Cinquemani, Sal (10. 9. 2001). „Madonna: Drowned World Tour Review”. Slant Magazine. Архивирано из оригинала 20. 3. 2007. г. Приступљено 29. 8. 2015. „Though her Cowgirl image is easily her least significant incarnation to date, Drowned World proves that Madonna is still unmatched in her ability to lift cultural iconography into the mainstream. The Geisha cycle is epilogued with hard techno beats and violent imagery taken from the groundbreaking Japanese anime film, Perfect Blue. The story's main character, Mima, a former pop star haunted by ghosts from her past, dreams of becoming an actress but resorts to porn gigs in her search for success.”CS1 одржавање: Формат датума (веза)
Cinquemani, Sal (10. 9. 2001). „Madonna: Drowned World Tour Review”. Slant Magazine. Архивирано из оригинала 20. 3. 2007. г. Приступљено 29. 8. 2015. „Though her Cowgirl image is easily her least significant incarnation to date, Drowned World proves that Madonna is still unmatched in her ability to lift cultural iconography into the mainstream. The Geisha cycle is epilogued with hard techno beats and violent imagery taken from the groundbreaking Japanese anime film, Perfect Blue. The story's main character, Mima, a former pop star haunted by ghosts from her past, dreams of becoming an actress but resorts to porn gigs in her search for success.”CS1 одржавање: Формат датума (веза)
