„Nicola Marschall”. The Encyclopedia of Alabama. 25. 4. 2011. Архивирано из оригинала 06. 06. 2013. г. Приступљено 29. 7. 2011. „The flag does resemble that of the Germanic European nation of Austria, which as a Prussian artist, Marschall would have known well.”
state.ms.us
upress.state.ms.us
Loewen, James W.; Sebesta, Edward H. (2010). The Confederate and Neo Confederate Reader: The Great Truth about the 'Lost Cause'. Jackson, Mississippi: University Press of Mississippi. стр. 13. ISBN978-1-60473-219-1. OCLC746462600. Архивирано из оригинала 13. 12. 2013. г. Приступљено 5. 12. 2013. „Confederates even showed their preoccupation with race in their flag. Civil War buffs know that 'the Confederate flag' waved today was never the official flag of the Confederate States of America. Rather, it was the flag of the Army of Northern Virginia. During the war, the Confederacy adopted three official flags. The first, sometimes called 'the Stars and Bars,' drew many objections 'on account of its resemblance to that of the abolition despotism against which we are fighting,' in the words of the editor of the Savannah Morning News, quoted herein.”
web.archive.org
„Nicola Marschall”. The Encyclopedia of Alabama. 25. 4. 2011. Архивирано из оригинала 06. 06. 2013. г. Приступљено 29. 7. 2011. „The flag does resemble that of the Germanic European nation of Austria, which as a Prussian artist, Marschall would have known well.”
Loewen, James W.; Sebesta, Edward H. (2010). The Confederate and Neo Confederate Reader: The Great Truth about the 'Lost Cause'. Jackson, Mississippi: University Press of Mississippi. стр. 13. ISBN978-1-60473-219-1. OCLC746462600. Архивирано из оригинала 13. 12. 2013. г. Приступљено 5. 12. 2013. „Confederates even showed their preoccupation with race in their flag. Civil War buffs know that 'the Confederate flag' waved today was never the official flag of the Confederate States of America. Rather, it was the flag of the Army of Northern Virginia. During the war, the Confederacy adopted three official flags. The first, sometimes called 'the Stars and Bars,' drew many objections 'on account of its resemblance to that of the abolition despotism against which we are fighting,' in the words of the editor of the Savannah Morning News, quoted herein.”
Coski, John M. (13. 5. 2013). „The Birth of the 'Stainless Banner'”. The New York Times. The New York Times Company. Архивирано из оригинала 27. 01. 2014. г. Приступљено 27. 1. 2014. „A handful of contemporaries linked the new flag design to the “peculiar institution” that was at the heart of the South’s economy, social system and polity: slavery. Bagby characterized the flag motif as the “Southern Cross” – the constellation, not a religious symbol – and hailed it for pointing 'the destiny of the Southern master and his African slave' southward to 'the banks of the Amazon,' a reference to the desire among many Southerners to expand Confederate territory into Latin America. In contrast, the editor of the Savannah, Ga., Morning News focused on the white field on which the Southern Cross was emblazoned. “As a people, we are fighting to maintain the heaven-ordained supremacy of the white man over the inferior or colored races. A White Flag would be thus emblematical of our cause.” He dubbed the new flag “the White Man’s Flag,” a sobriquet that never gained traction.”CS1 одржавање: Неподобан URL (веза)
„{title}”. Архивирано из оригинала 30. 1. 2009. г. Приступљено 27. 11. 2014.CS1 одржавање: BOT: статус параметра оригинални-URL непознат (веза)
worldcat.org
Loewen, James W.; Sebesta, Edward H. (2010). The Confederate and Neo Confederate Reader: The Great Truth about the 'Lost Cause'. Jackson, Mississippi: University Press of Mississippi. стр. 13. ISBN978-1-60473-219-1. OCLC746462600. Архивирано из оригинала 13. 12. 2013. г. Приступљено 5. 12. 2013. „Confederates even showed their preoccupation with race in their flag. Civil War buffs know that 'the Confederate flag' waved today was never the official flag of the Confederate States of America. Rather, it was the flag of the Army of Northern Virginia. During the war, the Confederacy adopted three official flags. The first, sometimes called 'the Stars and Bars,' drew many objections 'on account of its resemblance to that of the abolition despotism against which we are fighting,' in the words of the editor of the Savannah Morning News, quoted herein.”
