克劳迪奥·蒙特威尔第 (Chinese Wikipedia)

Analysis of information sources in references of the Wikipedia article "克劳迪奥·蒙特威尔第" in Chinese language version.

refsWebsite

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34archive.org

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26web.archive.org

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13oxfordmusiconline.com

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9jstor.org

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9doi.org

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3books.google.com

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3gramophone.co.uk

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2wikipedia.org

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2theguardian.com

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1naxos.com

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1google.co.uk

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1academia.edu

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1merriam-webster.com

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1britannica.com

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1gerald-drebes.ch

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1semanticscholar.org

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1operabase.com

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1dieter-ewerth.de

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academia.edu

Chrissochoidis, Ilias. The "Artusi–Monteverdi" controversy: Background, content, and modern interpretations. British Postgraduate Musicology (King's College, London). 2015-03-27, 6 [2017-07-09]. （原始内容存档于2021-03-31）.

archive.org

Carter 2002，第1頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Stevens 1995，第20頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第214頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第420–422頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第46–54頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第83–85頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第188–194頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第106–150頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第370–373頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第151–153頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第345頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第289–301頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第402頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第431–432頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第432頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第434頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第435–436頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Ward 1978，第704頁. Ward, John Owen (编). The Oxford Companion to Music by Percy A. Scholes: Tenth edition. Oxford, UK: Oxford University Press. 1978. ISBN 978-0-19-311306-0.
Ringer 2006，第4頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Tomlinson 1990，第101–105頁. Tomlinson, Gary. Monteverdi and the End of the Renaissance. Berkeley, CA: University of California Press. 1990. ISBN 978-0-520-06980-0.
Ringer 2006，第63–64頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Ringer 2006，第89頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Ringer 2006，第27–28頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Ringer 2006，第96–98頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Stevens 1995，第229頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Stevens 1995，第79頁. Stevens, Denis (编). The Letters of Claudio Monteverdi. Revised Edition. Oxford, UK: Clarendon Press. 1995. ISBN 978-0-19-816414-2.
Carter 2002，第197頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Carter 2002，第250頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Rosand 1991，第220頁. Rosand, Ellen. Opera in Seventeenth-Century Venice: The Creation of a Genre. Berkeley, CA: University of California Press. 1991. ISBN 978-0-520-25426-8.
Ringer 2006，第308頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.
Carter 2002，第4頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Carter 2002，第6頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Carter 2002，第vi頁. Carter, Tim. Monteverdi's Musical Theatre. New Haven, CT and London: Yale University Press. 2002. ISBN 978-0-300-09676-7.
Ringer 2006，第ix頁. Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Pompton Plains, New Jersey: Amadeus Press. 2006. ISBN 978-1-574-67110-0.

books.google.com

Artusi, Giovanni Maria. Discorso secondo mvsicale di Antonio Braccino [pseud.] da Todi: Per la Dichiaratione della lettera posta ne' Scherzi musicali del sig. Claudio Monteuerde. G. Vincenti. 1608-05-16 –通过Google Books.
Cruice 1997，第38頁. Cruice, Valerie. When Do I Clap?: A Slightly Irreverent Guide to Classical Music and Concert Hall Conduct. Darien, CT: Two Bytes Publishing. 1997 [2017-08-30]. ISBN 978-1-881907-13-8. （原始内容存档于2020-07-08）.
Cruice 1997，第37頁. Cruice, Valerie. When Do I Clap?: A Slightly Irreverent Guide to Classical Music and Concert Hall Conduct. Darien, CT: Two Bytes Publishing. 1997 [2017-08-30]. ISBN 978-1-881907-13-8. （原始内容存档于2020-07-08）.

britannica.com

Arnold, Denis. Claudio Monteverdi: Three decades in Venice. Britannica Online. [2010-02-21]. （原始内容存档于2010-05-26）.

dieter-ewerth.de

Stattkus, Manfred H. Claudio Monteverdi: Verzeichnis der erhaltenen Werke (SV) (PDF). Dieter Ewerth. 2014-04-23 [2017-08-18]. （原始内容 (PDF)存档于2014-04-23）.

doi.org

Holman 1993，第577頁. Holman, Peter. 'Col nobilissimo esercitio della vivuola': Monteverdi's String Writing. Early Music. 1993, 21 (4): 576–590. JSTOR 3128367. doi:10.1093/earlyj/xxi.4.577.
Malipiero 1932，第383頁. Malipiero, G. Francesco. Claudio Monteverdi of Cremona. The Musical Quarterly. 1932, 18 (3): 383–96. JSTOR 738882. doi:10.1093/mq/xviii.3.383.
Falck, Robert; Picker, Martin. Contrafactum (from medieval Lat. contrafacere: 'to imitate', 'counterfeit', 'forge'). Grove Music Online. 2001-01-20. doi:10.1093/gmo/9781561592630.article.06361.
Carter 1993. Carter, Tim. Possente spirto: on taming the power of music. Early Music. 1993, 21 (4): 517–24. JSTOR 3128363. doi:10.1093/earlyj/XXI.4.517.
Cusick 1994. Cusick, Suzanne. 'There Was Not One Lady Who Failed to Shed a Tear': Arianna's Lament and the Construction of Modern Womanhood. Early Music. 1994-02, 22 (1): 21–32, 35–38, 41–43. JSTOR 3128481. doi:10.1093/earlyj/xxii.1.21.
Sutcliffe 1995，第610–611頁. Sutcliffe, Tom. When the lights are low. The Musical Times. 1995, 136 (1833): 610–611. JSTOR 1003505. doi:10.2307/1003505.
Arnold 1985，第359, 362–365, 367–374頁. Arnold, Denis. The Second Venetian Visit of Heinrich Schütz. The Musical Quarterly. 1985, 71 (3): 359–74. JSTOR 948160. doi:10.1093/mq/lxxi.3.359.
Drebes 1992，第54頁. Drebes, Gerald. Schütz, Monteverdi und die ´Vollkommenheit der Musik´ – Es steh Gott auf aus den Symphoniae sacrae II (1647). Schütz-Jahrbuch. 1992, 14: 25–55 [2017-07-30]. doi:10.13141/sjb.v1992774. （原始内容存档于2016-03-03）.
dell'Antonio 1996，第272, 274–275, 278–280頁. dell'Antonio, Andrew. Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy. Cambridge Opera Journal. 1996, 8 (3): 271–84. JSTOR 823815. S2CID 190740949. doi:10.1017/s0954586700004754.

gerald-drebes.ch

Drebes 1992，第54頁. Drebes, Gerald. Schütz, Monteverdi und die ´Vollkommenheit der Musik´ – Es steh Gott auf aus den Symphoniae sacrae II (1647). Schütz-Jahrbuch. 1992, 14: 25–55 [2017-07-30]. doi:10.13141/sjb.v1992774. （原始内容存档于2016-03-03）.

google.co.uk

books.google.co.uk

Stigliani, Tommaso. Il canzoniero del sig. caualier Fra' Tomaso Stigliani. Venice, Italy: ad instanza di Giouanni Manelfi. 1625 –通过Google Books.

gramophone.co.uk

Fenlon, Ian. Monteverdi Madrigals, Book 8. Gramophone. [2017-07-13]. （原始内容存档于2017-07-31）.
Kemp, Lindsay. Monteverdi's Vespers – which recording is best?. Gramophone. 2015-02-09 [2017-07-25]. （原始内容存档于2017-07-31）.
Kemp, Lindsay. Monteverdi's Combattimento – which recording should you buy?. Gramophone. 2016-04-08 [2017-07-25]. （原始内容存档于2017-07-31）.

jstor.org

Holman 1993，第577頁. Holman, Peter. 'Col nobilissimo esercitio della vivuola': Monteverdi's String Writing. Early Music. 1993, 21 (4): 576–590. JSTOR 3128367. doi:10.1093/earlyj/xxi.4.577.
Askew, Pamela. Fetti's 'Portrait of an Actor' Reconsidered. The Burlington Magazine. Vol. 120 no. 899. 1978-02: 59–65. JSTOR 879098.
Malipiero 1932，第383頁. Malipiero, G. Francesco. Claudio Monteverdi of Cremona. The Musical Quarterly. 1932, 18 (3): 383–96. JSTOR 738882. doi:10.1093/mq/xviii.3.383.
Carter 1993. Carter, Tim. Possente spirto: on taming the power of music. Early Music. 1993, 21 (4): 517–24. JSTOR 3128363. doi:10.1093/earlyj/XXI.4.517.
Cusick 1994. Cusick, Suzanne. 'There Was Not One Lady Who Failed to Shed a Tear': Arianna's Lament and the Construction of Modern Womanhood. Early Music. 1994-02, 22 (1): 21–32, 35–38, 41–43. JSTOR 3128481. doi:10.1093/earlyj/xxii.1.21.
Sutcliffe 1995，第610–611頁. Sutcliffe, Tom. When the lights are low. The Musical Times. 1995, 136 (1833): 610–611. JSTOR 1003505. doi:10.2307/1003505.
Johnson, David. For the Record. North American Review. May 1965, 250 (2): 63–64. JSTOR 25116167.
Arnold 1985，第359, 362–365, 367–374頁. Arnold, Denis. The Second Venetian Visit of Heinrich Schütz. The Musical Quarterly. 1985, 71 (3): 359–74. JSTOR 948160. doi:10.1093/mq/lxxi.3.359.
dell'Antonio 1996，第272, 274–275, 278–280頁. dell'Antonio, Andrew. Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy. Cambridge Opera Journal. 1996, 8 (3): 271–84. JSTOR 823815. S2CID 190740949. doi:10.1017/s0954586700004754.

merriam-webster.com

échappé. Merriam-Webster Dictionary. [2024-09-03].

naxos.com

Vartolo, Sergio. About this recording, from the liner notes of Monteverdi: Scherzi Musicali a Tre Voci, Catalogue number 8.553317. Naxos Records. 1998 [2017-08-09]. （原始内容存档于2017-08-09）.

operabase.com

Opera statistics: Composers. Operabase. 2016 [2017-07-25]. （原始内容存档于2017-07-23）.

oxfordmusiconline.com

Carter and Chew n.d.，§1 "Cremona". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Holman n.d. Holman, Peter. Viola da braccio. Roote, Deane (编). Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-27]. （原始内容存档于2014-10-06）.
Carter and Chew n.d.，§2 "Mantua". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§3 "Venice". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Lockwood n.d. Lockwood, Lewis. Renaissance: Definitions and scope. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Palisca n.d. Palisca, Claude V. Baroque: Etymology and early usage. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§4 "Theoretical and aesthetic basis of works". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§7 "Early works". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§6 "'Imitatio' and use of models". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§8 "Works from the Mantuan Years". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Mompellio n.d. Mompellio, Federico. Viadana [Grossi da Viadana], Lodovico. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§9 "Works from the Venetian Years". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§10 "Historical position". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.

semanticscholar.org

api.semanticscholar.org

dell'Antonio 1996，第272, 274–275, 278–280頁. dell'Antonio, Andrew. Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy. Cambridge Opera Journal. 1996, 8 (3): 271–84. JSTOR 823815. S2CID 190740949. doi:10.1017/s0954586700004754.

theguardian.com

Clements, Andrew. Review: Monteverdi: Madrigals, Book 8, La Venexiana. The Guardian. 2005-11-04 [2017-07-13]. （原始内容存档于2017-07-28）.
Clements, Andrew. Monteverdi: Messa a Quattro Voci et Salmi of 1650: CD review. The Guardian. 2016-03-24 [2017-07-15]. （原始内容存档于2017-08-14）.

web.archive.org

Carter and Chew n.d.，§1 "Cremona". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Holman n.d. Holman, Peter. Viola da braccio. Roote, Deane (编). Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-27]. （原始内容存档于2014-10-06）.
Carter and Chew n.d.，§2 "Mantua". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Vartolo, Sergio. About this recording, from the liner notes of Monteverdi: Scherzi Musicali a Tre Voci, Catalogue number 8.553317. Naxos Records. 1998 [2017-08-09]. （原始内容存档于2017-08-09）.
Chrissochoidis, Ilias. The "Artusi–Monteverdi" controversy: Background, content, and modern interpretations. British Postgraduate Musicology (King's College, London). 2015-03-27, 6 [2017-07-09]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§3 "Venice". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Lockwood n.d. Lockwood, Lewis. Renaissance: Definitions and scope. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Palisca n.d. Palisca, Claude V. Baroque: Etymology and early usage. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Cruice 1997，第38頁. Cruice, Valerie. When Do I Clap?: A Slightly Irreverent Guide to Classical Music and Concert Hall Conduct. Darien, CT: Two Bytes Publishing. 1997 [2017-08-30]. ISBN 978-1-881907-13-8. （原始内容存档于2020-07-08）.
Carter and Chew n.d.，§4 "Theoretical and aesthetic basis of works". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Cruice 1997，第37頁. Cruice, Valerie. When Do I Clap?: A Slightly Irreverent Guide to Classical Music and Concert Hall Conduct. Darien, CT: Two Bytes Publishing. 1997 [2017-08-30]. ISBN 978-1-881907-13-8. （原始内容存档于2020-07-08）.
Carter and Chew n.d.，§7 "Early works". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§6 "'Imitatio' and use of models". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§8 "Works from the Mantuan Years". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Mompellio n.d. Mompellio, Federico. Viadana [Grossi da Viadana], Lodovico. Grove Music Online (Oxford Music Online). Oxford University Press. n.d. [2017-07-24]. （原始内容存档于2021-03-31）.
Carter and Chew n.d.，§9 "Works from the Venetian Years". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.
Fenlon, Ian. Monteverdi Madrigals, Book 8. Gramophone. [2017-07-13]. （原始内容存档于2017-07-31）.
Clements, Andrew. Review: Monteverdi: Madrigals, Book 8, La Venexiana. The Guardian. 2005-11-04 [2017-07-13]. （原始内容存档于2017-07-28）.
Arnold, Denis. Claudio Monteverdi: Three decades in Venice. Britannica Online. [2010-02-21]. （原始内容存档于2010-05-26）.
Clements, Andrew. Monteverdi: Messa a Quattro Voci et Salmi of 1650: CD review. The Guardian. 2016-03-24 [2017-07-15]. （原始内容存档于2017-08-14）.
Drebes 1992，第54頁. Drebes, Gerald. Schütz, Monteverdi und die ´Vollkommenheit der Musik´ – Es steh Gott auf aus den Symphoniae sacrae II (1647). Schütz-Jahrbuch. 1992, 14: 25–55 [2017-07-30]. doi:10.13141/sjb.v1992774. （原始内容存档于2016-03-03）.
Kemp, Lindsay. Monteverdi's Vespers – which recording is best?. Gramophone. 2015-02-09 [2017-07-25]. （原始内容存档于2017-07-31）.
Kemp, Lindsay. Monteverdi's Combattimento – which recording should you buy?. Gramophone. 2016-04-08 [2017-07-25]. （原始内容存档于2017-07-31）.
Opera statistics: Composers. Operabase. 2016 [2017-07-25]. （原始内容存档于2017-07-23）.
Stattkus, Manfred H. Claudio Monteverdi: Verzeichnis der erhaltenen Werke (SV) (PDF). Dieter Ewerth. 2014-04-23 [2017-08-18]. （原始内容 (PDF)存档于2014-04-23）.
Carter and Chew n.d.，§10 "Historical position". Carter, Tim; Chew, Geoffrey. Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio). Roote, Deane (编). Grove Music Online: (Oxford Music Online). Oxford University Press. n.d. [2017-07-21]. （原始内容存档于2021-03-31）.

wikipedia.org

en.wikipedia.org

直到1932年，作曲家弗朗切斯科·马利皮耶罗（英语：Francesco Malipiero）还评论说，在蒙特威尔第的所有作品中，“只有《阿里阿德涅的悲叹》使我们没有完全忘记这位17世纪最著名的作曲家。”^[25]
丹尼斯·史蒂文斯（英语：Denis Stevens）在他编辑的蒙特威尔第书信集中指出：“奇怪的是，这些曾经不公平地用来描述蒙特威尔第的话，如今却可以合理地用来形容一些较为放肆的蒙特威尔第诠释者。”^[51]