A monumental effort. Front Line India's National Magazine from the publishers of The Hindu. 8 листопада 2003. Архів оригіналу за 10 April 2013. Процитовано 30 грудня 2012.
Bruyn, Pippa de; Bain, Keith; Allardice, David; Shonar Joshi (18 лютого 2010). Frommer's India. John Wiley & Sons. с. 333–. ISBN978-0-470-64580-2. Процитовано 7 лютого 2013.
Shore temple, Mamallapuram, India, Encyclopaedia Britannica
doi.org
Constance Holden (15 квітня 2005). Tsunami Uncovers Indian Shrines. Science. American Association for the Advancement of Science. 308 (5720): 350—350a. doi:10.1126/science.308.5720.350a.
Marr, John R. (1991). Note on the new excavations at the Shore Temple, Mahabalipuram. Bulletin of the School of Oriental and African Studies. Cambridge University Press. 54 (3): 574. doi:10.1017/s0041977x00000926.
Hirsh, Marilyn (1987). Mahendravarman I Pallava: Artist and Patron of Mamallapuram. Artibus Asiae. 48 (1/2): 109—130. doi:10.2307/3249854. JSTOR3249854.
Lippe, Aschwin (1975). Some South Indian Icons. Artibus Asiae. 37 (3): 170, 174, 177, context: 169–208. doi:10.2307/3250248. JSTOR3250248.
Meister, Michael W. (1983). Geometry and Measure in Indian Temple Plans: Rectangular Temples. Artibus Asiae. 44 (4): 266—296. doi:10.2307/3249613. ISSN0004-3648. JSTOR3249613.
flonnet.com
A monumental effort. Front Line India's National Magazine from the publishers of The Hindu. 8 листопада 2003. Архів оригіналу за 10 April 2013. Процитовано 30 грудня 2012.
frontlineonnet.com
Mamallapuram. Frontline: India’s national Magazine from the publishers of The Hindu. Архів оригіналу за 5 March 2012. Процитовано 30 грудня 2012.
Hirsh, Marilyn (1987). Mahendravarman I Pallava: Artist and Patron of Mamallapuram. Artibus Asiae. 48 (1/2): 109—130. doi:10.2307/3249854. JSTOR3249854.
R. Nagaswamy (1965), Some Contributions of the Pāṇḍya to South Indian Art, Artibus Asiae, Vol. 27, No. 3, pages 267—268, context: 265—274, Quote: "The latter states that 'King Vicitracitta [one of the titles of Mahendra] caused this temple dedicated to Brahma, Visnu, and Siva to be made without the use of brick, wood, metal, or mortar'. This has been interpreted as indicating that Mahendra claimed to be the first to make an important use of stone in religious architecture; it is argued that earlier buildings, in the perishable materials "brick, wood, metal, and mortar, « have failed to survive because of the passage of time and the climate of the South. (…) As for the Mandagapattu inscription, a more reasonable interpretation of Mahendra's statement is that most of the earlier temples in the Tamil country had been built of all five materials, including stone; the Pallava king merely claimed that he had at Mandagapattu used stone only, dispensing with the other four.»
Meister, Michael W. (1983). Geometry and Measure in Indian Temple Plans: Rectangular Temples. Artibus Asiae. 44 (4): 266—296. doi:10.2307/3249613. ISSN0004-3648. JSTOR3249613.
Group of Monuments at Mahabalipuram. UNESCO World Heritage Convention. United Nations Educational Scientific and Cultural Organization. Процитовано 23 жовтня 2012.
K R Srinivasan (1975). The Dharmarāja Ratha & its sculptures, Mahābalipuram. Abhinav. OCLC562850053.
Meister, Michael W. (1983). Geometry and Measure in Indian Temple Plans: Rectangular Temples. Artibus Asiae. 44 (4): 266—296. doi:10.2307/3249613. ISSN0004-3648. JSTOR3249613.