Churchwell 2004,第12–15頁; Hamscha 2013,第119–129頁. Churchwell, Sarah. The Many Lives of Marilyn Monroe. Granta Books. 2004. ISBN 978-0-312-42565-4. Hamscha, Susanne. Thirty Are Better Than One: Marilyn Monroe and the Performance of Americanness. Rieser, Klaus; Fuchs, Michael; Phillips, Michael (编). ConFiguring America: Iconic Figures, Visuality, and the American Identity. Intellect. 2013. ISBN 978-1-84150-635-7.
Handyside 2010,第1–16頁. Handyside, Fiona. Let's Make Love: Whiteness, Cleanliness and Sexuality in the French Reception of Marilyn Monroe. European Journal of Cultural Studies. August 2010, 3 (13): 1–16. ISSN 1367-5494. doi:10.1177/1367549410363198.
Handyside 2010,第2, quoting Mulvey頁. Handyside, Fiona. Let's Make Love: Whiteness, Cleanliness and Sexuality in the French Reception of Marilyn Monroe. European Journal of Cultural Studies. August 2010, 3 (13): 1–16. ISSN 1367-5494. doi:10.1177/1367549410363198.
他们的说法基本没有争议,直到1990年《濒于崩溃》残留的镜头发布,可以看见当梦露出现在拍摄现场时,她能够连贯地拍摄许多镜头[234]。该片的制片人亨利·温斯坦(英语:Henry T. Weinstein)后来声明,她被解雇不仅仅是她难以共事,而是因为工作室严重的财务问题和行政主管彼得·雷瓦西(Peter Levathes)的经验不足[235]。
worldcat.org
Handyside 2010,第1–16頁. Handyside, Fiona. Let's Make Love: Whiteness, Cleanliness and Sexuality in the French Reception of Marilyn Monroe. European Journal of Cultural Studies. August 2010, 3 (13): 1–16. ISSN 1367-5494. doi:10.1177/1367549410363198.
Handyside 2010,第2, quoting Mulvey頁. Handyside, Fiona. Let's Make Love: Whiteness, Cleanliness and Sexuality in the French Reception of Marilyn Monroe. European Journal of Cultural Studies. August 2010, 3 (13): 1–16. ISSN 1367-5494. doi:10.1177/1367549410363198.