Analysis of information sources in references of the Wikipedia article "Постдиско" in Ukrainian language version.
"The band's -Peech Boys- ambient-tinged post-disco epics like "Don't Make Me Wait" and "Life is Something Special" are notable for their cavernous reverberance and dub-deep bass. Peech Boys were on the cutting edge of the early-eighties New York electro-funk sound like D-Train, Vicky D, Rocker's Revenge, Frances [sic] Joli, and Sharon Redd, labels like West End and Prelude, and producers like Arthur Baker, Francois Kevorkian, and John «Jellybean» Benitez.
Kurtis Blow may not have been 100 per cent proof Bronx hip hop, but his early records helped set the style in post-disco dance music.
[Unlimited Touch] weren't disco, and they weren't exactly straight-up R&B; like their Prelude labelmates D Train, Unlimited Touch combined the two forms into what is often referred to as post-disco.
