Audio bit depth (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Audio bit depth" in English language version.

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freescale.com

cache.freescale.com

  • "DSP56001A" (PDF). Freescale. Retrieved 15 August 2013.

gsu.edu

hyperphysics.phy-astr.gsu.edu

  • "Sensitivity of Human Ear". Archived from the original on 4 June 2011. Retrieved 21 April 2011. The practical dynamic range could be said to be from the threshold of hearing to the threshold of pain [130 dB]

hifiengine.com

hydrogenaud.io

  • "32-bit capable DACs". hydrogenaud.io. Retrieved 2 December 2016. all the '32-bit capable' DAC chips existent today have an actual resolution less than 24 bit.

image-line.com

itu.int

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mcgill.ca

www-mmsp.ece.mcgill.ca

meridian-audio.com

  • Stuart, J. Robert (1997). "Coding High Quality Digital Audio" (PDF). Meridian Audio Ltd. Archived from the original (PDF) on 7 April 2016. Retrieved 25 February 2016. One of the great discoveries in PCM was that by adding a small random noise (that we call dither) the truncation effect can disappear. Even more important was the realization that there is a right sort of random noise to add and that when the right dither is used, the resolution of the digital system becomes infinite.

nwavguy.blogspot.com

  • Nwavguy (6 September 2011). "NwAvGuy: Noise & Dynamic Range". NwAvGuy. Retrieved 2 December 2016. 24-bit DACs often only manage approximately 16-bit performance and the very best reach 21-bit (ENOB) performance

paisley.ac.uk

media.paisley.ac.uk

patents.google.com

  • US6317065B1, "Multiple A to D converters for enhanced dynamic range", issued 1999-07-01 

philips.com

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audacity.sourceforge.net

  • "Audacity: Features". wiki.audacityteam.com. Audacity development team. Retrieved 13 September 2014.

stanford.edu

ccrma.stanford.edu

  • Smith, Julius (2007). "Pulse Code Modulation (PCM)". Mathematics of the Discrete Fourier Transform (DFT) with Audio Applications, Second Edition, online book. Retrieved 22 October 2012.

stanford.edu

steinberg.help

sweetwater.com

ti.com

focus.ti.com

  • "PCM4222". Retrieved 21 April 2011. Dynamic Range (−60 dB input, A-weighted): 124 dB typical Dynamic Range (−60 dB input, 20 kHz bandwidth): 122 dB typical

tuwien.ac.at

iue.tuwien.ac.at

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xiph.org

  • Montgomery, Chris (25 March 2012). "24/192 Music Downloads ...and why they make no sense". xiph.org. Archived from the original on 7 July 2013. Retrieved 26 May 2013. With use of shaped dither, which moves quantization noise energy into frequencies where it's harder to hear, the effective dynamic range of 16-bit audio reaches 120dB in practice, more than fifteen times deeper than the 96dB claim. 120dB is greater than the difference between a mosquito somewhere in the same room and a jackhammer a foot away.... or the difference between a deserted 'soundproof' room and a sound loud enough to cause hearing damage in seconds. 16 bits is enough to store all we can hear and will be enough forever.