Cooper, Daniel (2003). „Art”. Ур.: Nicholas John Cull. Propaganda and Mass Persuasion: A Historical Encyclopedia, 1500 to the Present. ABC-CLIO. стр. 23. ISBN9781576078204. „Propaganda art found more fertile ground in criticizing the U.S. government during the Vietnam conflict through works such as the famous Art Workers Coalition piece Q. And Babies? A. And Babies (1970) which commented on the horrors of the My Lai incident.” The poster is also discussed in Moore, Colin (2010). Propaganda Prints: A History of Art in the Service of Social and Political Change. A&C Black. стр. 181. and in Brewer, Susan. Why America Fights: Patriotism and War Propaganda from the Philippines to Iraq. Oxford University Press. стр. 221.
Reilly, Maura (31. 10. 2019). „MoMA's Revisionism Is Piecemeal and Problem-Filled: Feminist Art Historian Maura Reilly on the Museum's Rehang”. ARTnews.com (на језику: енглески). Приступљено 16. 12. 2023. „According to Barr, “modern art” was a synchronic, linear progression of “isms” in which one (heterosexual, white) male “genius” from Europe or the U.S. influenced another who inevitably trumped or subverted his previous master, thereby producing an avant-garde progression. Barr’s story was so ingrained in the institution that it was never questioned as problematic. The fact that very few women, artists of color, and those not from Europe or North America—in other words, all “Other” artists—were not on display was not up for discussion.”CS1 одржавање: Формат датума (веза)
Kleiner, Fred S.; Christin J. Mamiya (2005). „The Development of Modernist Art: The Early 20th Century”. Gardner's Art through the Ages: The Western Perspective. Thomson Wadsworth. стр. 796. ISBN978-0-4950-0478-3. Архивирано из оригинала 10. 5. 2016. г. „The Museum of Modern Art in New York City is consistently identified as the institution most responsible for developing modernist art ... the most influential museum of modern art in the world.”CS1 одржавање: Формат датума (веза)
Holsinger, M. Paul (1999). „And Babies”. War and American Popular Culture. Greenwood Press. стр. 363. ISBN9780313299087.
Cooper, Daniel (2003). „Art”. Ур.: Nicholas John Cull. Propaganda and Mass Persuasion: A Historical Encyclopedia, 1500 to the Present. ABC-CLIO. стр. 23. ISBN9781576078204. „Propaganda art found more fertile ground in criticizing the U.S. government during the Vietnam conflict through works such as the famous Art Workers Coalition piece Q. And Babies? A. And Babies (1970) which commented on the horrors of the My Lai incident.” The poster is also discussed in Moore, Colin (2010). Propaganda Prints: A History of Art in the Service of Social and Political Change. A&C Black. стр. 181. and in Brewer, Susan. Why America Fights: Patriotism and War Propaganda from the Philippines to Iraq. Oxford University Press. стр. 221.
McGrath, Jack (18. 10. 2019). „What the New MoMA Misunderstands About Pablo Picasso and Faith Ringgold”. Frieze (на језику: енглески). Приступљено 16. 12. 2023. „Despite MoMA’s progressive intentions, however, questions remain about what revamped purpose its expansion announces – especially on the levels of education, curatorial method and economic positionality.”CS1 одржавање: Формат датума (веза)
„About the Collection”. The Museum of Modern Art. Приступљено 19. 1. 2024.CS1 одржавање: Формат датума (веза)
momaps1.org
„Profile”. MoMA PS1. Приступљено 17. 7. 2018. „"MoMA PS1 was founded in 1971 by Alanna Heiss as the Institute for Art and Urban Resources Inc."”CS1 одржавање: Формат датума (веза)
„Facelift for Queens Museum”. Daily News (на језику: енглески). New York. Приступљено 3. 5. 2017.CS1 одржавање: Формат датума (веза)
nytimes.com
Cotter, Holland (10. 10. 2019). „MoMA Reboots With 'Modernism Plus'”. The New York Times (на језику: енглески). ISSN0362-4331. Приступљено 16. 12. 2023. „After decades of stonewalling multiculturalism, MoMA is now acknowledging it, even investing in it, most notably in a permanent collection rehang that features art — much of it recently acquired — from Africa, Asia, South America, and African America, and a significant amount of work by women.”CS1 одржавање: Формат датума (веза)
Kleiner, Fred S.; Christin J. Mamiya (2005). „The Development of Modernist Art: The Early 20th Century”. Gardner's Art through the Ages: The Western Perspective. Thomson Wadsworth. стр. 796. ISBN978-0-4950-0478-3. Архивирано из оригинала 10. 5. 2016. г. „The Museum of Modern Art in New York City is consistently identified as the institution most responsible for developing modernist art ... the most influential museum of modern art in the world.”CS1 одржавање: Формат датума (веза)
Cotter, Holland (10. 10. 2019). „MoMA Reboots With 'Modernism Plus'”. The New York Times (на језику: енглески). ISSN0362-4331. Приступљено 16. 12. 2023. „After decades of stonewalling multiculturalism, MoMA is now acknowledging it, even investing in it, most notably in a permanent collection rehang that features art — much of it recently acquired — from Africa, Asia, South America, and African America, and a significant amount of work by women.”CS1 одржавање: Формат датума (веза)
