Young, The Art of the Japanese Garden, pg. 64-65. Famous is Kuitert's critique on the zen garden as a modern interpretation: The term zen garden appears in English writing in the 1930s for the first time, in Japan zen teien, or zenteki teien comes up even later, from the 1950s. It applies to a Sung China-inspired composition technique derived from ink-painting. The composition or construction of such small, scenic gardens have no relation to religious Zen. See Kuitert, Themes, Scenes, and Taste in the History of Japanese Garden Art, 1988; Kuitert, Themes in the History of Japanese Garden Art 2002, pp.129-138; and the review of these two books by Elizabeth ten Grotenhuis http://www.jstor.org/stable/25064424