绘画 (Chinese Wikipedia)

Analysis of information sources in references of the Wikipedia article "绘画" in Chinese language version.

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8web.archive.org

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2books.google.com

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8^th place

1epochtimes.com

1,673^rd place

52^nd place

1bradshawfoundation.com

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9,716^th place

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1,481^st place

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artchive.com

Paul Johnson. Cave Paintings. [2008-08-30]. （原始内容存档于2008-09-08）.

books.google.com

謝欣怡. 色彩詞的文化審美性及其運用以新詩的閱讀與寫作教學為例. 秀威出版. 1 February 2011: 103~106 [2014-07-23]. ISBN 978-986-221-692-7. （原始内容存档于2015-03-20）.
Craig, Edward. Routledge Encyclopedia of Philosophy: Genealogy to Iqbal, page 278. Routledge, 1998. Books.google.com. [2014-03-13]. （原始内容存档于2014-04-22）.

bradshawfoundation.com

Chauvet Cave. Bradshaw Foundation. [2008-08-30]. （原始内容存档于2008-09-15）.

epochtimes.com

鄭孝祺/紀曉萌. 擊潰進化論三萬年前的動畫讓人目瞪口呆. 大紀元時報. 2014-07-04 [2014-07-24]. （原始内容存档于2014-07-14）.

hegel.net

"Painting and music are the specially romantic arts. Lastly, as a union of painting and music comes poetry, where the sensuous element is more than ever subordinate to the spirit." Excerpted from Encyclopædia Britannica 1911 （页面存档备份，存于互联网档案馆）

ibtauris.com

After Modernist Painting: The History of a Contemporary Practice 互联网档案馆的存檔，存档日期2014-10-27.

ndhu.edu.tw

faculty.ndhu.edu.tw

康德對「壯美」的分析. [2014-07-25]. （原始内容存档于2014-07-27）.

web.archive.org

謝欣怡. 色彩詞的文化審美性及其運用以新詩的閱讀與寫作教學為例. 秀威出版. 1 February 2011: 103~106 [2014-07-23]. ISBN 978-986-221-692-7. （原始内容存档于2015-03-20）.
鄭孝祺/紀曉萌. 擊潰進化論三萬年前的動畫讓人目瞪口呆. 大紀元時報. 2014-07-04 [2014-07-24]. （原始内容存档于2014-07-14）.
Chauvet Cave. Bradshaw Foundation. [2008-08-30]. （原始内容存档于2008-09-15）.
Paul Johnson. Cave Paintings. [2008-08-30]. （原始内容存档于2008-09-08）.
After Modernist Painting: The History of a Contemporary Practice 互联网档案馆的存檔，存档日期2014-10-27.
康德對「壯美」的分析. [2014-07-25]. （原始内容存档于2014-07-27）.
Craig, Edward. Routledge Encyclopedia of Philosophy: Genealogy to Iqbal, page 278. Routledge, 1998. Books.google.com. [2014-03-13]. （原始内容存档于2014-04-22）.
"Painting and music are the specially romantic arts. Lastly, as a union of painting and music comes poetry, where the sensuous element is more than ever subordinate to the spirit." Excerpted from Encyclopædia Britannica 1911 （页面存档备份，存于互联网档案馆）