Analysis of information sources in references of the Wikipedia article "阿曼达·帕尔默" in Chinese language version.
AMANDA PALMER–celebrated punk-chanteuse and pianist for the popular rock band THE DRESDEN DOLLS, and, more recently, hailed for the success of her Ben Folds-produced solo album Who Killed Amanda Palmer–is returning to her old stomping grounds at alma mater LEXINGTON HIGH SCHOOL. The reason? To create an original play with her former drama teacher, STEVEN BOGART along with a cast of twenty students. The play is written from scratch by the ensemble, the content of which is inspired by the music and lyrics of the critically hailed album, 'In the Aeroplane Over The Sea' by celebrated indie rock band NEUTRAL MILK HOTEL.
we wonder if she’s cashing in on the recent cultural bi-manic 'girls gone wild' obsession
Inside the small confines of the mysterious club The Onion Cellar, the internationally renowned rock duo The Dresden Dolls provides nightly entertainment while a series of stories unfold around them. As singer, songwriter, and keyboardist Amanda Palmer and drummer Brian Viglione play their songs, the Onion Cellar becomes a space where rock and roll meets cabaret with humor and humanity.World Premiere.
BEST TWITTER FEED @AmandaPalmer When we nominated AMANDA PALMER for "Best Twitter Feed," nobody asked us the obvious question: "Which one?" She's on the Twitterz so much that she's now got at least two. But the mothership, @AmandaPalmer, is the half-million-follower-strong engine of her virality and vitality. From it, YouTube uke covers of Rebecca Black songs go platinum; kickstarter campaigns sell out; impromptu Australian streetcorner busks turn into flash mobs; Friday night boredom turns into hashtag-driven e-commerce success stories, and, occasionally, lyrics for new songs are crowdsourced. Twenty tweets is a slow day for Ms. Palmer, who has never met an at-reply she couldn't respond to with a gentle quip, a lick of encouragement, or an all-caps gasp of amazement. Unless you're dumb enough to put her famous husband on a list of unsexy celebrities – in which case (trust us), look out. http://twitter.com/amandapalmer
In the 2005 WFNX /Boston Phoenix Best Music Poll, Palmer won Best Female Vocalist.
Amanda Palmer – The pianist and singer of Brechtian Boston duo Dresden Dolls mashes up punk rock and cabaret, sings about transsexuals and explores the elaborate deceptions that alcoholics commit daily.
Last night in Symphony Hall, Amanda Palmer brought some spark and much-needed edge to the Boston Pops's EdgeFest. On her own terms, Palmer, in strong gravelly voice, gave a richly satisfying performance that had this crowd roaring far more than most in Symphony Hall. But even she couldn't overcome the deeper tensions that make the EdgeFest a strained format.
Dresden Dolls lead singer Amanda Palmer, quite literally, has a rockstar wardrobe.
the solo record got re-mastered and it's.....mind-blowing. it's so good. it's sooooooo gooooooooooooooooooooooood. so i feel safe in a deep way. because as long as the record is amazing then I can fuck everything else up and it's technically ok. it will be released September 16. that is now like Christmas day for me. it is four months away. that seems long.
Actress in a local production Amanda Palmer in Cabaret at the American Repertory Theater An alumna of Lexington High School and the local experimental rock scene, Amanda Palmer hit a high note with her 2010 turn as the Emcee in the Steven Bogart–directed production of Cabaret at the A.R.T. "There was much more of an improvisational playground for the Emcee," says Palmer, on why she chose to play the glowering, androgynous role. Her creative genius (and social media prowess—she has over 500,000 Twitter followers) has earned her a worldwide following as a street performer, Dresden Doll, solo artist and now as a risk-taking stage actress.
'I watch people proselytize this record all over the world, and it's like this secret brotherhood of awesome music that's never had any kind of big mainstream publicity,' Palmer says. 'It's just this sacred record that people connect through.'
A much more musical brand of theatricality animated the Dresden Dolls, a duo consisting of the pianist Amanda Palmer and the drummer Brian Viglione. Their set was a concise demonstration of cabaret-punk. Ms. Palmer, singing throatily at an electric keyboard, held her own not only on the band staple “Coin-Operated Boy” but also even amid the bombast of “War Pigs,” the Black Sabbath screed.
For some reason crowd-surfing was especially viral this year. On Friday Matt Shultz of Cage the Elephant, a young Kentucky rock band just back from a quick coronation in the English press, made it all the way out to the back of the crowd, aloft on his hands. It was a spectacle that lost its novelty over the weekend, as seen in subsequent sets by Thievery Corporation, Amanda Palmer, Public Enemy (Flavor Flav did it three times) and Pink Eyes, from the Toronto punk band with an unprintable name, which played one of the weekend's most committed sets.
A few years ago, as a one-off concert gag, Ms. Palmer strummed a uke as she sang Radiohead's 'Creep', accompanying herself on a $19 model she had bought the day before. But the performance turned out to be so starkly intense it could not remain a joke. So she began taking a ukulele everywhere, and before long she had recorded a full album: 'Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele', released last year. That Ms. Palmer absorbed the basics in a day – her usual instrument is the piano – indicates one of the ukulele's great advantages: it's so easy to learn that it's said to be almost impossible to play it badly. Even when slightly off key, it serves as a blank canvas that can accent the character of any voice. And in the right hands, it can strip a song to its skeletal core... As Ms. Palmer sees it, the ukulele is the zeitgeist instrument for the D.I.Y. age. 'This is the age of the democratization of music,' she says. 'Anyone can be a musician. And in a recession, when you have a $20 instrument and there's a big musical renaissance, anyone will want to join in.'
The Dresden Dolls' Amanda Palmer chats with SPIN.com about her forthcoming solo effort.
Who: Amanda Palmer Birthplace: Lexington, Mass. Sound: Cabaret punk Palmer – one-half of Boston's Brechtian punk cabaret duo the Dresden Dolls – ain't no damsel in distress. The former street artist chokeholds her demons, teetering between sinister screeches and whimsical whispers of alcohol, self-mutilation and sexual exploration, while discordantly pummeling the piano – stocking-clad legs akimbo – in a sultry, sinful self-deprecation exorcism.
The Dresden Dolls are taking the world by storm. This punk cabaret duo from Boston are incredible musicians whose smart, personal, intricate songs and mesmerizing live performance have earned them a cult following. Now don't tell anyone, but there's a rumor that the Dolls may be appearing at a bizarre underground club somewhere in Cambridge – an Onion Cellar, where the audience peel onions for emotional release, where you never quite know who's sitting next to you, where your life could change forever.
Last night, Amanda Palmer kicked off this season of the Boston Pops EdgeFest, the orchestra's collaboration with younger, "edgier" bands and performers drawing the iPod generation into Symphony Hall. The choice of pairing Palmer with the Pops lead me to wonder if the Pops had ever listened to a Dresden Dolls album or seen The Onion Cellar or, you know, met her.
BEST TWITTER FEED @AmandaPalmer When we nominated AMANDA PALMER for "Best Twitter Feed," nobody asked us the obvious question: "Which one?" She's on the Twitterz so much that she's now got at least two. But the mothership, @AmandaPalmer, is the half-million-follower-strong engine of her virality and vitality. From it, YouTube uke covers of Rebecca Black songs go platinum; kickstarter campaigns sell out; impromptu Australian streetcorner busks turn into flash mobs; Friday night boredom turns into hashtag-driven e-commerce success stories, and, occasionally, lyrics for new songs are crowdsourced. Twenty tweets is a slow day for Ms. Palmer, who has never met an at-reply she couldn't respond to with a gentle quip, a lick of encouragement, or an all-caps gasp of amazement. Unless you're dumb enough to put her famous husband on a list of unsexy celebrities – in which case (trust us), look out. http://twitter.com/amandapalmer
... i am recording the solo album....in nashville, at ben folds' studio, with ben, who is producing the record and playing on it.
In the 2005 WFNX/Boston Phoenix Best Music Poll The Dresden Dolls won Best Local Act and Best Local Album. Amanda Palmer also won Best Female Vocalist.
BEST TWITTER FEED @AmandaPalmer When we nominated AMANDA PALMER for "Best Twitter Feed," nobody asked us the obvious question: "Which one?" She's on the Twitterz so much that she's now got at least two. But the mothership, @AmandaPalmer, is the half-million-follower-strong engine of her virality and vitality. From it, YouTube uke covers of Rebecca Black songs go platinum; kickstarter campaigns sell out; impromptu Australian streetcorner busks turn into flash mobs; Friday night boredom turns into hashtag-driven e-commerce success stories, and, occasionally, lyrics for new songs are crowdsourced. Twenty tweets is a slow day for Ms. Palmer, who has never met an at-reply she couldn't respond to with a gentle quip, a lick of encouragement, or an all-caps gasp of amazement. Unless you're dumb enough to put her famous husband on a list of unsexy celebrities – in which case (trust us), look out. http://twitter.com/amandapalmer
A much more musical brand of theatricality animated the Dresden Dolls, a duo consisting of the pianist Amanda Palmer and the drummer Brian Viglione. Their set was a concise demonstration of cabaret-punk. Ms. Palmer, singing throatily at an electric keyboard, held her own not only on the band staple “Coin-Operated Boy” but also even amid the bombast of “War Pigs,” the Black Sabbath screed.
Inside the small confines of the mysterious club The Onion Cellar, the internationally renowned rock duo The Dresden Dolls provides nightly entertainment while a series of stories unfold around them. As singer, songwriter, and keyboardist Amanda Palmer and drummer Brian Viglione play their songs, the Onion Cellar becomes a space where rock and roll meets cabaret with humor and humanity.World Premiere.
The Dresden Dolls are taking the world by storm. This punk cabaret duo from Boston are incredible musicians whose smart, personal, intricate songs and mesmerizing live performance have earned them a cult following. Now don't tell anyone, but there's a rumor that the Dolls may be appearing at a bizarre underground club somewhere in Cambridge – an Onion Cellar, where the audience peel onions for emotional release, where you never quite know who's sitting next to you, where your life could change forever.
Last night in Symphony Hall, Amanda Palmer brought some spark and much-needed edge to the Boston Pops's EdgeFest. On her own terms, Palmer, in strong gravelly voice, gave a richly satisfying performance that had this crowd roaring far more than most in Symphony Hall. But even she couldn't overcome the deeper tensions that make the EdgeFest a strained format.
Last night, Amanda Palmer kicked off this season of the Boston Pops EdgeFest, the orchestra's collaboration with younger, "edgier" bands and performers drawing the iPod generation into Symphony Hall. The choice of pairing Palmer with the Pops lead me to wonder if the Pops had ever listened to a Dresden Dolls album or seen The Onion Cellar or, you know, met her.
... i am recording the solo album....in nashville, at ben folds' studio, with ben, who is producing the record and playing on it.
the solo record got re-mastered and it's.....mind-blowing. it's so good. it's sooooooo gooooooooooooooooooooooood. so i feel safe in a deep way. because as long as the record is amazing then I can fuck everything else up and it's technically ok. it will be released September 16. that is now like Christmas day for me. it is four months away. that seems long.
The Dresden Dolls' Amanda Palmer chats with SPIN.com about her forthcoming solo effort.
For some reason crowd-surfing was especially viral this year. On Friday Matt Shultz of Cage the Elephant, a young Kentucky rock band just back from a quick coronation in the English press, made it all the way out to the back of the crowd, aloft on his hands. It was a spectacle that lost its novelty over the weekend, as seen in subsequent sets by Thievery Corporation, Amanda Palmer, Public Enemy (Flavor Flav did it three times) and Pink Eyes, from the Toronto punk band with an unprintable name, which played one of the weekend's most committed sets.
AMANDA PALMER–celebrated punk-chanteuse and pianist for the popular rock band THE DRESDEN DOLLS, and, more recently, hailed for the success of her Ben Folds-produced solo album Who Killed Amanda Palmer–is returning to her old stomping grounds at alma mater LEXINGTON HIGH SCHOOL. The reason? To create an original play with her former drama teacher, STEVEN BOGART along with a cast of twenty students. The play is written from scratch by the ensemble, the content of which is inspired by the music and lyrics of the critically hailed album, 'In the Aeroplane Over The Sea' by celebrated indie rock band NEUTRAL MILK HOTEL.
'I watch people proselytize this record all over the world, and it's like this secret brotherhood of awesome music that's never had any kind of big mainstream publicity,' Palmer says. 'It's just this sacred record that people connect through.'
we wonder if she’s cashing in on the recent cultural bi-manic 'girls gone wild' obsession
Actress in a local production Amanda Palmer in Cabaret at the American Repertory Theater An alumna of Lexington High School and the local experimental rock scene, Amanda Palmer hit a high note with her 2010 turn as the Emcee in the Steven Bogart–directed production of Cabaret at the A.R.T. "There was much more of an improvisational playground for the Emcee," says Palmer, on why she chose to play the glowering, androgynous role. Her creative genius (and social media prowess—she has over 500,000 Twitter followers) has earned her a worldwide following as a street performer, Dresden Doll, solo artist and now as a risk-taking stage actress.
Who: Amanda Palmer Birthplace: Lexington, Mass. Sound: Cabaret punk Palmer – one-half of Boston's Brechtian punk cabaret duo the Dresden Dolls – ain't no damsel in distress. The former street artist chokeholds her demons, teetering between sinister screeches and whimsical whispers of alcohol, self-mutilation and sexual exploration, while discordantly pummeling the piano – stocking-clad legs akimbo – in a sultry, sinful self-deprecation exorcism.
Dresden Dolls lead singer Amanda Palmer, quite literally, has a rockstar wardrobe.
Amanda Palmer – The pianist and singer of Brechtian Boston duo Dresden Dolls mashes up punk rock and cabaret, sings about transsexuals and explores the elaborate deceptions that alcoholics commit daily.
In the 2005 WFNX /Boston Phoenix Best Music Poll, Palmer won Best Female Vocalist.
In the 2005 WFNX/Boston Phoenix Best Music Poll The Dresden Dolls won Best Local Act and Best Local Album. Amanda Palmer also won Best Female Vocalist.
A much more musical brand of theatricality animated the Dresden Dolls, a duo consisting of the pianist Amanda Palmer and the drummer Brian Viglione. Their set was a concise demonstration of cabaret-punk. Ms. Palmer, singing throatily at an electric keyboard, held her own not only on the band staple “Coin-Operated Boy” but also even amid the bombast of “War Pigs,” the Black Sabbath screed.
For some reason crowd-surfing was especially viral this year. On Friday Matt Shultz of Cage the Elephant, a young Kentucky rock band just back from a quick coronation in the English press, made it all the way out to the back of the crowd, aloft on his hands. It was a spectacle that lost its novelty over the weekend, as seen in subsequent sets by Thievery Corporation, Amanda Palmer, Public Enemy (Flavor Flav did it three times) and Pink Eyes, from the Toronto punk band with an unprintable name, which played one of the weekend's most committed sets.
A few years ago, as a one-off concert gag, Ms. Palmer strummed a uke as she sang Radiohead's 'Creep', accompanying herself on a $19 model she had bought the day before. But the performance turned out to be so starkly intense it could not remain a joke. So she began taking a ukulele everywhere, and before long she had recorded a full album: 'Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele', released last year. That Ms. Palmer absorbed the basics in a day – her usual instrument is the piano – indicates one of the ukulele's great advantages: it's so easy to learn that it's said to be almost impossible to play it badly. Even when slightly off key, it serves as a blank canvas that can accent the character of any voice. And in the right hands, it can strip a song to its skeletal core... As Ms. Palmer sees it, the ukulele is the zeitgeist instrument for the D.I.Y. age. 'This is the age of the democratization of music,' she says. 'Anyone can be a musician. And in a recession, when you have a $20 instrument and there's a big musical renaissance, anyone will want to join in.'
