Effects unit (English Wikipedia)

Editors, Guitar Player Magazine (2001). How to Play Guitar: The Basics & Beyond. Hal Leonard. p. 82.
Koda, Cub. "Pat Hare". AllMusic. Retrieved 25 January 2010.

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Miller, Jim (1980). The Rolling Stone illustrated history of rock & roll. New York: Rolling Stone. ISBN 0-394-51322-3. Retrieved 5 July 2012. Black country bluesmen made raw, heavily amplified boogie records of their own, especially in Memphis, where guitarists like Joe Hill Louis, Willie Johnson (with the early Howlin' Wolf band) and Pat Hare (with Little Junior Parker) played driving rhythms and scorching, distorted solos that might be counted the distant ancestors of heavy metal.
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Horne, Greg (2000). Complete Acoustic Guitar Method: Mastering Acoustic Guitar c. Alfred Music. p. 92. ISBN 9781457415043.
Yakabuski, Jim (2001). Professional Sound Reinforcement Techniques: Tips and Tricks of a Concert Sound Engineer. Hal Leonard. p. 139. ISBN 9781931140065.
Clement, V (2007). How to Succeed As a Female Guitarist, Alfred Music. p. 30–31.
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Mangum, Eric; Stubbs, Dean (2000). Dod Presents 100 Superstar Guitar Sounds on a Stompbox Budget. Hal Leonard. p. 8.
Kahn, Scott (2011). Modern Guitar Rig: The Tone Fanatic's Guide to Integrating Amps and Effects. MusicPro Guides. Milwaukee: Hal Leonard Corporation. p. 146. ISBN 978-1-4234-9944-2.
Rogers, Jerry (25 May 2010). Your Band's First Gig: Getting The Sound Right. Jerry Rogers. ISBN 9781445766249. Retrieved 10 September 2010.
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Ashton, Adrian (2006). The Bass Handbook. Hal Leonard. pp. 91–92. ISBN 9780879308728.
Levitin, Dan (1992). From Demo Tape to Record Deal: Handy Guide. Alfred Music. p. 26. ISBN 0-88284-494-6.
Hunter, Dave (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 125.
Bartlett, Bruce; Bartlett, Jenny (2008). Practical Recording Techniques: The Step-by-step Approach to Professional Audio Recording. Focal Press. p. 226.
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Pinksterboer, Hugo (2001), Tipbook: Acoustic Guitar, Hal Leonard, p. 51, ISBN 9789076192376
Brewster, David M. (2003), Introduction to Guitar Tone and Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals and Processors, Hal Leonard, p. 7, ISBN 9780634060465
Roads, Curtis (1996). The Computer Music Tutorial. MIT Press. pp. 437, 476. ISBN 9780262680820.
Hunter, D (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 11–12.
Hunter, D (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 11–13.
Dave, Rubin (2007). Inside the Blues, 1942 to 1982. Hal Leonard. p. 61. ISBN 9781423416661.
DeCurtis, Anthony (1992). Present Tense: Rock & Roll and Culture (4. print. ed.). Durham, N.C.: Duke University Press. ISBN 0-8223-1265-4. His first venture, the Phillips label, issued only one known release, and it was one of the loudest, most overdriven, and distorted guitar stomps ever recorded, "Boogie in the Park" by Memphis one-man-band Joe Hill Louis, who cranked his guitar while sitting and banging at a rudimentary drum kit.
Shepard, John (2003). Continuum Encyclopedia of Popular Music of the World. Performance and Production. Vol. II. Continuum International. p. 286. ISBN 9780826463227.
Aswell, Tom (2010). Louisiana Rocks! The True Genesis of Rock & Roll. Gretna, Louisiana: Pelican Publishing Company. pp. 61–5. ISBN 978-1-58980-677-1.
Collis, John (2002). Chuck Berry: The Biography. Aurum. p. 38. ISBN 9781854108739.
Gracyk, Theodore (1996). Rhythm and Noise: An Aesthetics of Rock. I.B.Tauris. pp. 121–123. ISBN 9781860640902.
A. J., Millard (2004). The Electric Guitar: A History of an American Icon. JHU Press. p. 136. ISBN 9780801878626.
Doyle, Michael (1993). The History of Marshall: The Illustrated Story of "The Sound of Rock". Hal Leonard Corporation. pp. 28–33. ISBN 0-7935-2509-8.
Molenda, Mike; Pau, Les (2007). The Guitar Player Book: 40 Years of Interviews, Gear, and Lessons from the World's Most Celebrated Guitar Magazine. Hal Leonard. p. 222. ISBN 9780879307820.
Hunter, D (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 11–15.
Barker, David (2007), 33 1/3 Greatest Hits, vol. 1, Continuum International, p. 112, ISBN 9780826419033
Ross, Michael (1998). Getting Great Guitar Sounds. Hal Leonard. p. 39. ISBN 9780793591404.
Aikin, Jim (2004). Power Tools for Synthesizer Programming, Hal Leonard. p. 171.
Zölzer, Udo; Amatriain, Xavier (2002). DAFX: Digital Audio Effects. John Wiley and Sons. p. 117. ISBN 9780471490784.
Brewster, David M. (2001), Introduction to Guitar Tone and Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals and Processors, Hal Leonard, p. 18, ISBN 9780634060465
Platt, Charles (2009). MAKE: Electronics: Learning Through Discovery O'Reilly Media. p. 257.
Holmes, Thom (2006). The Routledge Guide to Music Technology. CRC Press. p. 177. ISBN 0-415-97324-4.
Manning, Peter (2004). Electronic and Computer Music. Oxford University Press US. p. 170. ISBN 0-19-514484-8.
Hunter, Dave (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 23.
Hunter, D (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 23.
Louie, Gary J.; White, Glenn D. (2005). The Audio Dictionary, University of Washington Press. p. 171.
Rudolph, Thomas; Leonard, Vincent (2001) Recording in the Digital World: Complete Guide to Studio Gear and Software, Hal Leonard . p. 192.
Strong, Jeff (2005). PC Recording Studios for Dummies. For Dummies. p. 25. ISBN 9780764577079.
Denton, Dailey J. (2011). Electronics for Guitarists. Springer. p. 183. ISBN 9781441995360.
Schneider, John (1985). The Contemporary Guitar, University of California Press. p. 202.
Zölzer, Udo; Amatriain, Xavier (2002). DAFX: Digital Audio Effects. John Wiley and Sons. p. 76. ISBN 9780471490784.
Perkins, Chad (2009). The After Effects Illusionist: All the Effects in One Complete Guide. Focal Press. p. 37. ISBN 978-0-240-81145-1.
Kurasaki, Kurt (2005). Power Tools for Reason 3.0: Master the World's Most Popular Virtual Studio. Hal Leonard. p. 169. ISBN 9780879308612.
Louie, G; White, G (2005). The Audio Dictionary, University of Washington Press. p. 153.
Brewster, David M. (2001), Introduction to Guitar Tone and Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals and Processors, Hal Leonard, p. 29, ISBN 9780634060465
Louie, G; White, G. (2005). The Audio Dictionary, University of Washington Press. p. 288.
Moog, Robert (1984), "Pitch Blending, Modulation, and Expression", Synthesizer technique, Keyboard Synthesizer Library, vol. 2, Hal Leonard, p. 52, ISBN 0-88188-290-9
Holmes, Thomas (2008), Electronic and Experimental Music: Technology, Music, and Culture, Taylor & Francis, p. 198, ISBN 978-0-415-95781-6
Mangum, E; Stubbs, D (2000). Dod Presents 100 Superstar Guitar Sounds on a Stompbox Budget. Hal Leonard. p. 94.
Fischer, Peter (2000), Rock Guitar Secrets, Mel Bay. p. 164.
Izhaki, Roey (2007). Mixing Audio: Concepts, Practices and Tools, Focal Press. p. 470.
Hubner, David; Runstein, Robert (2009). Modern Recording Techniques, Focal Press. p. 508.
Hubner, D; Runstein, R (2009). Modern Recording Techniques, Focal Press. p. 508.
Wright, Ed (2007). Left-Handed History of the World, Murdoch Books. p. 209.
Amelar, Chris (1997). The Guitar F/X Cookbook, Hal Leonard. p. 41.
Hunter, Dave (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 25.
White, G, Louie, G (2005). The Audio Dictionary Instruments. University of Washington Press. p. 138. ISBN 9780295984988.{{cite book}}: CS1 maint: multiple names: authors list (link)
Hopper, J (2009). The Girl's Guide to Rocking Out. Workman Publishing. p. 33. ISBN 9780761151418.
Bartlett, B; Bartlett, J (2008). Practical Recording Techniques: The Step-by-step Approach to Professional Audio Recording. Focal Press. p. 226.
Brice, Richard (2001). Music Engineering, Newnes. p. 413.
Hunter, Dave (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 204. ISBN 9781617747021.
Chappell, Jon; Phillips, Mark (2005). Guitar for Dummies, For Dummies. p. 291.
Chappell, Jon; Phillips, Mark (2005). Guitar for Dummies, For Dummies. p. 187.
Delaney, Martin (2007). Ableton Live 6 Tips and Tricks. PC Publishing. p. 5. ISBN 9781906005023.

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DOD Envelope Filter 440 Archived 29 June 2021 at the Wayback Machine

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"Selected Stompbox Schematics". DIY Stompbox. Retrieved 18 September 2010.

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Dyers, Jon (21 March 2008). "The Talkbox Will Never Die: A Talkbox Playlist". Dyers. Archived from the original on 17 June 2010. Retrieved 20 September 2010.

effectsbay.com (Global: low place; English: low place)

Moraga, Christian (19 November 2009). "Mod.It.Yourself (M.I.Y) Parts 1 – 3". Effects Bay. Retrieved 18 September 2010.
Armband Controller for Effects Chain, 23 October 2010, retrieved 1 March 2011

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"Archived copy". Archived from the original on 20 January 2022. Retrieved 4 May 2020.{{cite web}}: CS1 maint: archived copy as title (link)

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Egnater, Bruce (16 December 2009). "Bruce Egnater on Effects Loops". guitarplayer.com. Archived from the original on 30 November 2018.
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"Guitar effects". Trip Atlas. Archived from the original on 8 December 2008. Retrieved 18 September 2010.
Egnater, Bruce (16 December 2009). "Bruce Egnater on Effects Loops". guitarplayer.com. Archived from the original on 30 November 2018.
Chester, Paul. "Acoustic Guitar – Early Pickups". Archived from the original on 9 October 2011. Retrieved 3 January 2011.
"Serve the Servants: Unlocking the Secrets of Grunge Guitar". Gibson.com. 26 April 2011. Archived from the original on 31 March 2016. Retrieved 1 April 2016.
Atria, Travis (6 March 2008), "Stephen Malkmus – Talks Real Emotional Trash", Glide Magazine, archived from the original on 21 May 2013, retrieved 13 September 2010
Flans, Robyn (1 May 2005). "Classic Tracks: Phil Collins' "In the Air Tonight"". Mix. Archived from the original on 3 March 2011.
Dyers, Jon (21 March 2008). "The Talkbox Will Never Die: A Talkbox Playlist". Dyers. Archived from the original on 17 June 2010. Retrieved 20 September 2010.
DOD Envelope Filter 440 Archived 29 June 2021 at the Wayback Machine
"Electro Harmonix Deluxe Electric Mistress Review". Internet Guitar Database. Archived from the original on 30 October 2005. Retrieved 19 September 2001.
Hartman, W. M. (19 March 1979), The Electronic Music Synthesizer and the Physics of Music (PDF), American Association of Physics Teachers, archived from the original (PDF) on 5 March 2016, retrieved 10 October 2021
"Archived copy". Archived from the original on 20 January 2022. Retrieved 4 May 2020.{{cite web}}: CS1 maint: archived copy as title (link)
"Boss GT-8 Floor Guitar Effects Processor". Archived from the original on 7 February 2010. Retrieved 10 September 2010.
"Batt-O-Meter : Where to Buy". •Keith McMillen Instruments. Archived from the original on 30 July 2010. Retrieved 18 September 2010.
"What is True Bypass?". Dunlop News. Archived from the original on 24 August 2011. Retrieved 18 September 2010.
"Modifications". cubisteffects. Archived from the original on 30 August 2010. Retrieved 18 September 2010.
Platt, Charles (9 September 2008). "Stompbox Basics: Tremolo and Fuzz". MAKE Magazine. Archived from the original on 28 September 2010.

Effects unit (English Wikipedia)

allmusic.com (Global: 27th place; English: 20th place)

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effectsdatabase.com (Global: low place; English: low place)

ehx.com (Global: low place; English: low place)

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worldwide.espacenet.com

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guitar.com (Global: 7,242nd place; English: 3,840th place)

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guitarplayer.com (Global: 6,961st place; English: 4,005th place)

guitarworld.com (Global: 1,715th place; English: 936th place)

igdb.co.uk (Global: low place; English: low place)

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makezine.com (Global: low place; English: low place)

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msu.edu (Global: 1,979th place; English: 1,265th place)

pa.msu.edu

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pressreader.com (Global: 875th place; English: 539th place)

reverb.com (Global: low place; English: 7,438th place)

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guitar.com (Global: 7,242^nd place; English: 3,840^th place)

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