เชิงสี่เหลี่ยมมุมฉาก (Thai Wikipedia)

Analysis of information sources in references of the Wikipedia article "เชิงสี่เหลี่ยมมุมฉาก" in Thai language version.

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3web.archive.org

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1typefoundry.blogspot.co.uk

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adobe.com

fonts.adobe.com

Hamilton Wood Type Collection – joint venture between P22 Type Foundry and the Hamilton Wood Type and Printing Museum
Wood Type Revival – created from hand-set letterpress prints of the original 19th century wood type by Matt Griffin & Matt Braun
Etna – typeface adapted by Mark Simonson from HWT Aetna

blog.adobe.com

Analog, digital, virtual: @Home with Hamilton Wood Type by Molly Doane

creativecloud.adobe.com

Bringing Wood Type into the 21st Century by Angela Riechers

archive.org

Hansard, Thomas Curson (1825). Typographia, an Historical Sketch of the Origin and Progress of the Art of Printing. p. 618. สืบค้นเมื่อ 12 August 2015.
Hutt, Allen (1973). The Changing Newspaper: typographic trends in Britain and America 1622-1972 (1. publ. ed.). London: Fraser. pp. 100–2 etc. ISBN 9780900406225. The majority of the world's newspapers are typeset in one or another of the traditional Linotype 'Legibility Group', and most of the rest in their derivatives.
The Legibility of Type. Brooklyn: Mergenthaler Linotype Company. 1935. สืบค้นเมื่อ 29 April 2016.
Bryan, Marvin (1996). The Digital Typography Sourcebook. New York: Wiley. pp. 144–145. ISBN 9780471148111.

books.google.com

Alexander S. Lawson (January 1990). Anatomy of a Typeface. David R. Godine Publisher. pp. 277–294. ISBN 978-0-87923-333-4.
Theodore Low De Vinne (1902). The Practice of Typography: A Treatise on Title-pages, with Numerous Illustrations in Facsimile and Some Observations on the Early and Recent Printing of Books. Century Company. pp. 233–241. ISBN 9780838309353.
Alexander S. Lawson (January 1990). Anatomy of a Typeface. David R. Godine Publisher. pp. 262–280. ISBN 978-0-87923-333-4.

brill.com

Ovink, G.W. (1971). "Nineteenth-century reactions against the didone type model - I". Quaerendo. 1 (2): 18–31. doi:10.1163/157006971x00301. สืบค้นเมื่อ 20 February 2016.

doi.org

Ovink, G.W. (1971). "Nineteenth-century reactions against the didone type model - I". Quaerendo. 1 (2): 18–31. doi:10.1163/157006971x00301. สืบค้นเมื่อ 20 February 2016.

fontsinuse.com

Kennard, Jennifer (3 January 2014). "The Story of Our Friend, the Fat Face". Fonts in Use. สืบค้นเมื่อ 11 August 2015.

frerejones.com

Frere-Jones, Tobias. "Scrambled Eggs & Serifs". Frere-Jones Type. สืบค้นเมื่อ 23 October 2015.

github.com

คัดสรร ดีมาก. "cadsondemak/pridi". สืบค้นเมื่อ 2024-07-03.

idsgn.org

"Sentinel: historical background". IDSGN. คลังข้อมูลเก่าเก็บจากแหล่งเดิมเมื่อ 2019-04-28. สืบค้นเมื่อ 15 July 2015.

keithtam.net

Tam, Keith. "The revival of slab-serif typefaces in the 20th century" (PDF). KeithTam. คลังข้อมูลเก่าเก็บจากแหล่งเดิม (PDF)เมื่อ 2022-02-18. สืบค้นเมื่อ 3 March 2016.

myfonts.com

"Helserif". MyFonts. URW++. สืบค้นเมื่อ 19 March 2016.

printmag.com

Budrick, Callie (19 October 2015). "Vintage Fonts: 35 Adverts From the Past". Print. สืบค้นเมื่อ 20 March 2016.

smashingmagazine.com

Loxley, Simon (14 May 2012). "Font Wars: A Story On Rivalry Between Type Foundries". Smashing Magazine. สืบค้นเมื่อ 20 March 2016.

twitter.com

Coles, Stephen. "Twitter post". Twitter. สืบค้นเมื่อ 20 March 2016. [From a Helserif ad:] "Look what happened to Helvetica. It grew wings."

typefoundry.blogspot.co.uk

Mosley, James. "The Nymph and the Grot: an Update". Typefoundry blog. สืบค้นเมื่อ 12 December 2015.

utexas.edu

rrk.finearts.utexas.edu

"Rob Roy Kelly Wood Type Collection". University of Texas. สืบค้นเมื่อ 23 October 2015.

web.archive.org

"Sentinel: historical background". IDSGN. คลังข้อมูลเก่าเก็บจากแหล่งเดิมเมื่อ 2019-04-28. สืบค้นเมื่อ 15 July 2015.
Tam, Keith. "The revival of slab-serif typefaces in the 20th century" (PDF). KeithTam. คลังข้อมูลเก่าเก็บจากแหล่งเดิม (PDF)เมื่อ 2022-02-18. สืบค้นเมื่อ 3 March 2016.
Type classifications are useful, but the common ones are not by Indra Kupferschmid

wikipedia.org

de.wikipedia.org

Type classifications are useful, but the common ones are not by Indra Kupferschmid

woodtype.org

Hamilton Wood Type and Printing Museum