Art market (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Art market" in English language version.

refsWebsite
Global rank English rank
1st place
1st place
2nd place
2nd place
7th place
7th place
254th place
236th place
3,687th place
2,491st place
102nd place
76th place
5th place
5th place
99th place
77th place
5,045th place
2,949th place
11th place
8th place
3rd place
3rd place
low place
low place
low place
low place
4,804th place
2,844th place
low place
low place
low place
low place
741st place
577th place
low place
low place
low place
low place
207th place
136th place
703rd place
501st place
1,174th place
773rd place
2,978th place
2,014th place
149th place
178th place
low place
low place
488th place
374th place
2,153rd place
1,399th place
9th place
13th place
low place
low place
low place
low place
low place
low place
30th place
24th place
low place
low place
low place
low place
low place
low place

artdealers.org

artinamericamagazine.com

artinfo.com

artmarket.com

artnet.com

  • Saltz, Jerry, Morality Play, artnet.com, 2009-03-06, discussing the debate and its outcome. Participants included art dealers Richard Feigen and Michael Hue-Williams, collector Adam Lindemann on the "pro" side, and artist Chuck Close, critic Jerry Saltz, and auctioneer Amy Cappellazzo opposing. The debate video is available on YouTube.

artnews.com

artprice.com

press.artprice.com

bloomberg.com

books.google.com

ccer.edu.cn

pchen.ccer.edu.cn

christies.com

columbia.edu

  • Adler, M., Stardom and Talent, in Handbook of the Economics of Art and Culture, Vol. 1, Chap. 25, 2006, pp. 895-906.

doi.org

  • Coslor, Erica (April 2016). "Transparency in an opaque market: Evaluative frictions between "thick" valuation and "thin" price data in the art market". Accounting, Organizations and Society. 50: 13–26. doi:10.1016/j.aos.2016.03.001. hdl:11343/113919.
  • Coslor, Erica; Spaenjers, Christophe (November 2016). "Organizational and epistemic change: The growth of the art investment field". Accounting, Organizations and Society. 55: 48–62. doi:10.1016/j.aos.2016.09.003. hdl:11343/119743.
  • Baumol, William J., Unnatural Value: Or Art Investment as Floating Crap Game Archived 25 April 2012 at the Wayback Machine, The American Economic Review, 76:2 (May 1986), pp. 10-14, Papers and Proceedings of the Ninety-Eighth Annual Meeting of the American Economic Association,; Journal of Arts Management and Law (now The Journal of Arts Management, Law, and Society), 15:3, 1985, pp. 47-60. doi:10.1080/07335113.1985.9942162.
  • Goetzmann, William N; Renneboog, Luc; Spaenjers, Christophe (May 2011). "Art and Money". American Economic Review. 101 (3): 222–226. doi:10.1257/aer.101.3.222. ISSN 0002-8282. S2CID 55929907.
  • Coslor, Erica; Crawford, Brett; Leyshon, Andrew (2019-12-16). "Collectors, Investors and Speculators: Gatekeeper use of audience categories in the art market". Organization Studies. 41 (7): 945–967. doi:10.1177/0170840619883371. hdl:11343/241430. ISSN 0170-8406. S2CID 213927815.
  • David, Géraldine; Oosterlinck, Kim; Szafarz, Ariane (2013). "Art market inefficiency". Economics Letters. 121 (1): 23–25. doi:10.1016/j.econlet.2013.06.033.
  • Orley Ashenfelter & Kathryn Graddy, Anatomy of the Rise and Fall of a Pricefixing Conspiracy: Auctions At Sotheby’s And Christie’s, Journal of Competition Law and Economics, 1(1), 3–20, March 2005, doi:10.1093/joclec/nhi003.

economist.com

freakonomics.com

gerberstauffer.com

handle.net

hdl.handle.net

  • Coslor, Erica (April 2016). "Transparency in an opaque market: Evaluative frictions between "thick" valuation and "thin" price data in the art market". Accounting, Organizations and Society. 50: 13–26. doi:10.1016/j.aos.2016.03.001. hdl:11343/113919.
  • Coslor, Erica; Spaenjers, Christophe (November 2016). "Organizational and epistemic change: The growth of the art investment field". Accounting, Organizations and Society. 55: 48–62. doi:10.1016/j.aos.2016.09.003. hdl:11343/119743.
  • Coslor, Erica; Crawford, Brett; Leyshon, Andrew (2019-12-16). "Collectors, Investors and Speculators: Gatekeeper use of audience categories in the art market". Organization Studies. 41 (7): 945–967. doi:10.1177/0170840619883371. hdl:11343/241430. ISSN 0170-8406. S2CID 213927815.

nytimes.com

nytimes.com

partners.nytimes.com

nyu.edu

pages.stern.nyu.edu

princeton.edu

press.princeton.edu

psu.edu

citeseerx.ist.psu.edu

sciencedirect.com

semanticscholar.org

api.semanticscholar.org

spearswms.com

ssrn.com

stuartplattner.com

telegraph.co.uk

theartnewspaper.com

theartnewspaper.tv

torontostandard.com

urban.org

vmagazine.com

  • Insider Art V Magazine, 2008-11-12, vmagazine.com. Accessed 20 June 2012.

web.archive.org

worldcat.org

search.worldcat.org

youtube.com

  • Saltz, Jerry, Morality Play, artnet.com, 2009-03-06, discussing the debate and its outcome. Participants included art dealers Richard Feigen and Michael Hue-Williams, collector Adam Lindemann on the "pro" side, and artist Chuck Close, critic Jerry Saltz, and auctioneer Amy Cappellazzo opposing. The debate video is available on YouTube.