Farahat, Martha (1991). “On the Staging of Madrigal Comedies”. Early Music History. Cambridge, U.K.: Cambridge University Press. 10: 123–143. doi:10.1017/S026112790000111X. ISSN0261-1279. JSTOR942452. OCLC8595852. Truy cập ngày 15 tháng 1 năm 2008. Farahat's article concerns itself with the consensus among scholars that Banchieri's madrigal comedies were not intended to be staged but only for concert use, and some evidence that they were so intended; and a few related questions.
doi.org
Farahat, Martha (1991). “On the Staging of Madrigal Comedies”. Early Music History. Cambridge, U.K.: Cambridge University Press. 10: 123–143. doi:10.1017/S026112790000111X. ISSN0261-1279. JSTOR942452. OCLC8595852. Truy cập ngày 15 tháng 1 năm 2008. Farahat's article concerns itself with the consensus among scholars that Banchieri's madrigal comedies were not intended to be staged but only for concert use, and some evidence that they were so intended; and a few related questions.
jstor.org
Bonta, Stephen (Spring 1969). “The Uses of the 'Sonata de Chiesa'”. Journal of the American Musicological Society. Richmond, Va.: American Musicological Society. 22 (1): 56. ISSN0003-0139. JSTOR830812. |ngày truy cập= cần |url= (trợ giúp)
Farahat, Martha (1991). “On the Staging of Madrigal Comedies”. Early Music History. Cambridge, U.K.: Cambridge University Press. 10: 123–143. doi:10.1017/S026112790000111X. ISSN0261-1279. JSTOR942452. OCLC8595852. Truy cập ngày 15 tháng 1 năm 2008. Farahat's article concerns itself with the consensus among scholars that Banchieri's madrigal comedies were not intended to be staged but only for concert use, and some evidence that they were so intended; and a few related questions.
Bonta, Stephen (Spring 1969). “The Uses of the 'Sonata de Chiesa'”. Journal of the American Musicological Society. Richmond, Va.: American Musicological Society. 22 (1): 56. ISSN0003-0139. JSTOR830812. |ngày truy cập= cần |url= (trợ giúp)
Farahat, Martha (1991). “On the Staging of Madrigal Comedies”. Early Music History. Cambridge, U.K.: Cambridge University Press. 10: 123–143. doi:10.1017/S026112790000111X. ISSN0261-1279. JSTOR942452. OCLC8595852. Truy cập ngày 15 tháng 1 năm 2008. Farahat's article concerns itself with the consensus among scholars that Banchieri's madrigal comedies were not intended to be staged but only for concert use, and some evidence that they were so intended; and a few related questions.