Jensen, Jeff (21. 7. 2000). „Generating X”. Entertainment Weekly. Time Warner. Pristupljeno 9. 11. 2017. »There was also debate over the style of the film's fight sequences, thanks to the new standard set by The Matrix, which hit while X-Men was in pre-production. Hence, the movie features some high-flying Matrix-y martial-arts choreography by Corey Yuen (Romeo Must Die).«
Jensen, Jeff. „The Sci-Fi 25”. Entertainment Weekly. Arhivirano iz originala 12. 6. 2007. g. Pristupljeno 28. 4. 2017.
Lane, Anthony (20. 1. 2003). „The Current Cinema: Trouble in the Streets”. The New Yorker. Pristupljeno 9. 11. 2017. »What I think of as the "Matrix" shot, a lone figure frozen while the camera circles around him, has travelled quickly from novelty to cliché, but Meirelles just about keeps it alive by using it to track the passage of time.«
Ebert, Roger (31. 3. 1999). „The Matrix”. Chicago Sun-Times. Sun-Times Media Group. Pristupljeno 9. 11. 2017. »"The Matrix" recycles the premises of "Dark City" and "Strange Days,"...«
„Matrix Virtual Theatre”. Warnervideo.com. Warner Bros. Pictures. 6. 11. 1999. Interview with the Wachowski Brothers. Arhivirano iz originala 14. 6. 2011. g. Pristupljeno 9. 11. 2017. »We liked Ghost in the Shell and the Ninja Scroll and Akira in anime. One thing that they do that we tried to bring to our film was a juxtaposition of time and space in action beats.«
„Matrix Virtual Theatre”. Warnervideo.com. Warner Bros. Pictures. 6. 11. 1999. Interview with the Wachowski Brothers. Arhivirano iz originala 14. 6. 2011. g. Pristupljeno 9. 11. 2017. »We liked Ghost in the Shell and the Ninja Scroll and Akira in anime. One thing that they do that we tried to bring to our film was a juxtaposition of time and space in action beats.«
-{Mitsuhisa Ishikawa, interviewed in The South Bank Show, episode broadcast 2/19/2006