Galbraith 2016, pp. 113–114: "Given its importance, it is not surprising that lolicon has been well researched in Japan over the course of decades, which has led to numerous insights. [...] Characters are not compensating for something more 'real,' but rather are in their fiction the object of affection. This has been described as 'finding sexual objects in fiction in itself', which in discussions of lolicon is made explicitly distinct from desire for and abuse of children." Galbraith, Patrick W. (2016). "'The lolicon guy': Some observations on researching unpopular topics in Japan". In McLelland, Mark (ed.). The End of Cool Japan: Ethical, Legal, and Cultural Challenges to Japanese Popular Culture. London and New York: Routledge. pp. 109–133. ISBN978-1-317-26937-3. Archived from the original on 2021-07-25. Retrieved 2021-12-19.
Error pageArchived 2018-12-25 at the Wayback Machine, Google France, (in French), "Aucun document ne correspond aux termes de recherche spécifiés (site:jesus-is-lord.com). En réponse à une demande légale adressée à Google, nous avons retiré 391 résultat(s) de cette page. Si vous souhaitez en savoir plus sur cette demandeArchived 2013-09-27 at the Wayback Machine, vous pouvez consulter le site ChillingEffects.org." ("No documents match the specified search (site: jesus-is-lord.com). In response to a legal request submitted to Google, we have removed 391 result(s) from this page. If you want to know more about this application, you can consult the ChillingEffects.org site."). Retrieved 27 September 2013.
Kittredge 2014, p. 524: "The majority of the cultural critics responding to the Japanese otaku's erotic response to lolicon images emphasize, like Keller, that no children are harmed in the production of these images and that looking with desire at a stylized drawing of a young girl is not the same as lusting after an actual child." Kittredge, Katharine (2014). "Lethal Girls Drawn for Boys: Girl Assassins in Manga/Anime and Comics/Film". Children's Literature Association Quarterly. 39 (4): 506–532 [524]. doi:10.1353/chq.2014.0059. S2CID143630310.
Error pageArchived 2018-12-25 at the Wayback Machine, Google France, (in French), "Aucun document ne correspond aux termes de recherche spécifiés (site:jesus-is-lord.com). En réponse à une demande légale adressée à Google, nous avons retiré 391 résultat(s) de cette page. Si vous souhaitez en savoir plus sur cette demandeArchived 2013-09-27 at the Wayback Machine, vous pouvez consulter le site ChillingEffects.org." ("No documents match the specified search (site: jesus-is-lord.com). In response to a legal request submitted to Google, we have removed 391 result(s) from this page. If you want to know more about this application, you can consult the ChillingEffects.org site."). Retrieved 27 September 2013.
"3. Google, Inc."Archived 2017-03-12 at the Wayback Machine in Race to the Bottom': Corporate Complicity in Chinese Internet Censorship, Part IV. How Multinational Internet Companies assist Government Censorship in China, Human Rights Watch, Vol. 18 No. 8(C), August 2006
Kittredge 2014, p. 524: "The majority of the cultural critics responding to the Japanese otaku's erotic response to lolicon images emphasize, like Keller, that no children are harmed in the production of these images and that looking with desire at a stylized drawing of a young girl is not the same as lusting after an actual child." Kittredge, Katharine (2014). "Lethal Girls Drawn for Boys: Girl Assassins in Manga/Anime and Comics/Film". Children's Literature Association Quarterly. 39 (4): 506–532 [524]. doi:10.1353/chq.2014.0059. S2CID143630310.
Galbraith 2016, pp. 113–114: "Given its importance, it is not surprising that lolicon has been well researched in Japan over the course of decades, which has led to numerous insights. [...] Characters are not compensating for something more 'real,' but rather are in their fiction the object of affection. This has been described as 'finding sexual objects in fiction in itself', which in discussions of lolicon is made explicitly distinct from desire for and abuse of children." Galbraith, Patrick W. (2016). "'The lolicon guy': Some observations on researching unpopular topics in Japan". In McLelland, Mark (ed.). The End of Cool Japan: Ethical, Legal, and Cultural Challenges to Japanese Popular Culture. London and New York: Routledge. pp. 109–133. ISBN978-1-317-26937-3. Archived from the original on 2021-07-25. Retrieved 2021-12-19.
"3. Google, Inc."Archived 2017-03-12 at the Wayback Machine in Race to the Bottom': Corporate Complicity in Chinese Internet Censorship, Part IV. How Multinational Internet Companies assist Government Censorship in China, Human Rights Watch, Vol. 18 No. 8(C), August 2006
Error pageArchived 2018-12-25 at the Wayback Machine, Google France, (in French), "Aucun document ne correspond aux termes de recherche spécifiés (site:jesus-is-lord.com). En réponse à une demande légale adressée à Google, nous avons retiré 391 résultat(s) de cette page. Si vous souhaitez en savoir plus sur cette demandeArchived 2013-09-27 at the Wayback Machine, vous pouvez consulter le site ChillingEffects.org." ("No documents match the specified search (site: jesus-is-lord.com). In response to a legal request submitted to Google, we have removed 391 result(s) from this page. If you want to know more about this application, you can consult the ChillingEffects.org site."). Retrieved 27 September 2013.
