Wells, Juliette (2006). „Chapter 3: Mothers of Chick Lit? Women Writers, Readers and Literary History”. Ур.: Ferriss, Suzanne; Young, Malloy. Chick Lit: The New Woman's Fiction. Routledge. стр. 54. ISBN9780415975025. Приступљено 5. 5. 2014. „Heroines' professional identities and workday experiences are certainly important to the texture of chick-lit novels, and sometimes central to their plot: Weisberger's The Devil Wears Prada, for instance, is built around the young heroine's relationship with her fashion-magazine boss ...”Непознати параметар |name-list-style= игнорисан (помоћ)CS1 одржавање: Формат датума (веза)
Schwarzbaum, Lisa (21. 6. 2006). „The Devil Wears Prada”. Entertainment Weekly. Приступљено 10. 2. 2019. „Lauren Weisberger, who wrote the hiss-and-tell roman à clef best-seller on which the picture is based, was herself an assistant to Wintour”CS1 одржавање: Формат датума (веза)
Memmott, Carol (21. 6. 2006). „Chick lit, for better or worse, is here to stay”. USA Today. Приступљено 5. 5. 2014. „Industry observers and booksellers say a glut of pedestrian chick lit has new fans returning to proven, now-classic novels such as Nanny Diaries (2002), Bergdorf Blondes by Plum Sykes (2004) and The Devil Wears Prada.”CS1 одржавање: Формат датума (веза)
