Specijalni efekti (Serbian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Specijalni efekti" in Serbian language version.

refsWebsite
Global rank Serbian rank
6th place
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1st place
1st place
low place
low place
low place
low place
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340th place
527th place
75th place
114th place

archive.org

books.google.com

eastmanhouse.org

image.eastmanhouse.org

  • White, Minor (април 1954). „Oscar Rejlander and the Model” (PDF). Image, Journal of Photography of George Eastman House. Rochester, New York: International Museum of Photography at George Eastman House Inc. III (4): 26—27. Архивирано из оригинала (PDF) 14. 7. 2014. г. Приступљено 13. 7. 2014. 

nasa.gov

jsc.nasa.gov

  • „History”, JSC (PDF), US: NASA, 11. 2. 2015 .

scienceandmediamuseum.org.uk

blog.scienceandmediamuseum.org.uk

si.edu

howthingsfly.si.edu

sunypress.edu

  • Solomon, Matthew, „Introduction” (PDF), Fantastic Voyages of the Cinematic Imagination, SUNY Press, стр. 2, Архивирано из оригинала (PDF) 19. 07. 2020. г., Приступљено 2. 1. 2017, „As Charles Musser notes, 'Lubin, Selig, and Edison catalogs from 1903–04 listed many dupes … and gave particular prominence to Méliès films such as … A Trip to the Moon.' Consequently, Méliès received but a small fraction of the considerable profits earned by the film through sales of prints and theater admissions. 

web.archive.org

  • White, Minor (април 1954). „Oscar Rejlander and the Model” (PDF). Image, Journal of Photography of George Eastman House. Rochester, New York: International Museum of Photography at George Eastman House Inc. III (4): 26—27. Архивирано из оригинала (PDF) 14. 7. 2014. г. Приступљено 13. 7. 2014. 
  • Solomon, Matthew, „Introduction” (PDF), Fantastic Voyages of the Cinematic Imagination, SUNY Press, стр. 2, Архивирано из оригинала (PDF) 19. 07. 2020. г., Приступљено 2. 1. 2017, „As Charles Musser notes, 'Lubin, Selig, and Edison catalogs from 1903–04 listed many dupes … and gave particular prominence to Méliès films such as … A Trip to the Moon.' Consequently, Méliès received but a small fraction of the considerable profits earned by the film through sales of prints and theater admissions.