''The Billboard Book of Number 1 Hits'', pg 922. Books.google.com. http://books.google.com/books?id=PgGqNrqfrsoC&printsec=frontcover&source=gbs_summary_r&cad=0#PPT931,M1. Läst 21 augusti 2011 Originalcitat: "I got a call from Gotti in Los Angeles. He asked me to write another verse [...] I had to write it over the phone and two-way Irv the lyrics." Originalcitat 2: "Everyone was there and Ja (Rule) was on the floor playing video games, and they had the beat playing in the background. Chris Gotti, Irv Gotti's brother, said 'Ja's supposed to be writing this record for J-Lo, but it doesn't look like he's going to be doing anything tonight. Why don't you go in there and see what's happening?' So that's exactly what I did."
Browne, David (8 mars 2002). ”J to that L-O! The Remixes Review”. Entertainment Weekly. Arkiverad från originalet den 5 november 2013. https://web.archive.org/web/20131105102136/http://www.ew.com/ew/article/0,,251577,00.html. Läst 24 juli 2012. Originalcitat: "Thoughts that occur while listening to this dreary, unrepentant piece of product: (1) The fad of rappers guesting on pop singles truly helps when it comes to Lopez, since you hear less of her; (2) for a dance-club record, these mixes are surprisingly limp; (3) the last song, a syrupy ballad called "Alive", cowritten with her new husband, is neither alive nor a remix; (4) if you listen to this long enough, you may actually be conned into thinking Lopez's voice and songs are passable; (5) as a result of No. 4, this may be the most insidious album ever made."
Fadele, Dele (28 mars 2002). ”Lopez, Jennifer : J To Tha L-o – The Remixes”. NME. http://www.nme.com/reviews/jennifer-lopez/6225. Läst 24 juli 2012. Originalcitat: "Whilst Jennifer Lopez is no Salvador Dalí, she remains a consummate pop artist of the day [...] She won't necessarily win awards for vocal gymnastics, but her range is perfectly suited to this collection of upbeat dancefloor cuts (with the obligatory affirmative power ballad, 'Alive'). Cynics might've seen collaborations with Ja Rule, Fat Joe and Trackmasters as a way of getting some hip-hop shine, if Lopez hadn't been so resolutely down with the programme for a while now. As tracks proceed further, from Latino House abstracts to Spanish versions of previous hits, it's apparent the agenda here is mainly fun. Just dance, OK."
Browne, David (8 mars 2002). ”J to that L-O! The Remixes Review”. Entertainment Weekly. Arkiverad från originalet den 5 november 2013. https://web.archive.org/web/20131105102136/http://www.ew.com/ew/article/0,,251577,00.html. Läst 24 juli 2012. Originalcitat: "Thoughts that occur while listening to this dreary, unrepentant piece of product: (1) The fad of rappers guesting on pop singles truly helps when it comes to Lopez, since you hear less of her; (2) for a dance-club record, these mixes are surprisingly limp; (3) the last song, a syrupy ballad called "Alive", cowritten with her new husband, is neither alive nor a remix; (4) if you listen to this long enough, you may actually be conned into thinking Lopez's voice and songs are passable; (5) as a result of No. 4, this may be the most insidious album ever made."
