Лаута (Serbian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Лаута" in Serbian language version.

refsWebsite
Global rank Serbian rank
6th place
5th place
3rd place
2nd place
5th place
12th place
1,079th place
1,813th place
low place
low place
1,505th place
606th place
358th place
1,085th place
low place
low place

archive.org (Global: 6th place; Serbian: 5th place)

atlasofpluckedinstruments.com (Global: low place; Serbian: low place)

books.google.com (Global: 3rd place; Serbian: 2nd place)

  • Dumbrill 2005, стр. 305–310. "The long-necked lute would have stemmed from the bow-harp and eventually became the tunbur; and the fat-bodied smaller lute would have evolved into the modern Oud ... the lute pre-dated the lyre which can therefore be considered as a development of the lute, rather than the contrary, as had been thought until quite recently ... Thus the lute not only dates but also locates the transition from musical protoliteracy to musical literacy ..." Dumbrill, Richard J. (2005). The Archaeomusicology of the Ancient Near East. Victoria, British Columbia: Trafford Publishing. ISBN 978-1-4120-5538-3. OCLC 62430171. 
  • Dumbrill 2005, стр. 319–320. "The long-necked lute in the OED is orthographed as tambura; tambora, tamera, tumboora; tambur(a) and tanpoora. We have an Arabic Õunbur; Persian tanbur; Armenian pandir; Georgian panturi. and a Serbo-Croat tamburitza. The Greeks called it pandura; panduros; phanduros; panduris or pandurion. The Latin is pandura. It is attested as a Nubian instrument in the third century BC. The earliest literary allusion to lutes in Greece comes from Anaxilas in his play The Lyre-maker as 'trichordos' ... According to Pollux, the trichordon (sic) was Assyrian and they gave it the name pandoura...These instruments survive today in the form of the various Arabian tunbar ..." Dumbrill, Richard J. (2005). The Archaeomusicology of the Ancient Near East. Victoria, British Columbia: Trafford Publishing. ISBN 978-1-4120-5538-3. OCLC 62430171. 

britishmuseum.org (Global: 1,505th place; Serbian: 606th place)

  • „Cylinder Seal”. British Museum.  Culture/period Uruk, Date c. 3100 BC, Museum number 41632.

clevelandart.org (Global: low place; Serbian: low place)

ibiblio.org (Global: 1,079th place; Serbian: 1,813th place)

iranicaonline.org (Global: 358th place; Serbian: 1,085th place)

  • During, Jean (1988-12-15). „Barbat”. Encyclopaedia Iranica. Приступљено 2012-02-04. 

worldcat.org (Global: 5th place; Serbian: 12th place)

  • Dumbrill 2005, стр. 305–310. "The long-necked lute would have stemmed from the bow-harp and eventually became the tunbur; and the fat-bodied smaller lute would have evolved into the modern Oud ... the lute pre-dated the lyre which can therefore be considered as a development of the lute, rather than the contrary, as had been thought until quite recently ... Thus the lute not only dates but also locates the transition from musical protoliteracy to musical literacy ..." Dumbrill, Richard J. (2005). The Archaeomusicology of the Ancient Near East. Victoria, British Columbia: Trafford Publishing. ISBN 978-1-4120-5538-3. OCLC 62430171. 
  • Dumbrill 2005, стр. 319–320. "The long-necked lute in the OED is orthographed as tambura; tambora, tamera, tumboora; tambur(a) and tanpoora. We have an Arabic Õunbur; Persian tanbur; Armenian pandir; Georgian panturi. and a Serbo-Croat tamburitza. The Greeks called it pandura; panduros; phanduros; panduris or pandurion. The Latin is pandura. It is attested as a Nubian instrument in the third century BC. The earliest literary allusion to lutes in Greece comes from Anaxilas in his play The Lyre-maker as 'trichordos' ... According to Pollux, the trichordon (sic) was Assyrian and they gave it the name pandoura...These instruments survive today in the form of the various Arabian tunbar ..." Dumbrill, Richard J. (2005). The Archaeomusicology of the Ancient Near East. Victoria, British Columbia: Trafford Publishing. ISBN 978-1-4120-5538-3. OCLC 62430171.