Жетва (слика Бројгела) (Serbian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Жетва (слика Бројгела)" in Serbian language version.

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bbc.co.uk

„Pieter Bruegel the Elder: The Harvesters (19.164)”. Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. 2014. OCLC 49730187. Архивирано из оригинала 5. 9. 2015. г. „Through his remarkable sensitivity to nature’s workings, Bruegel created a watershed in the history of Western art, suppressing the religious and iconographic associations of earlier depictions of the seasons in favor of an un-idealised vision of landscape.”
„Pieter Bruegel the Elder: The Harvesters”. The Metropolitan Museum of Art. Архивирано из оригинала 6. 9. 2015. г.
„MetMedia: The Harvesters”. The Metropolitan Museum of Art. New York. Архивирано из оригинала 3. 10. 2015. г. „It’s a landscape that’s really the first modern landscape in Western art. Bruegel has inserted a completely coherent middle ground, and it increases both our engagement with the landscape—he puts us into the landscape along with the peasants walking down those paths—and the sense of a measurable distance.”

„A discussion of The Harvesters by Pieter Bruegel the Elder”. TripImprover – Get more out of your museum visits!. Приступљено 26. 10. 2017.

„Pieter Bruegel the Elder: The Harvesters (19.164)”. Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. 2014. OCLC 49730187. Архивирано из оригинала 5. 9. 2015. г. „Through his remarkable sensitivity to nature’s workings, Bruegel created a watershed in the history of Western art, suppressing the religious and iconographic associations of earlier depictions of the seasons in favor of an un-idealised vision of landscape.”
„Pieter Bruegel the Elder: The Harvesters”. The Metropolitan Museum of Art. Архивирано из оригинала 6. 9. 2015. г.
„MetMedia: The Harvesters”. The Metropolitan Museum of Art. New York. Архивирано из оригинала 3. 10. 2015. г. „It’s a landscape that’s really the first modern landscape in Western art. Bruegel has inserted a completely coherent middle ground, and it increases both our engagement with the landscape—he puts us into the landscape along with the peasants walking down those paths—and the sense of a measurable distance.”

„Pieter Bruegel the Elder: The Harvesters (19.164)”. Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. 2014. OCLC 49730187. Архивирано из оригинала 5. 9. 2015. г. „Through his remarkable sensitivity to nature’s workings, Bruegel created a watershed in the history of Western art, suppressing the religious and iconographic associations of earlier depictions of the seasons in favor of an un-idealised vision of landscape.”