Claude Debussy (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Claude Debussy" in English language version.

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22web.archive.org

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12jstor.org

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7debussy.fr

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5oxfordreference.com

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3oxfordmusiconline.com

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3theguardian.com

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1saintgermainenlaye.fr

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1princeton.edu

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1bbc.co.uk

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1nytimes.com

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1maps.google.com

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1gresham.ac.uk

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1britannica.com

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1columbia.edu

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1operaballet.nl

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1telegraph.co.uk

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1boosey.com

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1colinmatthews.net

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1gramophone.co.uk

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1doi.org

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1worldcat.org

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bbc.co.uk

Andres, Robert. "An introduction to the solo piano music of Debussy and Ravel" Archived 6 April 2017 at the Wayback Machine, BBC, retrieved 15 May 2018

boosey.com

"Debussy orchestrations point towards 2018 centenary" Archived 19 July 2019 at the Wayback Machine, Boosey & Hawkes, 2016, retrieved 2 June 2018; and "Works" Archived 5 June 2018 at the Wayback Machine, Colin Matthews, retrieved 2 June 2018

britannica.com

Lockspeiser, Edward. "Claude Debussy" Archived 22 May 2018 at the Wayback Machine, Encyclopædia Britannica, retrieved 21 May 2018

colinmatthews.net

"Debussy orchestrations point towards 2018 centenary" Archived 19 July 2019 at the Wayback Machine, Boosey & Hawkes, 2016, retrieved 2 June 2018; and "Works" Archived 5 June 2018 at the Wayback Machine, Colin Matthews, retrieved 2 June 2018

columbia.edu

academiccommons.columbia.edu

De Martelly, Elizabeth. "Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's 'Golliwog's Cakewalk'" Archived 16 August 2017 at the Wayback Machine, Current Musicology, Fall 2010, p. 8, retrieved 15 June 2018

debussy.fr

"Prix de Rome" Archived 16 October 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 March 2018
"Formative Years" Archived 26 September 2014 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 April 2018
"The Bohemian period" Archived 17 November 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 May 2018
"From L'aprés-midi d'un faune to Pelléas" Archived 17 November 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
"The Consecration" Archived 30 June 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
"From Préludes to Jeux" Archived 28 June 2012 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
"Alphabetical order" Archived 27 October 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 May 2018

doi.org

Pamies, Sergio (2021). "Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists". Jazz Education in Research and Practice. 2 (1): 76–105. doi:10.2979/jazzeducrese.2.1.06. ISSN 2639-7668.

gramophone.co.uk

Pullinger, Mark. "The Debussy Legacy", Gramophone, 10 April 2018, retrieved 3 June 2018

gresham.ac.uk

Parker, Roger. Debussy Quartet in G minor Op 10 Archived 12 June 2018 at the Wayback Machine, Gresham College, 2008, retrieved 18 June 2018

jstor.org

Prod'homme, J. G. Claude Achille Debussy, The Musical Quarterly, October 1918, p. 556 (subscription required)
Pasler, Jann. "Stravinsky and the Apaches", The Musical Times, June 1982, pp. 403–407 (subscription required)
Newman, Ernest. "The Development of Debussy", The Musical Times, May 1918, pp. 119–203 (subscription required)
Jean-Aubry, Georges. (trans. Frederick H. Martens). "Claude Debussy", The Musical Quarterly, October 1918, pp. 542–554 (subscription required)
Pasler, Jann. "Debussy, Jeux: Playing with Time and Form", 19th-Century Music, Summer 1982, pp. 60–75 (subscription required)
Goubault, Christian. "Jeux. Poème dansé by Claude Debussy", Revue de Musicologie, No 1, 1990, pp. 133–134 (in French) (subscription required)
Orledge, Robert. "Debussy's Orchestral Collaborations, 1911–13. 1: Le martyre de Saint-Sébastien", The Musical Times, December 1974, pp. 1030–1033 and 1035 (subscription required)
Nadeau, Roland. "Debussy and the Crisis of Tonality", Music Educators Journal, September 1979, p. 71 (subscription required); and Lockspeiser, Appendix B
DeVoto, Mark. "The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier", Notes, June 2010, p. 790 (subscription required) Archived 14 June 2018 at the Wayback Machine
Phillips, C. Henry. "The Symbolists and Debussy", Music & Letters, July 1932, pp. 298–311 (subscription required)
Briscoe, James R. "Debussy Studies", Notes December 1998, pp. 395–397 (subscription required)
Pamies, Sergio (2021). "Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists". Jazz Education in Research and Practice. 2 (1): 76–105. doi:10.2979/jazzeducrese.2.1.06. ISSN 2639-7668.

maps.google.com

"23 Square Avenue Foch 75116 Paris, France". Google Maps. Retrieved 11 June 2015.

nytimes.com

Schonberg, Harold C. "Maeterlinck's Mistress Assumed She Was Going to Sing Melisande. But ..." Archived 20 May 2018 at the Wayback Machine, The New York Times, 15 March 1970, p. 111

operaballet.nl

"George Benjamin–Conductor, Composer and Knight" Archived 10 October 2018 at the Wayback Machine, Dutch National Opera, retrieved 2 June 2018

oxfordmusiconline.com

Nectoux, Jean-Michel. "Fauré, Gabriel (Urbain)", Grove Music Online, Oxford University Press, retrieved 21 August 2010 (subscription required)
Schwartz, Manuela and G.W. Hopkins. "Dukas, Paul." Grove Music Online, Oxford University Press, retrieved 19 March 2011 (subscription required)
Turnbull, Michael T.R.B. "Garden, Mary", Grove Music Online, Oxford University Press, retrieved 18 May 2018 (subscription required)

oxfordreference.com

Orledge, Robert. "Debussy, (Achille-)Claude", The Oxford Companion to Music, Oxford University Press, 2011, retrieved 21 May 2018 (subscription required)
Langham Smith, Richard. "Impressionism", The Oxford Companion to Music, Oxford University Press, 2011, retrieved 17 May 2018 (subscription required)
Baldrick, Chris. "Symbolists", The Oxford Dictionary of Literary Terms, Oxford University Press, 2015, retrieved 13 June 2018 (subscription required)
"Debussy, Claude", The Oxford Companion to English Literature, ed Dinah Birch, Oxford University Press, 2009 retrieved 7 May. 2018 (subscription required)
Kennedy, Michael, and Joyce Bourne Kennedy. "Debussy, Achille‐Claude", The Oxford Dictionary of Music, ed. Tim Rutherford-Johnson, Oxford University Press, 2012, retrieved 17 May 2018 (subscription required)

princeton.edu

bluemountain.princeton.edu

"Concours du Conservatoire" Archived 14 June 2018 at the Wayback Machine, Le Mercure Musical, 15 August 1908, p. 98 (in French)

saintgermainenlaye.fr

Maison Natale Claude-Debussy Archived 14 June 2018 at the Wayback Machine, Saint Germain en Laye municipal website, retrieved 12 June 2018 (in French)

telegraph.co.uk

Christiansen, Rupert. "Written on Skin is one of the operatic masterpieces of our time – review" Archived 14 October 2017 at the Wayback Machine, The Telegraph, 14 January 2017

theguardian.com

Iyer, Vijay. "Strength in numbers: How Fibonacci taught us how to swing" Archived 10 May 2016 at the Wayback Machine, The Guardian, 15 October 2009
Service, Tom "Mining for Diamonds" Archived 12 June 2018 at the Wayback Machine, The Guardian, 14 July 2000
Clements, Andrew. " Debussy: The Complete Works review – a comprehensive and invaluable survey" Archived 22 May 2018 at the Wayback Machine, The Guardian, 3 January 2018

web.archive.org

"Prix de Rome" Archived 16 October 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 March 2018
Maison Natale Claude-Debussy Archived 14 June 2018 at the Wayback Machine, Saint Germain en Laye municipal website, retrieved 12 June 2018 (in French)
"Formative Years" Archived 26 September 2014 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 April 2018
"Concours du Conservatoire" Archived 14 June 2018 at the Wayback Machine, Le Mercure Musical, 15 August 1908, p. 98 (in French)
Andres, Robert. "An introduction to the solo piano music of Debussy and Ravel" Archived 6 April 2017 at the Wayback Machine, BBC, retrieved 15 May 2018
"The Bohemian period" Archived 17 November 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 May 2018
"From L'aprés-midi d'un faune to Pelléas" Archived 17 November 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
"The Consecration" Archived 30 June 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
Schonberg, Harold C. "Maeterlinck's Mistress Assumed She Was Going to Sing Melisande. But ..." Archived 20 May 2018 at the Wayback Machine, The New York Times, 15 March 1970, p. 111
"War and Illness", Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
"From Préludes to Jeux" Archived 28 June 2012 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 18 May 2018
Parker, Roger. Debussy Quartet in G minor Op 10 Archived 12 June 2018 at the Wayback Machine, Gresham College, 2008, retrieved 18 June 2018
"Alphabetical order" Archived 27 October 2017 at the Wayback Machine, Centre de documentation Claude Debussy, Bibliothèque nationale de France, retrieved 16 May 2018
Lockspeiser, Edward. "Claude Debussy" Archived 22 May 2018 at the Wayback Machine, Encyclopædia Britannica, retrieved 21 May 2018
Iyer, Vijay. "Strength in numbers: How Fibonacci taught us how to swing" Archived 10 May 2016 at the Wayback Machine, The Guardian, 15 October 2009
DeVoto, Mark. "The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier", Notes, June 2010, p. 790 (subscription required) Archived 14 June 2018 at the Wayback Machine
De Martelly, Elizabeth. "Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's 'Golliwog's Cakewalk'" Archived 16 August 2017 at the Wayback Machine, Current Musicology, Fall 2010, p. 8, retrieved 15 June 2018
Service, Tom "Mining for Diamonds" Archived 12 June 2018 at the Wayback Machine, The Guardian, 14 July 2000
"George Benjamin–Conductor, Composer and Knight" Archived 10 October 2018 at the Wayback Machine, Dutch National Opera, retrieved 2 June 2018
Christiansen, Rupert. "Written on Skin is one of the operatic masterpieces of our time – review" Archived 14 October 2017 at the Wayback Machine, The Telegraph, 14 January 2017
"Debussy orchestrations point towards 2018 centenary" Archived 19 July 2019 at the Wayback Machine, Boosey & Hawkes, 2016, retrieved 2 June 2018; and "Works" Archived 5 June 2018 at the Wayback Machine, Colin Matthews, retrieved 2 June 2018
Clements, Andrew. " Debussy: The Complete Works review – a comprehensive and invaluable survey" Archived 22 May 2018 at the Wayback Machine, The Guardian, 3 January 2018

worldcat.org

Pamies, Sergio (2021). "Deconstructing Modal Jazz Piano Techniques: The Relation between Debussy's Piano Works and the Innovations of Post-Bop Pianists". Jazz Education in Research and Practice. 2 (1): 76–105. doi:10.2979/jazzeducrese.2.1.06. ISSN 2639-7668.