Gabriele Pedullà, Alberto Arbasino [2000] "Interviste–Sull'albero di ciliegie" ("On the Cherry Tree")15 Eylül 2020 tarihinde Wayback Machine sitesinde arşivlendi. in CONTEMPORANEA Rivista di studi sulla letteratura e sulla comunicazione, Volume 1, 2003. Q: In some of your texts written during the 60–I'm thinking above all of Certi romanzi–critical reflections on questions of the novel [...] are always interlaced in both an implicit and explicit way with reflections on cinema. In particular, it seems to me that your affinity with Fellini is especially significant: for example, your review of Otto e mezzo in Il Giorno. A: Reading Musil, we discovered parallels and similar procedures. But without being able to establish, either then or today, how much there was of Flaiano and how much, on the other hand, was of [Fellini's] own intuition.
Gabriele Pedullà, Alberto Arbasino [2000] "Interviste–Sull'albero di ciliegie" ("On the Cherry Tree")15 Eylül 2020 tarihinde Wayback Machine sitesinde arşivlendi. in CONTEMPORANEA Rivista di studi sulla letteratura e sulla comunicazione, Volume 1, 2003. Q: In some of your texts written during the 60–I'm thinking above all of Certi romanzi–critical reflections on questions of the novel [...] are always interlaced in both an implicit and explicit way with reflections on cinema. In particular, it seems to me that your affinity with Fellini is especially significant: for example, your review of Otto e mezzo in Il Giorno. A: Reading Musil, we discovered parallels and similar procedures. But without being able to establish, either then or today, how much there was of Flaiano and how much, on the other hand, was of [Fellini's] own intuition.
