Beaton, E. A., Schmidt, L. A., Schulkin, J., Antony, M. M., Swinson, R. P. & Hall, G. B. (2009). "Different fusiform activity to stranger and personally familiar faces in shy and social adults". Social Neuroscience4 (4): 308–316. doi:10.1080/17470910902801021. பப்மெட்:19322727.
Beaton, E. A., Schmidt, L. A., Schulkin, J., Antony, M. M., Swinson, R. P. & Hall, G. B. (2009). "Different fusiform activity to stranger and personally familiar faces in shy and social adults". Social Neuroscience4 (4): 308–316. doi:10.1080/17470910902801021. பப்மெட்:19322727.
"Defining a Face: What Can DNA Phenotyping Really Tell Us About An Unknown Sample?" (in en). National Institute of Justice. https://nij.ojp.gov/topics/articles/defining-face-what-can-dna-phenotyping-really-tell-us-about-unknown-sample. பார்த்த நாள்: 4 April 2021. "Based on Walsh’s phenotype analysis, King determined that one of the earliest paintings of Richard III, the 1510 “Arched Framed Portrait,” best matched the genetic information. “We were still dealing with categories [of color] because we’re not at the quantitative level yet,” Walsh said of her determination of Richard III’s hair and eye color. “[King] wanted something physical to see, and that’s what spurred me to move toward the quantitative so strongly. Because I could always say to someone, ‘blue’ or ‘blonde,’ and they would say, ‘I need to see this physically.’ So that is what I’m working on now. I want to produce that result.” Walsh has gathered DNA phenotype data from 2,000 Irish, Greek and U.S. individuals and is currently collecting data from 3,000 additional individuals from those same countries in order to create a phenotype-genotype database and prediction model. For forensic purposes, she would like to be able to start with a “blank person” and with a sample of DNA, determine the actual eye, hair and skin pigmentation.".
