汉服 (Chinese Wikipedia)
Analysis of information sources in references of the Wikipedia article "汉服" in Chinese language version.
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aichi-u.ac.jp
iccs.aichi-u.ac.jp
- 周星. 汉服运动：中国互联网时代的亚文化 (PDF). ICCS Journal of Modern Chinese Studies. 2012, 4: 61–67 [2023-03-26]. ISSN 1882-6571. （原始内容存档 (PDF)于2023-03-26）.
archive.org
- Leibold, James. More Than a Category: Han Supremacism on the Chinese Internet. The China Quarterly. September 2010, 203: 539–559.
books.google.com
- 高至喜. 湖南出土简牍选编 二. 湖南楚墓与楚文化. 1 August 2012: 233 [2020-03-17]. ISBN 978-7-80761-719-8. （原始内容存档于2020-05-27）.
- Sandra Lee Evenson. Hanfu Chinese robes. Annette Lynch; Mitchell D. Strauss (编). Ethnic Dress in the United States A Cultural Encyclopedia. Rowman & Littlefield Publishers: 135–136. 30 October 2014. ISBN 978-0-7591-2150-8 （英语）.
Chinese hanfu robes are full-length wrapped garments with bell-shaped sleeves extending over the hand. The front left opening is extended to a triangle shape....When wrapped, the contrat banding creates a dramatic play of line and color. Both men and women wear the haunfu; however, the overlap on the men's style is less extensive. In the Disney film Mulan, the title chracter wears a hanfu to visit the matchmaker. History The term "hanfu" means "dress of the Han people." It is based on the two-piece, fitted shenyi of the Warring States period (475-221 BCE). ....By the Han dynasty (206 BCE-220 CE), the one-piece version emerged as a long voluminous linen or silk robe in vivid, contrasting primary colors. Manchu people from the northeast founded the Qing dyansty (1616-1911 CE). ...To expunge the Han identity, Qing rulers prohibited Han national dress and require them to wear garments in the Manchu tradition. Han resistance was so severe that the policies were modified. Men, government officials, Confucian scholars, and prostitutes wore the Manchu style; women, errand boys, children, monks, and Taoists were free to wear Han styles. Han dress was also permitted for special occasions suc as weddings and funerals. During the Republic of China period (1911-1949 CE), Euro-America lifestyles and products influenced Chinese dress, representing a shift from dynastic to popular rule.... After the revolution in 1949 and the founding of the People's Republic of China, both traditional dress and world dress were rejected in favor of Mao suits and boxy cotton jackets and pants for bot men and women. Communist leadership discouraged reference to historical clals hierarchies and modern capitalistic values. As a result, traditional Han dress was relegated to ceremonial use. With the liberalization of the Chinese economy, interest in national dress prompted a search for popular, authentic, and intrinsically Chinese styles. ... Because of its proportions, the hanfu is impractical for everyday dress, but is worn in China for Mid-Autumn Festival and for a new created coming-of-age ritual. Some favor the hanfu as a prototype for China's acaemia regalia. On the other hand, the hanfu resembles the Japanese kimono and Korean hanbok, both based on Chinese robes. Some scholars note that this cultural authentication of styles blurs the geopolitical boundaries of what is authentically Han. Infusion of Chinese-American aesthetics and meanings may further complicate identifying an intrinsically Chinese national dress. Hanfu in the United States Han dress arrived in the United States with Chinese immigrants in the nineteenth century. Male laborers tended toward Manchu jackets and pants for work on the pineapple and sugarcane plantations of Hawi'i, in the gold fields of the American West (1848-1855 CE), and on the transcontinental railroad (1863-1869 CE). Over time, their families joined them, bringing traditions such as ceremonial dress. In the United States, the hanfu is sorn as ethnic dress for special occasions through out the life cycle. Women's hanfu are billowing and fluid, with extended sleeves, trailing ribbons, and swaying dangles. Accessories range from the very traditional to the fashion forward, similar to the trending of other wedding dresses in America. Men's styles are more restrained, but equally elegant. Influence and Impact Euro-Americans often identify the hanfu as traditional Chinese dress, inspiring Seventh Avenue, Hollywood, and individuals alike. In addition, when times change, dress is often the stage where the negotiation of cultural values play out. The hanfu has been that stage, both historically and in the twenty-first century. The hanfu is also used as costuming in cosplay, where tradition and fantasy combine.
- 林良浩. 中国传统文化常识. 百花洲文艺出版社；Esphere Media (美国艾思传媒). 1 June 2010: 103– [2014-02-10]. ISBN 978-7-80742-860-2. （原始内容存档于2014-06-27）.
- Edward J. M. Rhoads. Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. 2000: 61– [2016-03-12]. ISBN 978-0-295-98040-9. （原始内容存档于2017-01-10）.
- Edward J. M. Rhoads. Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. 2000: 60– [2016-03-12]. ISBN 978-0-295-98040-9. （原始内容存档于2016-08-05）.
- The Vietnam Review: VR., Volume 3. Vietnam Review. 1997: 35 [2020-05-31]. （原始内容存档于2020-06-09）.
- Baldanza, Kathlene. Ming China and Vietnam: Negotiating Borders in Early Modern Asia. 劍橋大學出版社. 2016: 110 [2020-05-31]. ISBN 1316531317. （原始内容存档于2020-06-07）.
cnki.net
kns.cnki.net
- 王芙蓉. “汉服运动”研究. 《服饰导刊》. 2012-12, (2): 78-81. CNKI FSDK201202020.
- 周星. 新唐装、汉服与汉服运动——二十一世纪初叶中国有关“民族服装”的新动态. 《开放时代》. 2008, (3). ISSN 1004-2938. doi:10.3969/j.issn.1004-2938.2008.03.009. CNKI KFSD200803016. NCPSSD 27204301
. - 张跣. 汉服运动：互联网时代的种族性民族主义. 中国青年政治学院学报. 2009, (04). ISSN 1002-8919. doi:10.16034/j.cnki.10-1318/c.2009.04.004. CNKI ZQNZ200904016. NCPSSD 31239089.
- 胡晓东. 从《论语》看传统汉服的意蕴. 服饰导刊. 2013, 2 (1): 34–36. ISSN 2095-4131. doi:10.3969/j.issn.1009-170X.2013.01.006. CNKI FSDK201301008. CQVIP 1002089654.
- 付丽娜; 谷联磊. 细说汉服由来及款式特征. 轻纺工业与技术. 2012, 41 (2): 54–56. ISSN 2095-0101. doi:10.3969/j.issn.2095-0101.2012.02.022. CNKI GXFZ201202022. CQVIP 41535466.
- 阮衛萍. 從今话古談襦裙. 紫禁城. 1992, (5): 26–30. ISSN 1003-0328. CNKI ZIJC199205009. CQVIP 1005141181.
cqvip.com
qikan.cqvip.com
- 胡晓东. 从《论语》看传统汉服的意蕴. 服饰导刊. 2013, 2 (1): 34–36. ISSN 2095-4131. doi:10.3969/j.issn.1009-170X.2013.01.006. CNKI FSDK201301008. CQVIP 1002089654.
- 付丽娜; 谷联磊. 细说汉服由来及款式特征. 轻纺工业与技术. 2012, 41 (2): 54–56. ISSN 2095-0101. doi:10.3969/j.issn.2095-0101.2012.02.022. CNKI GXFZ201202022. CQVIP 41535466.
- 阮衛萍. 從今话古談襦裙. 紫禁城. 1992, (5): 26–30. ISSN 1003-0328. CNKI ZIJC199205009. CQVIP 1005141181.
doi.org
- 周星. 新唐装、汉服与汉服运动——二十一世纪初叶中国有关“民族服装”的新动态. 《开放时代》. 2008, (3). ISSN 1004-2938. doi:10.3969/j.issn.1004-2938.2008.03.009. CNKI KFSD200803016. NCPSSD 27204301.
- 张跣. 汉服运动：互联网时代的种族性民族主义. 中国青年政治学院学报. 2009, (04). ISSN 1002-8919. doi:10.16034/j.cnki.10-1318/c.2009.04.004. CNKI ZQNZ200904016. NCPSSD 31239089.
- 胡晓东. 从《论语》看传统汉服的意蕴. 服饰导刊. 2013, 2 (1): 34–36. ISSN 2095-4131. doi:10.3969/j.issn.1009-170X.2013.01.006. CNKI FSDK201301008. CQVIP 1002089654.
- 付丽娜; 谷联磊. 细说汉服由来及款式特征. 轻纺工业与技术. 2012, 41 (2): 54–56. ISSN 2095-0101. doi:10.3969/j.issn.2095-0101.2012.02.022. CNKI GXFZ201202022. CQVIP 41535466.
kata-kata04.com
ncpssd.cn
- 周星. 新唐装、汉服与汉服运动——二十一世纪初叶中国有关“民族服装”的新动态. 《开放时代》. 2008, (3). ISSN 1004-2938. doi:10.3969/j.issn.1004-2938.2008.03.009. CNKI KFSD200803016. NCPSSD 27204301.
- 张跣. 汉服运动：互联网时代的种族性民族主义. 中国青年政治学院学报. 2009, (04). ISSN 1002-8919. doi:10.16034/j.cnki.10-1318/c.2009.04.004. CNKI ZQNZ200904016. NCPSSD 31239089.
npm.gov.tw
ccp.npm.gov.tw
- 精彩100‧國寶總動員展件清單_器物類 (PDF). 國立故宮博物院. [2015-03-12]. （原始内容 (PDF)存档于2015-04-02）.
清代為滿洲人建立的帝國，自建國之初即排斥改滿衣冠效漢服的建議，因此作為皇帝重要象徵的朝服，大部份遵循滿洲習俗，再加入草原民族的因素，以玉草編織而成的笠狀朝冠、長垂及腰的朝珠和繫佩刀、火鎌石等的腰帶等，都包含了多元文化的因素，展現其作為多民族統治者的政權特質。同時透過唯一的明黃色和東珠的使用，彰顯皇帝獨尊的地位。
people.com.cn
people.com.cn
- 戴逸. 康熙收復台灣. 人民文摘. No. 8. 2002. ISSN 1009-5950. （原始内容存档于2015-09-24）.
戴逸. 史实中的康熙收复台湾. 炎黄春秋. No. 2. 2002: 60–62. ISSN 1003-1170.
paper.people.com.cn
- 叶双县. 上衣以象天 下裳以象地 ——浅谈清代皇帝朝服. 人民日报·海外版. 2010-02-26 [2015-03-18]. （原始内容存档于2010-03-05） –通过人民网.
web.archive.org
- 高至喜. 湖南出土简牍选编 二. 湖南楚墓与楚文化. 1 August 2012: 233 [2020-03-17]. ISBN 978-7-80761-719-8. （原始内容存档于2020-05-27）.
- 周星. 汉服运动：中国互联网时代的亚文化 (PDF). ICCS Journal of Modern Chinese Studies. 2012, 4: 61–67 [2023-03-26]. ISSN 1882-6571. （原始内容存档 (PDF)于2023-03-26）.
- 林良浩. 中国传统文化常识. 百花洲文艺出版社；Esphere Media (美国艾思传媒). 1 June 2010: 103– [2014-02-10]. ISBN 978-7-80742-860-2. （原始内容存档于2014-06-27）.
- 胡萬川 (编). 女子出嫁遮竹篩的由來. 彰化縣民間文學集：故事篇（五）. 彰化縣立文化中心. 1996: 2-17 [2013-06-15]. （原始内容存档于2014-08-21）.
- 植物染色样. [2012-07-26]. （原始内容存档于2013-08-17）.
- “乌纱帽”等古代官服与少数民族服饰的关系. [2016-03-04]. （原始内容存档于2016-03-07）.
- 戴逸. 康熙收復台灣. 人民文摘. No. 8. 2002. ISSN 1009-5950. （原始内容存档于2015-09-24）.
戴逸. 史实中的康熙收复台湾. 炎黄春秋. No. 2. 2002: 60–62. ISSN 1003-1170. - 叶双县. 上衣以象天 下裳以象地 ——浅谈清代皇帝朝服. 人民日报·海外版. 2010-02-26 [2015-03-18]. （原始内容存档于2010-03-05） –通过人民网.
- 精彩100‧國寶總動員展件清單_器物類 (PDF). 國立故宮博物院. [2015-03-12]. （原始内容 (PDF)存档于2015-04-02）.
清代為滿洲人建立的帝國，自建國之初即排斥改滿衣冠效漢服的建議，因此作為皇帝重要象徵的朝服，大部份遵循滿洲習俗，再加入草原民族的因素，以玉草編織而成的笠狀朝冠、長垂及腰的朝珠和繫佩刀、火鎌石等的腰帶等，都包含了多元文化的因素，展現其作為多民族統治者的政權特質。同時透過唯一的明黃色和東珠的使用，彰顯皇帝獨尊的地位。
- 存档副本. [2011-12-03]. （原始内容存档于2009-08-05）. “華服”之變（《中國新聞週刊》漢服專題）
- Edward J. M. Rhoads. Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. 2000: 61– [2016-03-12]. ISBN 978-0-295-98040-9. （原始内容存档于2017-01-10）.
- Edward J. M. Rhoads. Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. 2000: 60– [2016-03-12]. ISBN 978-0-295-98040-9. （原始内容存档于2016-08-05）.
- 漢服復興…時尚流行？文化認同？生意炒作？. 毛翊君. 中國新聞周刊. [2020-06-06]. （原始内容存档于2020-06-05）.
- 历代女子服饰发式变迁. [2010-11-08]. （原始内容存档于2021-11-14）.
- The Vietnam Review: VR., Volume 3. Vietnam Review. 1997: 35 [2020-05-31]. （原始内容存档于2020-06-09）.
- Baldanza, Kathlene. Ming China and Vietnam: Negotiating Borders in Early Modern Asia. 劍橋大學出版社. 2016: 110 [2020-05-31]. ISBN 1316531317. （原始内容存档于2020-06-07）.
wikisource.org
zh.wikisource.org
《新唐书》卷222中. 维基文库. 中华书局. 2000: p. 4639頁 （中文）. 结赞以羌、浑众屯潘口，傍青石岭，三分其兵趋陇、汧阳间，连营数十里，中军距凤翔一舍，诡汉服，号邢君牙兵，入吴山、宝鸡，焚聚落，略畜牧、丁壮，杀老孺，断手剔目，乃去。
- 《新唐书》卷216下. 维基文库. 中华书局. 2000: p. 4639頁 （中文）.
蛮攻黎州，诡服汉衣，济江袭犍为，破之。裴回陵、荣间，焚庐舍、掠粮畜。
worldcat.org
- 周星. 汉服运动：中国互联网时代的亚文化 (PDF). ICCS Journal of Modern Chinese Studies. 2012, 4: 61–67 [2023-03-26]. ISSN 1882-6571. （原始内容存档 (PDF)于2023-03-26）.
- 周星. 新唐装、汉服与汉服运动——二十一世纪初叶中国有关“民族服装”的新动态. 《开放时代》. 2008, (3). ISSN 1004-2938. doi:10.3969/j.issn.1004-2938.2008.03.009. CNKI KFSD200803016. NCPSSD 27204301.
- 张跣. 汉服运动：互联网时代的种族性民族主义. 中国青年政治学院学报. 2009, (04). ISSN 1002-8919. doi:10.16034/j.cnki.10-1318/c.2009.04.004. CNKI ZQNZ200904016. NCPSSD 31239089.
- 胡晓东. 从《论语》看传统汉服的意蕴. 服饰导刊. 2013, 2 (1): 34–36. ISSN 2095-4131. doi:10.3969/j.issn.1009-170X.2013.01.006. CNKI FSDK201301008. CQVIP 1002089654.
- 付丽娜; 谷联磊. 细说汉服由来及款式特征. 轻纺工业与技术. 2012, 41 (2): 54–56. ISSN 2095-0101. doi:10.3969/j.issn.2095-0101.2012.02.022. CNKI GXFZ201202022. CQVIP 41535466.
- 阮衛萍. 從今话古談襦裙. 紫禁城. 1992, (5): 26–30. ISSN 1003-0328. CNKI ZIJC199205009. CQVIP 1005141181.
- 戴逸. 康熙收復台灣. 人民文摘. No. 8. 2002. ISSN 1009-5950. （原始内容存档于2015-09-24）.
戴逸. 史实中的康熙收复台湾. 炎黄春秋. No. 2. 2002: 60–62. ISSN 1003-1170.
worldjournal.com
- 漢服復興…時尚流行？文化認同？生意炒作？. 毛翊君. 中國新聞周刊. [2020-06-06]. （原始内容存档于2020-06-05）.
yzu.edu.tw
cls.hs.yzu.edu.tw
- 胡萬川 (编). 女子出嫁遮竹篩的由來. 彰化縣民間文學集：故事篇（五）. 彰化縣立文化中心. 1996: 2-17 [2013-06-15]. （原始内容存档于2014-08-21）.