„Betsy Sells Venice“. Venice Vanguard Newsletter (2005-yil sentyabr). 2018-yil 18-aprelda asl nusxadan arxivlangan. Qaraldi: 2018-yil 17-aprel. „These cast iron sculptures were done by Felix Peano, an Italian sculptor whose work achieved more than a modest degree of fame at the turn of the century. Peano was an intimate friend of Jack London and was well known in the San Francisco Bay area. He was employed by Abbot Kinney to add his embelishments to the dream called Venice of America. The faces on the columns are classical in style, easily traceable to the influence of ancient Rome. Yet Peano did not go all the way back in time for his inspiration. He found it in a young girl of 17 who was living on the ocean front in 1904, watching Venice grow around her. "It was almost an embarrassing moment," explains Nettie Bouck. "Felix Peano was at our house, actually at that time it was the house of my future father-in-law, Mr. Bouck. I don´t know why. He just all of a sudden reached out and grabbed me. He was an Italian gentleman and very, very emotional. And he held my face, my hands, put his hands on my face and looked at it." Peano insisted that he would use those features in the work he was doing for Mr. Kinney. They showed up as the female face atop the Windward Avenue pillars. "Well, it was not a likeness of me, but the face, the contours of my face, gave him the idea to use it for the heads on the columns. There was really no big story or history about it," insists Mrs. Bouck, "except that he got a little bit over-enthusiastic I guess."“.
books.google.com
Elayne Alexander. Venice. Arcadia Publishing, February 2, 2009. ISBN 978-0-7385-6966-6. 2013-yil 9-yanvarda qaraldi.
„Betsy Sells Venice“. Venice Vanguard Newsletter (2005-yil sentyabr). 2018-yil 18-aprelda asl nusxadan arxivlangan. Qaraldi: 2018-yil 17-aprel. „These cast iron sculptures were done by Felix Peano, an Italian sculptor whose work achieved more than a modest degree of fame at the turn of the century. Peano was an intimate friend of Jack London and was well known in the San Francisco Bay area. He was employed by Abbot Kinney to add his embelishments to the dream called Venice of America. The faces on the columns are classical in style, easily traceable to the influence of ancient Rome. Yet Peano did not go all the way back in time for his inspiration. He found it in a young girl of 17 who was living on the ocean front in 1904, watching Venice grow around her. "It was almost an embarrassing moment," explains Nettie Bouck. "Felix Peano was at our house, actually at that time it was the house of my future father-in-law, Mr. Bouck. I don´t know why. He just all of a sudden reached out and grabbed me. He was an Italian gentleman and very, very emotional. And he held my face, my hands, put his hands on my face and looked at it." Peano insisted that he would use those features in the work he was doing for Mr. Kinney. They showed up as the female face atop the Windward Avenue pillars. "Well, it was not a likeness of me, but the face, the contours of my face, gave him the idea to use it for the heads on the columns. There was really no big story or history about it," insists Mrs. Bouck, "except that he got a little bit over-enthusiastic I guess."“.
