位元深度 (音訊) (Chinese Wikipedia)

Analysis of information sources in references of the Wikipedia article "位元深度 (音訊)" in Chinese language version.

refsWebsite

Global rank Chinese rank

28web.archive.org

1^st place

3dspguide.com

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3analog.com

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5,018^th place

2worldcat.org

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2soundonsound.com

2,107^th place

7,360^th place

2mcgill.ca

2,527^th place

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2hifiengine.com

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1skywired.net

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1xiph.org

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1meridian-audio.com

low place

1stanford.edu

179^th place

275^th place

1ableton.com

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1nwavguy.blogspot.com

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1ti.com

4,228^th place

2,595^th place

1cirrus.com

low place

1paisley.ac.uk

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1gsu.edu

1,911^th place

1,519^th place

1androidauthority.com

4,545^th place

4,356^th place

1hydrogenaud.io

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1espacenet.com

800^th place

1,214^th place

1semanticscholar.org

11^th place

332^nd place

1doi.org

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1jamminpower.com

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1nxp.com

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3,809^th place

1psu.edu

207^th place

628^th place

1e2v.com

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1philips.com

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1tuwien.ac.at

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ableton.com

Audio Fact Sheet — Ableton Reference Manual Version 11 | Ableton. www.ableton.com. [2021-12-29]. （原始内容存档于2022-07-16）（英语）.

analog.com

Kester, Walt. Taking the Mystery out of the Infamous Formula, "SNR = 6.02N + 1.76dB," and Why You Should Care (PDF). Analog Devices. 2007 [2021-12-29]. （原始内容存档 (PDF)于2011-06-16）.
Tomarakos, John. Relationship of Data Word Size to Dynamic Range and Signal Quality in Digital Audio Processing Applications. www.analog.com. 亚德诺半导体. [2021-12-29]. （原始内容存档于2015-02-12）（英语）.
Kester, Walt. Oversampling Interpolating DACs (PDF). Analog Devices. [2013-08-19]. （原始内容 (PDF)存档于2012-05-19）.

androidauthority.com

The great audio myth: why you don’t need that 32-bit DAC. Android Authority. 2016-01-19 [2021-12-29]. （原始内容存档于2022-07-09）.

cirrus.com

master-nq.webp2.cirrus.com

WM8741 | Cirrus Logic. master-nq.webp2.cirrus.com. [2021-12-29]. （原始内容存档于2022-03-02）.

doi.org

Christodoulou, Lakis; Lane, John; Kasparis, Takis. Dynamic range extension using multiple A/D converters. 2010 4th International Symposium on Communications, Control and Signal Processing (ISCCSP). 2010-03-01: 1–4. ISBN 978-1-4244-6285-8. S2CID 16501096. doi:10.1109/ISCCSP.2010.5463427.

dspguide.com

Floating Point (Real Numbers). www.dspguide.com. [2021-12-29]. （原始内容存档于2021-07-30）.
Fixed versus Floating Point. www.dspguide.com. [2021-12-29]. （原始内容存档于2021-09-07）.
The Scientist and Engineer's Guide to Digital Signal Processing, Chapter 4 – DSP Software / Number Precision. www.dspguide.com. [2021-12-29]. （原始内容存档于2022-03-31）.

e2v.com

Dithering in Analog-to-Digital Conversion (PDF). e2v Semiconductors. 2007 [2011-07-26]. （原始内容 (PDF)存档于2011-10-04）.

espacenet.com

worldwide.espacenet.com

US6317065B1,Raleigh, Gregory G. & Vincent K. Jones,「Multiple A to D converters for enhanced dynamic range」

gsu.edu

hyperphysics.phy-astr.gsu.edu

Sensitivity of Human Ear. hyperphysics.phy-astr.gsu.edu. [2021-12-29]. （原始内容存档于2011-06-04）.

hifiengine.com

Philips CD100 Stereo Compact Disc Player Manual | HiFi Engine. www.hifiengine.com. [2021-12-29]. （原始内容存档于2022-01-01）.
Sony CDP-101 Stereo Compact Disc Player Manual | HiFi Engine. www.hifiengine.com. [2021-12-29]. （原始内容存档于2022-01-01）.

hydrogenaud.io

32-bit capable DACs. hydrogenaud.io. [2021-12-29]. （原始内容存档于2022-03-31）.

jamminpower.com

Moorer, James. 48-Bit Integer Processing Beats 32-Bit Floating-Point for Professional Audio Applications (PDF). www.jamminpower.com. 1999-09 [2013-08-12]. （原始内容存档 (PDF)于2019-02-14）.

mcgill.ca

www-mmsp.ece.mcgill.ca

Wave File Specifications. www-mmsp.ece.mcgill.ca. [2021-12-29]. （原始内容存档于2010-03-25）.
AIFF / AIFC Sound File Specifications. www-mmsp.ece.mcgill.ca. [2021-12-29]. （原始内容存档于2021-03-09）.

meridian-audio.com

Stuart, J. Robert. Coding High Quality Digital Audio (PDF). Meridian Audio Ltd. 1997 [2016-02-25]. （原始内容 (PDF)存档于2016-04-07）（英语）. One of the great discoveries in PCM was that, by adding a small random noise (that we call dither) the truncation effect can disappear. Even more important was the realisation that there is a right sort of random noise to add, and that when the right dither is used, the resolution of the digital system becomes infinite.

nwavguy.blogspot.com

Nwavguy. NwAvGuy: Noise & Dynamic Range. NwAvGuy. 2011-09-06 [2021-12-29]. （原始内容存档于2022-04-12）.

nxp.com

NXP® Semiconductors Official Site | Home. www.nxp.com. [2021-12-29]. （原始内容存档于2021-03-22）.

paisley.ac.uk

media.paisley.ac.uk

D. R. Campbell. Aspects of Human Hearing (PDF). [2011-04-21]. （原始内容 (PDF)存档于2011-08-21）. The dynamic range of human hearing is [approximately] 120 dB

philips.com

Philips Research. Philips. [2021-12-29] （英语）.

psu.edu

citeseerx.ist.psu.edu

Carletta, Joan. Determining Appropriate Precisions for Signals in Fixed-Point IIR Filters. DAC. 2003. CiteSeerX 10.1.1.92.1266 .

semanticscholar.org

api.semanticscholar.org

Christodoulou, Lakis; Lane, John; Kasparis, Takis. Dynamic range extension using multiple A/D converters. 2010 4th International Symposium on Communications, Control and Signal Processing (ISCCSP). 2010-03-01: 1–4. ISBN 978-1-4244-6285-8. S2CID 16501096. doi:10.1109/ISCCSP.2010.5463427.

skywired.net

Trier, Author Stephen. Choosing a high-performance audio ADC. Skywired.net. 2011-09-14 [2021-12-29]. （原始内容存档于2022-03-31）（美国英语）.

soundonsound.com

Avid Pro Tools 10. www.soundonsound.com. [2021-12-29]. （原始内容存档于2022-01-01）.
Reason Mixing Masterclass. www.soundonsound.com. [2021-12-29]. （原始内容存档于2022-01-01）.

stanford.edu

ccrma.stanford.edu

Pulse Code Modulation (PCM). ccrma.stanford.edu. [2021-12-29]. （原始内容存档于2022-03-31）.

ti.com

focus.ti.com

PCM4222. [2021-12-29]. （原始内容存档于2011-06-23）. Dynamic Range (–60dB input, A-weighted): 124dB typical Dynamic Range (–60dB input, 20 kHz Bandwidth): 122dB typical

tuwien.ac.at

iue.tuwien.ac.at

B.1 First and Second-Order Noise Shaping Loops. www.iue.tuwien.ac.at. [2021-12-29]. （原始内容存档于2022-01-01）.

web.archive.org

Trier, Author Stephen. Choosing a high-performance audio ADC. Skywired.net. 2011-09-14 [2021-12-29]. （原始内容存档于2022-03-31）（美国英语）.
Montgomery, Chris. 24/192 Music Downloads ...and why they make no sense. xiph.org. 2012-03-25 [2013-05-26]. （原始内容存档于July 2013-07-07）（英语）. With use of shaped dither, which moves quantization noise energy into frequencies where it's harder to hear, the effective dynamic range of 16 bit audio reaches 120dB in practice, more than fifteen times deeper than the 96dB claim. 120dB is greater than the difference between a mosquito somewhere in the same room and a jackhammer a foot away.... or the difference between a deserted 'soundproof' room and a sound loud enough to cause hearing damage in seconds. 16 bits is enough to store all we can hear, and will be enough forever.
Stuart, J. Robert. Coding High Quality Digital Audio (PDF). Meridian Audio Ltd. 1997 [2016-02-25]. （原始内容 (PDF)存档于2016-04-07）（英语）. One of the great discoveries in PCM was that, by adding a small random noise (that we call dither) the truncation effect can disappear. Even more important was the realisation that there is a right sort of random noise to add, and that when the right dither is used, the resolution of the digital system becomes infinite.
Pulse Code Modulation (PCM). ccrma.stanford.edu. [2021-12-29]. （原始内容存档于2022-03-31）.
Avid Pro Tools 10. www.soundonsound.com. [2021-12-29]. （原始内容存档于2022-01-01）.
Reason Mixing Masterclass. www.soundonsound.com. [2021-12-29]. （原始内容存档于2022-01-01）.
Audio Fact Sheet — Ableton Reference Manual Version 11 | Ableton. www.ableton.com. [2021-12-29]. （原始内容存档于2022-07-16）（英语）.
Wave File Specifications. www-mmsp.ece.mcgill.ca. [2021-12-29]. （原始内容存档于2010-03-25）.
AIFF / AIFC Sound File Specifications. www-mmsp.ece.mcgill.ca. [2021-12-29]. （原始内容存档于2021-03-09）.
Floating Point (Real Numbers). www.dspguide.com. [2021-12-29]. （原始内容存档于2021-07-30）.
Kester, Walt. Taking the Mystery out of the Infamous Formula, "SNR = 6.02N + 1.76dB," and Why You Should Care (PDF). Analog Devices. 2007 [2021-12-29]. （原始内容存档 (PDF)于2011-06-16）.
Nwavguy. NwAvGuy: Noise & Dynamic Range. NwAvGuy. 2011-09-06 [2021-12-29]. （原始内容存档于2022-04-12）.
PCM4222. [2021-12-29]. （原始内容存档于2011-06-23）. Dynamic Range (–60dB input, A-weighted): 124dB typical Dynamic Range (–60dB input, 20 kHz Bandwidth): 122dB typical
WM8741 | Cirrus Logic. master-nq.webp2.cirrus.com. [2021-12-29]. （原始内容存档于2022-03-02）.
D. R. Campbell. Aspects of Human Hearing (PDF). [2011-04-21]. （原始内容 (PDF)存档于2011-08-21）. The dynamic range of human hearing is [approximately] 120 dB
Sensitivity of Human Ear. hyperphysics.phy-astr.gsu.edu. [2021-12-29]. （原始内容存档于2011-06-04）.
The great audio myth: why you don’t need that 32-bit DAC. Android Authority. 2016-01-19 [2021-12-29]. （原始内容存档于2022-07-09）.
32-bit capable DACs. hydrogenaud.io. [2021-12-29]. （原始内容存档于2022-03-31）.
Fixed versus Floating Point. www.dspguide.com. [2021-12-29]. （原始内容存档于2021-09-07）.
Moorer, James. 48-Bit Integer Processing Beats 32-Bit Floating-Point for Professional Audio Applications (PDF). www.jamminpower.com. 1999-09 [2013-08-12]. （原始内容存档 (PDF)于2019-02-14）.
Tomarakos, John. Relationship of Data Word Size to Dynamic Range and Signal Quality in Digital Audio Processing Applications. www.analog.com. 亚德诺半导体. [2021-12-29]. （原始内容存档于2015-02-12）（英语）.
NXP® Semiconductors Official Site | Home. www.nxp.com. [2021-12-29]. （原始内容存档于2021-03-22）.
The Scientist and Engineer's Guide to Digital Signal Processing, Chapter 4 – DSP Software / Number Precision. www.dspguide.com. [2021-12-29]. （原始内容存档于2022-03-31）.
Dithering in Analog-to-Digital Conversion (PDF). e2v Semiconductors. 2007 [2011-07-26]. （原始内容 (PDF)存档于2011-10-04）.
Kester, Walt. Oversampling Interpolating DACs (PDF). Analog Devices. [2013-08-19]. （原始内容 (PDF)存档于2012-05-19）.
Philips CD100 Stereo Compact Disc Player Manual | HiFi Engine. www.hifiengine.com. [2021-12-29]. （原始内容存档于2022-01-01）.
Sony CDP-101 Stereo Compact Disc Player Manual | HiFi Engine. www.hifiengine.com. [2021-12-29]. （原始内容存档于2022-01-01）.
B.1 First and Second-Order Noise Shaping Loops. www.iue.tuwien.ac.at. [2021-12-29]. （原始内容存档于2022-01-01）.

worldcat.org

Thompson, Daniel M. Understanding audio : getting the most out of your project or professional recording studio. Boston, Mass.: Berklee Press. 2005. ISBN 0-634-00959-1. OCLC 58450656.
Campbell, Robert. Pro Tools 10 : advanced music production techniques. Boston, MA: Course Technology PTR. 2013. ISBN 978-1-133-72801-6. OCLC 812179989.

xiph.org

Montgomery, Chris. 24/192 Music Downloads ...and why they make no sense. xiph.org. 2012-03-25 [2013-05-26]. （原始内容存档于July 2013-07-07）（英语）. With use of shaped dither, which moves quantization noise energy into frequencies where it's harder to hear, the effective dynamic range of 16 bit audio reaches 120dB in practice, more than fifteen times deeper than the 96dB claim. 120dB is greater than the difference between a mosquito somewhere in the same room and a jackhammer a foot away.... or the difference between a deserted 'soundproof' room and a sound loud enough to cause hearing damage in seconds. 16 bits is enough to store all we can hear, and will be enough forever.