"The ... oldest depiction of a crucifixion ... was uncovered by archaeologists more than a century ago on the Palatine Hill in Rome. It is a second-century graffiti scratched into a wall that was part of the imperial palace complex. It includes a caption — not by a Christian, but by someone taunting and deriding Christians and the crucifixions they underwent. It shows crude stick-figures of a boy reverencing his 'God,' who has the head of a jackass and is upon a cross with arms spread wide and with hands nailed to the crossbeam. Here we have a Roman sketch of a Roman crucifixion, and it is in the traditional cross shape" (Clayton F. Bower, Jr: Cross or Torture Stake?Lưu trữ 2008-03-29 tại Wayback Machine). Some 2nd-century writers took it for granted that a crucified person would have his or her arms stretched out, not connected to a single stake: Lucian speaks of Prometheus as crucified "above the ravine with his hands outstretched" and explains that the letter T (the Greek letter tau) was looked upon as an unlucky letter or sign (similar to the way the number thirteen is looked upon today as an unlucky number), saying that the letter got its "evil significance" because of the "evil instrument" which had that shape, an instrument which tyrants hung men on (ibidem).
"The very form of the cross, too, has five extremities, two in length, two in breadth, and one in the middle, on which [last] the person rests who is fixed by the nails" (Irenaeus (c. 130–202), Adversus Haereses II, xxiv, 4 [2]).
"The ... oldest depiction of a crucifixion ... was uncovered by archaeologists more than a century ago on the Palatine Hill in Rome. It is a second-century graffiti scratched into a wall that was part of the imperial palace complex. It includes a caption — not by a Christian, but by someone taunting and deriding Christians and the crucifixions they underwent. It shows crude stick-figures of a boy reverencing his 'God,' who has the head of a jackass and is upon a cross with arms spread wide and with hands nailed to the crossbeam. Here we have a Roman sketch of a Roman crucifixion, and it is in the traditional cross shape" (Clayton F. Bower, Jr: Cross or Torture Stake?Lưu trữ 2008-03-29 tại Wayback Machine). Some 2nd-century writers took it for granted that a crucified person would have his or her arms stretched out, not connected to a single stake: Lucian speaks of Prometheus as crucified "above the ravine with his hands outstretched" and explains that the letter T (the Greek letter tau) was looked upon as an unlucky letter or sign (similar to the way the number thirteen is looked upon today as an unlucky number), saying that the letter got its "evil significance" because of the "evil instrument" which had that shape, an instrument which tyrants hung men on (ibidem).
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"The ... oldest depiction of a crucifixion ... was uncovered by archaeologists more than a century ago on the Palatine Hill in Rome. It is a second-century graffiti scratched into a wall that was part of the imperial palace complex. It includes a caption — not by a Christian, but by someone taunting and deriding Christians and the crucifixions they underwent. It shows crude stick-figures of a boy reverencing his 'God,' who has the head of a jackass and is upon a cross with arms spread wide and with hands nailed to the crossbeam. Here we have a Roman sketch of a Roman crucifixion, and it is in the traditional cross shape" (Clayton F. Bower, Jr: Cross or Torture Stake?Lưu trữ 2008-03-29 tại Wayback Machine). Some 2nd-century writers took it for granted that a crucified person would have his or her arms stretched out, not connected to a single stake: Lucian speaks of Prometheus as crucified "above the ravine with his hands outstretched" and explains that the letter T (the Greek letter tau) was looked upon as an unlucky letter or sign (similar to the way the number thirteen is looked upon today as an unlucky number), saying that the letter got its "evil significance" because of the "evil instrument" which had that shape, an instrument which tyrants hung men on (ibidem).
"The very form of the cross, too, has five extremities, two in length, two in breadth, and one in the middle, on which [last] the person rests who is fixed by the nails" (Irenaeus (c. 130–202), Adversus Haereses II, xxiv, 4 [2]).
