White, Minor (април 1954). „Oscar Rejlander and the Model”(PDF). Image, Journal of Photography of George Eastman House. Rochester, New York: International Museum of Photography at George Eastman House Inc. III (4): 26—27. Архивирано из оригинала(PDF) 14. 7. 2014. г. Приступљено 13. 7. 2014.CS1 одржавање: Формат датума (веза)
Solomon, Matthew, „Introduction”(PDF), Fantastic Voyages of the Cinematic Imagination, SUNY Press, стр. 2, Архивирано из оригинала(PDF) 19. 07. 2020. г., Приступљено 2. 1. 2017, „As Charles Musser notes, 'Lubin, Selig, and Edison catalogs from 1903–04 listed many dupes … and gave particular prominence to Méliès films such as … A Trip to the Moon.' Consequently, Méliès received but a small fraction of the considerable profits earned by the film through sales of prints and theater admissions.”CS1 одржавање: Формат датума (веза)
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White, Minor (април 1954). „Oscar Rejlander and the Model”(PDF). Image, Journal of Photography of George Eastman House. Rochester, New York: International Museum of Photography at George Eastman House Inc. III (4): 26—27. Архивирано из оригинала(PDF) 14. 7. 2014. г. Приступљено 13. 7. 2014.CS1 одржавање: Формат датума (веза)
Solomon, Matthew, „Introduction”(PDF), Fantastic Voyages of the Cinematic Imagination, SUNY Press, стр. 2, Архивирано из оригинала(PDF) 19. 07. 2020. г., Приступљено 2. 1. 2017, „As Charles Musser notes, 'Lubin, Selig, and Edison catalogs from 1903–04 listed many dupes … and gave particular prominence to Méliès films such as … A Trip to the Moon.' Consequently, Méliès received but a small fraction of the considerable profits earned by the film through sales of prints and theater admissions.”CS1 одржавање: Формат датума (веза)