres, and players.”Проверите вредност парамет(а)ра за датум: |date= (помоћ)
Lindley, Craig; Nacke, Lennart; Sennersten, Charlotte (новембар 3—5, 2008). „Dissecting Play – Investigating the Cognitive and Emotional Motivations and Affects of Computer Gameplay”. Proceedings of CGAMES 08. Wolverhampton, UK: University of Wolverhampton. ISBN978-0-9549016-6-0. Архивирано из оригинала 23. 9. 2015. г. Приступљено 25. 9. 2018. „The experience of gameplay is one of interacting with a game design in the performance of cognitive tasks, with a variety of emotions arising from or associated with different elements of motivation, task performance and completion”Проверите вредност парамет(а)ра за датум: |date= (помоћ)
