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混搭文化 (Chinese Wikipedia)

Analysis of information sources in references of the Wikipedia article "混搭文化" in Chinese language version.

refsWebsite
Global rank Chinese rank
67web.archive.org
1st place
1st place
10doi.org
2nd place
23rd place
7wikipedia.org
low place
low place
5everythingisaremix.info
low place
low place
5wipo.int
1,462nd place
2,636th place
3ted.com
2,327th place
3,168th place
3djbc.net
low place
low place
3harvard.edu
18th place
57th place
2creativecommons.org
1,010th place
2,830th place
2techcrunch.com
187th place
481st place
2books.google.com
3rd place
8th place
2copyright.gov
6,605th place
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2rufuspollock.org
low place
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1lessig.org
low place
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1wired.com
193rd place
421st place
1locusmag.com
1,815th place
6,411th place
1nih.gov
4th place
5th place
1pewinternet.org
low place
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1henryjenkins.org
low place
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1fordhamcyberculture.wordpress.com
low place
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1mit.edu
415th place
500th place
1flavorwire.com
5,925th place
8,251st place
1i-c-r.org.uk
low place
low place
1amazon.com
105th place
269th place
1derstandard.at
743rd place
6,208th place
1firstmonday.org
low place
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1eurogamer.net
288th place
488th place
1illinois.edu
1,349th place
2,070th place
1vu.nl
8,540th place
low place
1arxiv.org
69th place
254th place
1metrotimes.com
6,091st place
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1eff.org
3,285th place
3,902nd place
1wsj.com
79th place
143rd place
1forbes.com
54th place
88th place
1priceonomics.com
low place
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1salon.com
456th place
1,212th place
1gnovisjournal.org
low place
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1artandeducation.net
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1unimelb.edu.au
3,221st place
3,227th place
1danielmiessler.com
low place
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1biblegateway.com
487th place
595th place
1gatheringinlight.com
low place
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1joshuawise.com
low place
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1pineight.com
low place
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1cinematech.blogspot.com
low place
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1montrealmirror.com
low place
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1video.google.com
6,564th place
4,419th place
1colbertnation.com
low place
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1ssrn.com
703rd place
1,016th place
1psu.edu
207th place
628th place
1youtube.com
9th place
2nd place
1lifehacker.com
4,734th place
8,334th place
1swissnexsanfrancisco.org
low place
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1slate.com
259th place
738th place
1theatlantic.com
228th place
597th place
1weeklystandard.com
5,987th place
2,794th place
1connecticutlawreview.org
low place
low place
1copyhype.com
low place
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amazon.com (Global: 105th place; Chinese: 269th place)

  • Kindle 3G Wireless Reading Device. 2010-08-04. （原始内容存档于2010-08-04）. Wireless Access to Wikipedia Kindle also includes free built-in access to the world's most exhaustive and up-to-date encyclopedia, Wikipedia.org. With Kindle in hand, looking up people, places, events, and more has never been easier. It gives whole new meaning to the phrase walking encyclopedia. 

artandeducation.net (Global: low place; Chinese: low place)

arxiv.org (Global: 69th place; Chinese: 254th place)

biblegateway.com (Global: 487th place; Chinese: 595th place)

books.google.com (Global: 3rd place; Chinese: 8th place)

cinematech.blogspot.com (Global: low place; Chinese: low place)

colbertnation.com (Global: low place; Chinese: low place)

connecticutlawreview.org (Global: low place; Chinese: low place)

copyhype.com (Global: low place; Chinese: low place)

copyright.gov (Global: 6,605th place; Chinese: low place)

creativecommons.org (Global: 1,010th place; Chinese: 2,830th place)

danielmiessler.com (Global: low place; Chinese: low place)

derstandard.at (Global: 743rd place; Chinese: 6,208th place)

djbc.net (Global: low place; Chinese: low place)

doi.org (Global: 2nd place; Chinese: 23rd place)

  • Chapdelaine, Pascale. The Nature and Function of Exceptions to Copyright Infringement. Oxford Scholarship Online. 2017-11-23, 1. doi:10.1093/oso/9780198754794.003.0003. 
  • Crombie, David; Lenoir, Roger, Designing Accessible Music Software for Print Impaired People, Assistive Technology for Visually Impaired and Blind People (Springer London), 2008: 581–613, ISBN 9781846288661, doi:10.1007/978-1-84628-867-8_16 
  • Neis, Pascal; Zipf, Alexander, Analyzing the Contributor Activity of a Volunteered Geographic Information Project — the Case of OpenStreetMap, ISPRS International Journal of Geo-Information, 2012, 1 (2): 146–165, Bibcode:2012IJGI....1..146N, doi:10.3390/ijgi1020146 
  • Yuri Takhteyev, Quinn DuPont. Retrocomputing as Preservation and Remix (PDF). iConference 2013 Proceedings. 2013: 422–432 [2016-03-26]. doi:10.9776/13230 (不活跃 2019-10-31). （原始内容存档 (PDF)于2020-12-10）. This paper looks at the world of retrocomputing, a constellation of largely non-professional practices involving old computing technology. Retrocomputing includes many activities that can be seen as constituting “preservation.” At the same time, it is often transformative, producing assemblages that “remix” fragments from the past with newer elements or joining together historic components that were never combined before. While such “remix” may seem to undermine preservation, it allows for fragments of computing history to be reintegrated into a living, ongoing practice, contributing to preservation in a broader sense. The seemingly unorganized nature of retrocomputing assemblages also provides space for alternative “situated knowledges” and histories of computing, which can sometimes be quite sophisticated. Recognizing such alternative epistemologies paves the way for alternative approaches to preservation. 
  • Friesike, S.; Flath, C.M.; Wirth, M.; Thiesse, F. Creativity and productivity in product design for additive manufacturing: Mechanisms and platform outcomes of remixing. Journal of Operations Management. 2018. doi:10.1016/j.jom.2018.10.004. 
  • Flath, C.M.; Friesike, S.; Wirth, M.; Thiesse, F. Copy, transform, combine: exploring the remix as a form of innovation (PDF). Journal of Information Technology. 2017, 32 (4): 306–325 [2020-01-22]. doi:10.1057/s41265-017-0043-9. （原始内容存档 (PDF)于2018-07-22）. 
  • Kyriakou, H.; Nickerson, J.V.; Sabnis, G. Knowledge Reuse for Customization: Metamodels in an Open Design Community for 3D Printing. MIS Quarterly. 2017, 41 (1): 315–332. Bibcode:2017arXiv170208072K. arXiv:1702.08072 可免费查阅. doi:10.25300/MISQ/2017/41.1.17. 
  • Stanko, M.A. Toward a theory of remixing in online innovation communities. Information Systems Research. 2016, 27 (4): 773–791. doi:10.1287/isre.2016.0650. 
  • Kanai, Akane. Jennifer Lawrence, Remixed: Approaching Celebrity Through DIY Digital Culture. Celebrity Studies. 2015, 6 (3): 322–340. doi:10.1080/19392397.2015.1062644. 
  • Selber, Stuart. Plagiarism, Originality, Assemblage. Computers & Composition. December 2007, 24 (4): 375–403. CiteSeerX 10.1.1.368.2011 可免费查阅. doi:10.1016/j.compcom.2007.08.003. 

eff.org (Global: 3,285th place; Chinese: 3,902nd place)

eurogamer.net (Global: 288th place; Chinese: 488th place)

everythingisaremix.info (Global: low place; Chinese: low place)

firstmonday.org (Global: low place; Chinese: low place)

flavorwire.com (Global: 5,925th place; Chinese: 8,251st place)

forbes.com (Global: 54th place; Chinese: 88th place)

fordhamcyberculture.wordpress.com (Global: low place; Chinese: low place)

gatheringinlight.com (Global: low place; Chinese: low place)

gnovisjournal.org (Global: low place; Chinese: low place)

harvard.edu (Global: 18th place; Chinese: 57th place)

ui.adsabs.harvard.edu

hls.harvard.edu

henryjenkins.org (Global: low place; Chinese: low place)

i-c-r.org.uk (Global: low place; Chinese: low place)

illinois.edu (Global: 1,349th place; Chinese: 2,070th place)

ideals.illinois.edu

  • Yuri Takhteyev, Quinn DuPont. Retrocomputing as Preservation and Remix (PDF). iConference 2013 Proceedings. 2013: 422–432 [2016-03-26]. doi:10.9776/13230 (不活跃 2019-10-31). （原始内容存档 (PDF)于2020-12-10）. This paper looks at the world of retrocomputing, a constellation of largely non-professional practices involving old computing technology. Retrocomputing includes many activities that can be seen as constituting “preservation.” At the same time, it is often transformative, producing assemblages that “remix” fragments from the past with newer elements or joining together historic components that were never combined before. While such “remix” may seem to undermine preservation, it allows for fragments of computing history to be reintegrated into a living, ongoing practice, contributing to preservation in a broader sense. The seemingly unorganized nature of retrocomputing assemblages also provides space for alternative “situated knowledges” and histories of computing, which can sometimes be quite sophisticated. Recognizing such alternative epistemologies paves the way for alternative approaches to preservation. 

joshuawise.com (Global: low place; Chinese: low place)

lessig.org (Global: low place; Chinese: low place)

remix.lessig.org

lifehacker.com (Global: 4,734th place; Chinese: 8,334th place)

locusmag.com (Global: 1,815th place; Chinese: 6,411th place)

metrotimes.com (Global: 6,091st place; Chinese: low place)

mit.edu (Global: 415th place; Chinese: 500th place)

mitpress.mit.edu

montrealmirror.com (Global: low place; Chinese: low place)

nih.gov (Global: 4th place; Chinese: 5th place)

ncbi.nlm.nih.gov

pewinternet.org (Global: low place; Chinese: low place)

pineight.com (Global: low place; Chinese: low place)

priceonomics.com (Global: low place; Chinese: low place)

psu.edu (Global: 207th place; Chinese: 628th place)

citeseerx.ist.psu.edu

rufuspollock.org (Global: low place; Chinese: low place)

  • Rufus Pollock. Optimal copyright over time: Technological change and the stock of works (PDF). University of Cambridge. 2007-10-01 [2015-01-11]. （原始内容 (PDF)存档于2013-02-21）. The optimal level for copyright has been a matter for extensive debate over the last decade. Using a parsimonious theoretical model this paper contributes several new results of relevance to this debate. In particular we demonstrate that (a) optimal copyright is likely to fall as the production costs of 'originals' decline (for example as a result of digitization) (b) technological change which reduces costs of production may imply a decrease or a decrease in optimal levels of protection (this contrasts with a large number of commentators, particularly in the copyright industries, who have argued that such change necessitates increases in protection) (c) the optimal level of copyright will, in general, fall over time as the stock of work increases. 
  • Rufus Pollock. Forever minus a day? Calculating optimal copyright term (PDF). University of Cambridge. 2009-06-15 [2015-01-11]. （原始内容 (PDF)存档于2013-01-12）. The optimal term of copyright has been a matter for extensive debate over the last decade. Based on a novel approach we derive an explicit formula which characterises the optimal term as a function of a few key and, most importantly, empirically-estimable parameters. Using existing data on recordings and books we obtain a point estimate of around 15 years for optimal copyright term with a 99% confidence interval extending up to 38 years. This is substantially shorter than any current copyright term and implies that existing terms are too long. 

salon.com (Global: 456th place; Chinese: 1,212th place)

slate.com (Global: 259th place; Chinese: 738th place)

ssrn.com (Global: 703rd place; Chinese: 1,016th place)

swissnexsanfrancisco.org (Global: low place; Chinese: low place)

story2023.nextrends.swissnexsanfrancisco.org

techcrunch.com (Global: 187th place; Chinese: 481st place)

ted.com (Global: 2,327th place; Chinese: 3,168th place)

theatlantic.com (Global: 228th place; Chinese: 597th place)

unimelb.edu.au (Global: 3,221st place; Chinese: 3,227th place)

refractory.unimelb.edu.au

video.google.com (Global: 6,564th place; Chinese: 4,419th place)

vu.nl (Global: 8,540th place; Chinese: low place)

research.vu.nl

web.archive.org (Global: 1st place; Chinese: 1st place)

weeklystandard.com (Global: 5,987th place; Chinese: 2,794th place)

wikipedia.org (Global: low place; Chinese: low place)

en.wikipedia.org

wipo.int (Global: 1,462nd place; Chinese: 2,636th place)

  • Rostama, Guilda. Remix Culture and Amateur Creativity: A Copyright Dilemma. WIPO. 2015-06-01 [2016-03-14]. （原始内容存档于2016-03-23）. Most cultures around the world have evolved through the mixing and merging of different cultural expressions. 
  • Rostama, Guilda. Remix Culture and Amateur Creativity: A Copyright Dilemma. WIPO. 2015-06-01 [2016-03-14]. （原始内容存档于2016-03-23）. In a further twist, widespread access to ever more sophisticated computers and other digital media over the past two decades has fostered the re-emergence of a “read-write” culture. 
  • Rostama, Guilda. Remix Culture and Amateur Creativity: A Copyright Dilemma. WIPO. 2015-06-01 [2016-03-14]. （原始内容存档于2016-03-23）. Canada is one of a few countries, if not the only one, to have introduced into its copyright law a new exception for non-commercial user-generated content. Article 29 of Canada’s Copyright Modernization Act (2012) states that there is no infringement if: (i) the use is done solely for non-commercial purpose; (ii) the original source is mentioned; (iii) the individual has reasonable ground to believe that he or she is not infringing copyright; and (iv) the remix does not have a “substantial adverse effect” on the exploitation of the existing work. 
  • Rostama, Guilda. Remix Culture and Amateur Creativity: A Copyright Dilemma. WIPO. 2015-06-01 [2016-03-14]. （原始内容存档于2016-03-23）. in 2013 a district court ruled that copyright owners do not have the right to simply take down content before undertaking a legal analysis to determine whether the remixed work could fall under fair use, a concept in US copyright law which permits limited use of copyrighted material without the need to obtain the right holder’s permission (US District Court, Stephanie Lenz v. Universal Music Corp., Universal Music Publishing Inc., and Universal Music Publishing Group, Case No. 5:07-cv-03783-JF, January 24, 2013).[...] Given the emergence of today’s “remix” culture, and the legal uncertainty surrounding remixes and mash-ups, the time would appear to be ripe for policy makers to take a new look at copyright law. 
  • Is Sampling Always Copyright Infringement? （页面存档备份，存于互联网档案馆） by Tomasz Rychlicki and Adam Zieliński (November 2009)

wired.com (Global: 193rd place; Chinese: 421st place)

wsj.com (Global: 79th place; Chinese: 143rd place)

blogs.wsj.com

youtube.com (Global: 9th place; Chinese: 2nd place)