Audio bit depth (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Audio bit depth" in English language version.

refsWebsite
Global rank English rank
1st place
1st place
low place
low place
low place
8,202nd place
2,107th place
1,211th place
2,527th place
1,840th place
2nd place
2nd place
11th place
8th place
low place
low place
179th place
183rd place
67th place
64th place
3rd place
3rd place
low place
low place
low place
low place
4,228th place
2,818th place
low place
low place
4,545th place
3,126th place
low place
low place
low place
low place
1,911th place
1,817th place
1,182nd place
725th place
low place
low place
low place
low place
207th place
136th place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
low place
4,667th place
3,322nd place
low place
low place
986th place
803rd place
8th place
10th place
low place
low place
low place
low place
low place
low place
low place
low place
1,669th place
1,290th place
low place
low place
low place
low place

ableton.com (Global: low place; English: low place)

analog.com (Global: low place; English: 8,202nd place)

androidauthority.com (Global: 4,545th place; English: 3,126th place)

apple.com (Global: 67th place; English: 64th place)

manuals.info.apple.com

support.apple.com

ardour.org (Global: low place; English: low place)

community.ardour.org

bbc.co.uk (Global: 8th place; English: 10th place)

downloads.bbc.co.uk

blu-raydisc.com (Global: low place; English: low place)

books.google.com (Global: 3rd place; English: 3rd place)

cirrus.com (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

dspguide.com (Global: low place; English: low place)

e2v.com (Global: low place; English: low place)

exclusivemusicplus.com (Global: low place; English: low place)

extremetech.com (Global: 4,667th place; English: 3,322nd place)

force.com (Global: low place; English: low place)

avid.force.com

freescale.com (Global: low place; English: low place)

cache.freescale.com

  • "DSP56001A" (PDF). Freescale. Retrieved 15 August 2013.

gsu.edu (Global: 1,911th place; English: 1,817th place)

hyperphysics.phy-astr.gsu.edu

  • "Sensitivity of Human Ear". Archived from the original on 4 June 2011. Retrieved 21 April 2011. The practical dynamic range could be said to be from the threshold of hearing to the threshold of pain [130 dB]

hifiengine.com (Global: low place; English: low place)

hydrogenaud.io (Global: low place; English: low place)

  • "32-bit capable DACs". hydrogenaud.io. Retrieved 2 December 2016. all the '32-bit capable' DAC chips existent today have an actual resolution less than 24 bit.

image-line.com (Global: low place; English: low place)

itu.int (Global: 986th place; English: 803rd place)

jamminpower.com (Global: low place; English: low place)

mcgill.ca (Global: 2,527th place; English: 1,840th place)

www-mmsp.ece.mcgill.ca

meridian-audio.com (Global: low place; English: low place)

  • Stuart, J. Robert (1997). "Coding High Quality Digital Audio" (PDF). Meridian Audio Ltd. Archived from the original (PDF) on 7 April 2016. Retrieved 25 February 2016. One of the great discoveries in PCM was that by adding a small random noise (that we call dither) the truncation effect can disappear. Even more important was the realization that there is a right sort of random noise to add and that when the right dither is used, the resolution of the digital system becomes infinite.

nwavguy.blogspot.com (Global: low place; English: low place)

  • Nwavguy (6 September 2011). "NwAvGuy: Noise & Dynamic Range". NwAvGuy. Retrieved 2 December 2016. 24-bit DACs often only manage approximately 16-bit performance and the very best reach 21-bit (ENOB) performance

paisley.ac.uk (Global: low place; English: low place)

media.paisley.ac.uk

patents.google.com (Global: 1,182nd place; English: 725th place)

  • US6317065B1, "Multiple A to D converters for enhanced dynamic range", issued 1 July 1999 

philips.com (Global: low place; English: low place)

propellerheads.se (Global: low place; English: low place)

dl.propellerheads.se

psu.edu (Global: 207th place; English: 136th place)

citeseerx.ist.psu.edu

semanticscholar.org (Global: 11th place; English: 8th place)

api.semanticscholar.org

skywired.net (Global: low place; English: low place)

sonic.com (Global: low place; English: low place)

patches.sonic.com

soundonsound.com (Global: 2,107th place; English: 1,211th place)

sourceforge.net (Global: 1,669th place; English: 1,290th place)

audacity.sourceforge.net

  • "Audacity: Features". wiki.audacityteam.com. Audacity development team. Retrieved 13 September 2014.

stanford.edu (Global: 179th place; English: 183rd place)

ccrma.stanford.edu

  • Smith, Julius (2007). "Pulse Code Modulation (PCM)". Mathematics of the Discrete Fourier Transform (DFT) with Audio Applications, Second Edition, online book. Retrieved 22 October 2012.

stanford.edu

steinberg.help (Global: low place; English: low place)

sweetwater.com (Global: low place; English: low place)

ti.com (Global: 4,228th place; English: 2,818th place)

focus.ti.com

  • "PCM4222". Retrieved 21 April 2011. Dynamic Range (−60 dB input, A-weighted): 124 dB typical Dynamic Range (−60 dB input, 20 kHz bandwidth): 122 dB typical

tuwien.ac.at (Global: low place; English: low place)

iue.tuwien.ac.at

web.archive.org (Global: 1st place; English: 1st place)

xiph.org (Global: low place; English: low place)

  • Montgomery, Chris (25 March 2012). "24/192 Music Downloads ...and why they make no sense". xiph.org. Archived from the original on 7 July 2013. Retrieved 26 May 2013. With use of shaped dither, which moves quantization noise energy into frequencies where it's harder to hear, the effective dynamic range of 16-bit audio reaches 120dB in practice, more than fifteen times deeper than the 96dB claim. 120dB is greater than the difference between a mosquito somewhere in the same room and a jackhammer a foot away.... or the difference between a deserted 'soundproof' room and a sound loud enough to cause hearing damage in seconds. 16 bits is enough to store all we can hear and will be enough forever.