El Lissitzky (English Wikipedia)

See translations of Shakespeare's The Merchant of Venice made by Mordukh Lissitzky in Kantsedikas (2017, pp. 162–173). Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Bois (1988): "the Chagallian Lissitzky of early 1919, the Suprematist Lissitzky of the 1920s and the "Stalinist" Lissitzky of '30s propaganda work. ... the Chagallian Lissitzky bears no relation to the Suprematist, and ... this second Lissitzky is only accidentally (biographically) linked to the third Lissitzky. ... Lissitzky the Jewish militant, Lissitzky the Suprematist, the functionalist advisor, the advertisement designer, the Soviet propagandist, the theoretician of abstract art-these are only a few of his numerous identities. Should we regard this diversity as part of his message, as if Lissitzky were saying that the modern artist must be a protean kaleidoscope?" Bois, Yve-Alain (April 1988). "El Lissitzky: Radical Reversibility". Art in America: 160–181. Retrieved 13 October 2022.
Kantsedikas 2017, p. 14. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, p. 14-15. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, p. 15. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, pp. 15–16. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, p. 17. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, p. 18. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
MacMillan 2020, p. 41. MacMillan, Misty-Dawn (2020). Under Construction: A Catalogue Raisonné of El Lissitzky's 'The Constructor Self-Portrait' (Master of Arts thesis). Toronto, Ontario, Canada: Ryerson University.
MacMillan 2020, p. 46. MacMillan, Misty-Dawn (2020). Under Construction: A Catalogue Raisonné of El Lissitzky's 'The Constructor Self-Portrait' (Master of Arts thesis). Toronto, Ontario, Canada: Ryerson University.
Kantsedikas 2017, pp. 115–118, 126–129. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, pp. 124–125. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, p. 63. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Marc Chagall, My Life (New York: Orion, 1960), 142, cited in Ziva Amishai-Maisels, Chagall and the Jewish Revival: Center or Periphery, Tradition and Revolution, 85, n. 94. See also Harshav, Marc Chagall and His Times, 271–272, 275, n. 53. cited in Goldman-Ida (2014), footnote 48. Goldman-Ida, Batsheva (2014). Alois Breyer, El Lissitzky, Frank Stella—Wooden Synagogues. Tel Aviv Museum of Art. ISBN 978-965-539-097-1.
Kamczycki 2013, pp. 92–94. Kamczycki, Artur (2013). "El Lissitzky, his Beat the Whites with the Red Wedge and their Jewish Inspirations". In Flamm, Christoph; Keazor, Henry; Marti, Roland (eds.). Russian Emigre Culture: Conservatism or Evolution?. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-5152-7.
Lissitzky-Küppers (1980, p. 331) cited in Kamczycki (2013, pp. 92–94) Lissitzky-Küppers, Sophie (1980). El Lissitzky. Life, Letters, Texts. Thames and Hudson. ISBN 978-0-500-23090-9. Kamczycki, Artur (2013). "El Lissitzky, his Beat the Whites with the Red Wedge and their Jewish Inspirations". In Flamm, Christoph; Keazor, Henry; Marti, Roland (eds.). Russian Emigre Culture: Conservatism or Evolution?. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-5152-7.
Bois 1988. Bois, Yve-Alain (April 1988). "El Lissitzky: Radical Reversibility". Art in America: 160–181. Retrieved 13 October 2022.
MacMillan 2020, p. 28. MacMillan, Misty-Dawn (2020). Under Construction: A Catalogue Raisonné of El Lissitzky's 'The Constructor Self-Portrait' (Master of Arts thesis). Toronto, Ontario, Canada: Ryerson University.
MacMillan 2020, p. 47. MacMillan, Misty-Dawn (2020). Under Construction: A Catalogue Raisonné of El Lissitzky's 'The Constructor Self-Portrait' (Master of Arts thesis). Toronto, Ontario, Canada: Ryerson University.
Kantsedikas 2017, pp. 176–180. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kamczycki 2013, p. 101. Kamczycki, Artur (2013). "El Lissitzky, his Beat the Whites with the Red Wedge and their Jewish Inspirations". In Flamm, Christoph; Keazor, Henry; Marti, Roland (eds.). Russian Emigre Culture: Conservatism or Evolution?. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-5152-7.
Kantsedikas 2017, p. 188. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Kantsedikas 2017, pp. 182–192. Kantsedikas, Alexander (2017). El Lissitzky: the Jewish period. London: Unicorn. ISBN 978-1-910787-96-0. Retrieved 9 August 2022.
Goldman-Ida 2014. Goldman-Ida, Batsheva (2014). Alois Breyer, El Lissitzky, Frank Stella—Wooden Synagogues. Tel Aviv Museum of Art. ISBN 978-965-539-097-1.
Renders 2017. Renders, Willem Jan (2017), Why Lissitzky? El Lissitzky, exhibition catalogue, Moscow, retrieved 3 July 2024

archive.org

Shatskikh 1992, p. 54. Shatskikh, Alexandra (1992). "Unovis: Epicenter of a New World". The Great Utopia: the Russian and Soviet Avant-Garde, 1915-1932. Guggenheim Museum. ISBN 978-0-89207-095-4. Retrieved 24 August 2022.
Shatskikh 1992, p. 63. Shatskikh, Alexandra (1992). "Unovis: Epicenter of a New World". The Great Utopia: the Russian and Soviet Avant-Garde, 1915-1932. Guggenheim Museum. ISBN 978-0-89207-095-4. Retrieved 24 August 2022.
Shatskikh 1992, p. 58. Shatskikh, Alexandra (1992). "Unovis: Epicenter of a New World". The Great Utopia: the Russian and Soviet Avant-Garde, 1915-1932. Guggenheim Museum. ISBN 978-0-89207-095-4. Retrieved 24 August 2022.

blokmagazine.com

Suchan 2021. Suchan, Jarosław (2021). "The Avant-Garde Museum". Blok Magazine. Retrieved 15 September 2022.

books.google.com

Estraikh, Hoge & Krutikov (2016, pp. 79–85): Described as a "classic example of Mani Leib's children's poetry", the book concerns a little boy, a yingl, called Tsingl Khvat. The boy has courage and a sharp tongue (tsingl). Thus, his name is not only a personal name, but also a reference to his character: He is a khvat, i.e. a rascal and jack of all trades." Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Forgács wrote that "Not surprisingly, Bucholz—stunned at the sight of Proun room and feeling betrayed by Lissitzky who, as he put it, "knew my 1922 studio room well" ... Perloff & Reed (2003, p. 68) Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff 2004, Introduction. Perloff, Nancy (2004). Had Gadya (חד גידא): The Only Kid (Facsimile of El Lissitzky's Edition of 1919). Getty Publications. ISBN 978-0-89236-744-3. Retrieved 9 August 2022.
Estraikh, Hoge & Krutikov 2016, pp. 79–85. Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Estraikh, Hoge & Krutikov 2016, pp. 83–86. Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Estraikh, Hoge & Krutikov 2016, pp. 168–172. Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Perloff 2004, p. XI. Perloff, Nancy (2004). Had Gadya (חד גידא): The Only Kid (Facsimile of El Lissitzky's Edition of 1919). Getty Publications. ISBN 978-0-89236-744-3. Retrieved 9 August 2022.
Estraikh, Hoge & Krutikov 2016, pp. 60–70. Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Estraikh, Hoge & Krutikov 2016, p. 62. Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.
Margolin 1997, pp. 23–28. Margolin, Victor (1997). The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press. ISBN 978-0-226-50516-9. Retrieved 9 August 2022.
Shatskikh 2007, p. 62-63. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, p. 66. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, p. 71. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, pp. 78–79. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, pp. 92–93. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, p. 125. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, p. 98. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Shatskikh 2007, p. 111. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Johnson 2024, p. 14. Johnson, Samuel (2024). El Lissitzky on Paper: Print Culture, Architecture, Politics, 1919–1933. University of Chicago Press. ISBN 978-0-226-52437-5.
Shatskikh 2007, p. 114. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Margolin 1997, p. 56. Margolin, Victor (1997). The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press. ISBN 978-0-226-50516-9. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 28–30. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 28–29. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Shatskikh 2007, p. 147. Shatskikh, Alexandra (2007). Vitebsk: The Life of Art. Yale University Press. ISBN 978-0-300-10108-9.
Perloff & Reed 2003, p. 56. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 50, 54. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 57. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 48–51. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 69–70. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 62–65. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Margolin 1997, p. 38. Margolin, Victor (1997). The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press. ISBN 978-0-226-50516-9. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 131–133. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 131–133, 153. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 167. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 78. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 211. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Margolin 1997, p. 213. Margolin, Victor (1997). The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press. ISBN 978-0-226-50516-9. Retrieved 9 August 2022.
Margolin 1997, pp. 166–200. Margolin, Victor (1997). The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press. ISBN 978-0-226-50516-9. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 1–3. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, pp. 1–3, 21. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 223. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 164. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.
Perloff & Reed 2003, p. 61. Perloff, Nancy; Reed, Brian, eds. (2003). Situating El Lissitzky: Vitebsk, Berlin, Moscow. Getty Publications. ISBN 978-0-89236-677-4. Retrieved 9 August 2022.

bsu.by

elib.bsu.by

Dukhan (2007) states that "in his early, formative years Lissitzky found himself in a vibrant "multicultural" mixture of Jewish and non-Jewish traditions and modernity, post-Haskalah and Orthodoxy, bourgeois cultural comfort and pre-revolutionary inspiration." Dukhan, Igor (2007). "El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry" (PDF). Ars Judaica: Journal of Jewish Art. 3.
Dukhan (2007): "Lissitzky is always between – between a Jewish search for style and cultural identity and the universal language of Suprematism, between Suprematism and Constructivism, between Malevich's concept of abstract non-objectivity and De Stijl, between "Constructivism" and Dada, and last, between the world of Vitebsk, the west-Russian provincial center – and Darmstadt, Moscow, Kiev, Berlin, Hanover, and imaginary America." Dukhan, Igor (2007). "El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry" (PDF). Ars Judaica: Journal of Jewish Art. 3.
Dukhan 2007. Dukhan, Igor (2007). "El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry" (PDF). Ars Judaica: Journal of Jewish Art. 3.
Dukhan 2007, pp. 14–15. Dukhan, Igor (2007). "El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry" (PDF). Ars Judaica: Journal of Jewish Art. 3.
Dukhan 2007, p. 13. Dukhan, Igor (2007). "El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry" (PDF). Ars Judaica: Journal of Jewish Art. 3.

cjh.org

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"Digitized Rimon-Milgroym". Center for Jewish History. Retrieved 6 July 2021.

creativecommons.org

Renders 2022. Renders, Willem Jan (2022). ""You Can Do This": Working with the Artistic Legacy of El Lissitzky". Arts. 11 (6): 109. doi:10.3390/arts11060109. Material was copied from this source, which is available under a Creative Commons Attribution 4.0

demonstrationsraum.de

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Politics of aura. El Lissitzky's Abstract Cabinet between musealization and participation. Hannover: Braunschweig University of Art and Sprengel Museum Hannover. 2017.

docomomo-us.org

"El Lissitzky's Ogonyok Printing Plant Under Threat". docomomo-us.org. Retrieved 4 November 2022.

doi.org

Nisbet determined that Lissitzky coined the name, Proun, around spring of 1921. Nisbet (1995b, p. 82) Nisbet, Peter (1995b). "El Lissitzky and the New Culture". Experiment. 1 (1): 257–264. doi:10.1163/2211730X-00101020.
Levinger (1987) shows this comparison: "The study of Lissitzky's comparison of art to games in the light of Wittgenstein's language-games is advantageous especially when we turn to analyse the Prouns. According to Wittgenstein, language is a game because the practice of language is inside a pattern of activity understood or accepted by a community of people. Wittgenstein compared the sound or shape of a word to a chessman; the word by itself is dead, a mere noise, just as the chess-piece, by itself, is only carved wood. What makes the carved wood into a king or a queen is the existence of the practice of playing chess, just as the practice of playing one or another language-game turns a sound into a word. Lissitzky's games with forms and colors are art-games because his playing with proportions, symmetry, vanishing point perspective and with the fore, mid and back planes of the picture are games inside the practice of Western art. Without the accepted tradition of Renaissance art the Prouns would be meaningless." Levinger, Esther (1987). "El Lissitzky's art-games" (PDF). Neohelicon. 14 (1): 177–191. doi:10.1007/bf02093026. Retrieved 9 August 2022.
Kamczycki 2022. Kamczycki, Artur (2022). "Soviet art and Kabbalah, the story behind El-Lissitzky's Self-Portrait". Journal of Modern Jewish Studies. 21 (3): 342–364. doi:10.1080/14725886.2021.1959145.
Nisbet 1995b. Nisbet, Peter (1995b). "El Lissitzky and the New Culture". Experiment. 1 (1): 257–264. doi:10.1163/2211730X-00101020.
Mileeva 2015. Mileeva, Maria (2015). "The Artist as a Cultural Emissary across the Borders of Interwar Europe: The Case of El Lissitzky". Der Künstler in der Fremde: 219–240. doi:10.1515/9783050090214-012.
Birnholz 1973. Birnholz, Alan Curtis (1973). "Notes on the Chronology of El Lissitzky's Proun Compositions". The Art Bulletin. 55 (3): 437–439. doi:10.1080/00043079.1973.10790717.
Moholy 2020. Moholy, Lucia (2020). "El Lissitzky". October. 172: 111–116. doi:10.1162/octo_a_00395.
Renders 2022. Renders, Willem Jan (2022). ""You Can Do This": Working with the Artistic Legacy of El Lissitzky". Arts. 11 (6): 109. doi:10.3390/arts11060109. Material was copied from this source, which is available under a Creative Commons Attribution 4.0
Bois & Hubert 1979. Bois, Yve-Alain; Hubert, Christian (1979). "El Lissitzky: Reading Lessons". October. 11: 113–128. doi:10.2307/778238. JSTOR 778238.
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Wolf 1999. Wolf, Erika (1999). "When Photographs Speak, To Whom Do They Talk? The Origins and Audience of SSSR na stroike (USSR in Construction)". Left History: An Interdisciplinary Journal of Historical Inquiry and Debate. 6 (2). doi:10.25071/1913-9632.5382. ISSN 1913-9632. Retrieved 7 September 2022.
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Dukhan & Lodder 2016. Dukhan, Igor; Lodder, Christina (2016). "Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art". Art in Translation. 8 (2): 194–220. doi:10.1080/17561310.2016.1216050.
Levinger 1987. Levinger, Esther (1987). "El Lissitzky's art-games" (PDF). Neohelicon. 14 (1): 177–191. doi:10.1007/bf02093026. Retrieved 9 August 2022.
Levinger 1989. Levinger, Esther (1989). "Art and Mathematics in the Thought of El Lissitzky: His Relationship to Suprematism and Constructivism". Leonardo. 22 (2): 227–236. doi:10.2307/1575236. JSTOR 1575236.
Corrada 1992. Corrada, Manuel (1992). "On Some Vistas Disclosed by Mathematics to the Russian Avant-Garde: Geometry, El Lissitzky and Gabo". Leonardo. 25 (3/4): 377–384. doi:10.2307/1575865. JSTOR 1575865.
Komaromi 2020. Komaromi, Ann (2020). "Toward a Soviet Poor Art: Ilya Kabakov's Use of Trash". Between. 10: 189–222. doi:10.13125/2039-6597/4046.

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Birnholz 1977. Birnholz, Alan Curtis (1977). "Forms, Angles, and Corners: On Meaning in Russian Avant-Garde Art" (PDF). Arts Magazine. 51: 101–109.

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Samoilenko, Sergei; Lissitzky, Valeria. "El Lissitzky and Sophie Küppers: A Romance with the Avant-garde". goethe.de. Goethe-Institut. Retrieved 7 September 2022.

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Paz-Agras 2017. Paz-Agras, Luz (2017). "Las exposiciones de El Lissitzky a través del Cine-ojo". VLC Arquitectura. Research Journal. 4 (1): 151. doi:10.4995/vlc.2017.6987. hdl:10251/81485.

harvard.edu

dash.harvard.edu

Johnson 2015, p. 15. Johnson, Samuel (2015). "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937 (PDF) (PhD thesis). Harvard University.
Johnson 2015, p. 3. Johnson, Samuel (2015). "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937 (PDF) (PhD thesis). Harvard University.
Johnson 2015, p. 22. Johnson, Samuel (2015). "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937 (PDF) (PhD thesis). Harvard University.

harvardartmuseums.org

"Proun 12E | Harvard Art Museums". harvardartmuseums.org. Retrieved 3 January 2024.

ingeveb.org

Lissitzky 2019. Lissitzky, El (2019) [1923]. "וועגן דער מאָהליווער שול: זכרונות" [On the Mogilev Shul: Recollections]. Milgroym. Translated by Cohen, Madeleine. Retrieved 4 May 2021 – via In geveb.

jhom.com

Friedberg. Friedberg, Haia. "Communism and Had Gadya: Watercolors by El Lissitzky". Jewish Heritage Online Magazine. Retrieved 17 August 2022.

jstor.org

According to Versari (2015), Malevich was also well aware of the Italian Futurists works and of Boccioni's theories. In 1916–1917 Malevich, together with artists Alexandra Exter and Olga Rozanova, published two issues of a journal about Cubism and Futurism. Later, in 1918, Malevich wrote: "Cubism and Futurism are the revolutionary banners of art". Versari, Maria Elena (2015). "Avant-garde Iconographies of Combat: From the "Futurist Synthesis of War" to "Beat the Whites with the Red Wedge"". Annali d'Italianistica. 33: 187–204. ISSN 0741-7527. JSTOR 43894801.
Larson (1976) writes "I once heard a crank art historian remark that this figure was the new Renaissance man, since his stance is something like the guy in Leonardo's famous drawing, but there isn't any circle in the Lissitzky, since obviously a circle could here be confused with the sun." Larson, Philip (1976). "El Lissitzky's "Victory Over The Sun"". The Print Collector's Newsletter. 7 (1): 10–11. ISSN 0032-8537. JSTOR 44130035.
Versari 2015. Versari, Maria Elena (2015). "Avant-garde Iconographies of Combat: From the "Futurist Synthesis of War" to "Beat the Whites with the Red Wedge"". Annali d'Italianistica. 33: 187–204. ISSN 0741-7527. JSTOR 43894801.
Larson 1976. Larson, Philip (1976). "El Lissitzky's "Victory Over The Sun"". The Print Collector's Newsletter. 7 (1): 10–11. ISSN 0032-8537. JSTOR 44130035.
Bois & Hubert 1979. Bois, Yve-Alain; Hubert, Christian (1979). "El Lissitzky: Reading Lessons". October. 11: 113–128. doi:10.2307/778238. JSTOR 778238.
Krauss 1982. Krauss, Rosalind (1982). "When Words Fail". October. 22: 91–103. doi:10.2307/778365. JSTOR 778365.
Galvez 2000. Galvez, Paul (2000). "Self-Portrait of the Artist as a Monkey-Hand". October. 93: 109–137. doi:10.2307/779159. JSTOR 779159.
Anysley 1994. Anysley, Jeremy (1994). "Pressa Cologne, 1928: Exhibitions and Publication Design in the Weimar Period". Design Issues. 10 (3): 53–76. doi:10.2307/1511692. JSTOR 1511692.
Marks 2003. Marks, Steven G. (2003). "Abstract Art and the Regeneration of Mankind". New England Review (1990-). 24 (1): 53–79. ISSN 1053-1297. JSTOR 40244213.
Buchloh 1984. Buchloh, Benjamin H. D. (1984). "From Faktura to Factography". October. 30: 83–119. doi:10.2307/778300. ISSN 0162-2870. JSTOR 778300.
Harte 2002. Harte, Timothy C. (2002). "Review of For the Voice". The Slavic and East European Journal. 46 (1): 173–175. doi:10.2307/3086246. ISSN 0037-6752. JSTOR 3086246.
Levinger 1989. Levinger, Esther (1989). "Art and Mathematics in the Thought of El Lissitzky: His Relationship to Suprematism and Constructivism". Leonardo. 22 (2): 227–236. doi:10.2307/1575236. JSTOR 1575236.
Corrada 1992. Corrada, Manuel (1992). "On Some Vistas Disclosed by Mathematics to the Russian Avant-Garde: Geometry, El Lissitzky and Gabo". Leonardo. 25 (3/4): 377–384. doi:10.2307/1575865. JSTOR 1575865.

macba.cat

Ribalta 2008, pp. 20, Introduction. Ribalta, Jorge, ed. (2008). Public photographic spaces : exhibitions of Propaganda, from Pressa to The Family of Man, 1928-55. Barcelona: Museu d'Art Contemporani de Barcelona. ISBN 978-84-92505-06-7. Retrieved 10 April 2023.

mahj.org

"Arba'ah Teyashim, Varsovie, Pologne, 20e siècle, 1er quart | Musée d'art et d'histoire du Judaïsme". Musée d'Art et d'Histoire du Judaïsme. 29 May 2017.

metmuseum.org

Chan, Mary. "Sophie's Story: The Narrow Escape of a Painting by Paul Klee". www.metmuseum.org. The Met Museum. Retrieved 7 September 2022.

moma.org

Gough 2014. Gough, Maria (2014). "Lissitzky on Broadway" (PDF). In Abbaspour, Mitra; Daffner, Lee Ann; Hambourg, Maria Morris (eds.). Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art.
Lodder 2014. Lodder, Christina (2014). "Revolutionary Photography" (PDF). In Abbaspour, Mitra; Daffner, Lee Ann; Hambourg, Maria Morris (eds.). Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art.
Pollmeier 2014. Pollmeier, Klaus (2014). "El Lissitzky's Multilayer Photographs: A Technical Analysis." (PDF). In Abbaspour, Mitra; Daffner, Lee Ann; Hambourg, Maria Morris (eds.). Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art.
Frizot 2014. Frizot, Michel (2014). "The Poetics of Eye and Lens" (PDF). In Abbaspour, Mitra; Daffner, Lee Ann; Hambourg, Maria Morris (eds.). Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art.
"El Lissitzky - MoMA". The Museum of Modern Art. Retrieved 7 October 2022.

post.moma.org

Tomaszewski, Patryk (30 January 2019). "The Many Lives of El Lissitzky's Proun 19D (1920 or 1921)". moma.org. Retrieved 3 January 2024.
Bokov, Anna (10 July 2019). "Vkhutemas + Bauhaus: On Common Origins, Different Futures, and Creation with Fire". post.moma.org. Retrieved 24 September 2022.
Forbes, Meghan (26 September 2018). "Magazines As Sites of Intersection: A New Look at the Bauhaus and VKhUTEMAS". post.moma.org. Retrieved 24 September 2022.

monoskop.org

Levinger (1987) shows this comparison: "The study of Lissitzky's comparison of art to games in the light of Wittgenstein's language-games is advantageous especially when we turn to analyse the Prouns. According to Wittgenstein, language is a game because the practice of language is inside a pattern of activity understood or accepted by a community of people. Wittgenstein compared the sound or shape of a word to a chessman; the word by itself is dead, a mere noise, just as the chess-piece, by itself, is only carved wood. What makes the carved wood into a king or a queen is the existence of the practice of playing chess, just as the practice of playing one or another language-game turns a sound into a word. Lissitzky's games with forms and colors are art-games because his playing with proportions, symmetry, vanishing point perspective and with the fore, mid and back planes of the picture are games inside the practice of Western art. Without the accepted tradition of Renaissance art the Prouns would be meaningless." Levinger, Esther (1987). "El Lissitzky's art-games" (PDF). Neohelicon. 14 (1): 177–191. doi:10.1007/bf02093026. Retrieved 9 August 2022.
Levinger 1987. Levinger, Esther (1987). "El Lissitzky's art-games" (PDF). Neohelicon. 14 (1): 177–191. doi:10.1007/bf02093026. Retrieved 9 August 2022.

moussemagazine.it

""El Lissitzky – Ilya and Emilia Kabakov. Utopia and Reality" at Kunsthaus Graz - Universalmuseum Joanneum — Mousse Magazine and Publishing". www.moussemagazine.it. 29 April 2014. Retrieved 3 July 2024.

proquest.com

Nisbet (1995a, p. 10) writes that "[Lissitzky's] network of friends and collaborators would read like a roster of the leading creative figures of the international avant-garde during the inter-war years". Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet (1995a, pp. 262–265) describes Kandinsky's room as "octagonal in shape, with entrances in three of the longer walls (two in the middle, one off-center). His designs completely covered these walls, with the exception of a white band at the base and around the entrances. With no framing devices, the composition's black background flowed uninterruptedly across the corners, although each wall was treated as a defined unit, with no painted form actually crossing a corner." Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Birnholz 1974, p. 4. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Forgács 1999. Forgács, Éva (1999). "Malevich, Lissitzky, and the culture of the future". The Structurist. 39 (50). Retrieved 30 August 2022.
Nisbet 1995a, pp. 240–245. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 62. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Birnholz 1974, p. 113. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Nisbet 1995a, p. 201. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, pp. 120–121. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 45. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 95. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Birnholz 1974, p. 107. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 169. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 173. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Nisbet 1995a, pp. 262–265. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 129. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, pp. 307–308. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, pp. 311–322. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 335. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Hinderliter 2008, p. 95. Hinderliter, Sarah Beth (2008). The space of painting: Kurt Schwitters and El Lissitzky (PhD thesis). Columbia University.
Hinderliter 2008, p. 143. Hinderliter, Sarah Beth (2008). The space of painting: Kurt Schwitters and El Lissitzky (PhD thesis). Columbia University.
Lupton 1997. Lupton, Ellen (1997). "The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946". Print. 51 (5): 328. ProQuest 231114517.
Hinderliter 2008, pp. 194–199. Hinderliter, Sarah Beth (2008). The space of painting: Kurt Schwitters and El Lissitzky (PhD thesis). Columbia University.
Nisbet 1995a, p. 52. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Hinderliter 2008, p. 77. Hinderliter, Sarah Beth (2008). The space of painting: Kurt Schwitters and El Lissitzky (PhD thesis). Columbia University.
Nisbet 1995a, pp. 169–179. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.
Nisbet 1995a, p. 9. Nisbet, Peter (1995a). El Lissitzky in the Proun years: A study of his work and thought, 1919-1927 (PhD thesis). Yale University.

search.proquest.com

Birnholz 1974, p. 4. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 113. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 107. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 169. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Birnholz 1974, p. 173. Birnholz, Alan Curtis (1974). El Lissitzky (PhD thesis). Yale University. ProQuest 302668778.
Lupton 1997. Lupton, Ellen (1997). "The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946". Print. 51 (5): 328. ProQuest 231114517.

scapegoatjournal.org

Dulguerova 2012. Dulguerova, Elitza (2012). "Objectless in Vitebsk: Reflections on Kazimir Malevich, Architecture, and Representation" (PDF). Scapegoat (3). Retrieved 24 August 2022.

socks-studio.com

Fabrizi, Mariabruna (29 August 2015). "El Lissitzky's "Cabinet of Abstraction"". socks-studio.com. Retrieved 15 September 2022.

springer.com

link.springer.com

Hatch 2010. Hatch, John G. (2010). "Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture" (PDF). Nexus Network Journal. 12 (1): 131–147. doi:10.1007/s00004-010-0024-6. Retrieved 4 October 2022.

stedelijk.nl

"El Lissitzky". www.stedelijk.nl. Retrieved 23 November 2022.

tate.org.uk

"'Had Gadya: Back Cover', Frank Stella, 1982–4". Tate.

thejewishmuseum.org

"The Cat Came and Devoured the Kid". thejewishmuseum.org. Retrieved 11 August 2022.

tretyakovgallery.ru

"Эль Лисицкий. El Lissitzky". Третьяковская галерея. Retrieved 7 October 2022.

tudelft.nl

pure.tudelft.nl

van Thoor 2020. van Thoor, M. T. A. (2020). An extraordinary photograph: Gerrit Rietveld, Mart Stam and El Lissitzky at the Schröder House, 1926 (PDF). Delft University of Technology. pp. 381–390. ISBN 978-94-6366-360-1. ISSN 2451-9812. Retrieved 23 November 2022.

vanabbemuseum.nl

"El Lissitzky artist overview". Van Abbe Museum. Retrieved 23 November 2022.

vitebskavangard.by

"Музей истории ВНХУ - ВЦСИ". www.vitebskavangard.by. Retrieved 7 October 2022.

vladivostok.com

Glazova 2003. Glazova, Anna (2003). "El Lissitzky in Weimar Germany". Speaking in Tongues. The Magazine of Literary Translation.

wikimedia.org

commons.wikimedia.org

See the whole Kestnermappe.

wikipedia.org

ru.wikipedia.org

Khan-Magomedov 2005, pp. 213–216. Khan-Magomedov, Selim [in Russian] (2005). Sto shedevrov sovetskogo arkhitekturnogo avangarda (Сто шедевров советского архитектурного авангарда) (in Russian and Spanish). URSS, Moscow. ISBN 978-5-354-00892-6.

wiktionary.org

en.wiktionary.org

Estraikh, Hoge & Krutikov (2016, pp. 79–85): Described as a "classic example of Mani Leib's children's poetry", the book concerns a little boy, a yingl, called Tsingl Khvat. The boy has courage and a sharp tongue (tsingl). Thus, his name is not only a personal name, but also a reference to his character: He is a khvat, i.e. a rascal and jack of all trades." Estraikh, Gennady; Hoge, Kerstin; Krutikov, Mikhail (2016). Children and Yiddish Literature From Early Modernity to Post-Modernity. Routledge. ISBN 978-1-317-19879-6. Retrieved 14 September 2022.

worldcat.org

search.worldcat.org

According to Versari (2015), Malevich was also well aware of the Italian Futurists works and of Boccioni's theories. In 1916–1917 Malevich, together with artists Alexandra Exter and Olga Rozanova, published two issues of a journal about Cubism and Futurism. Later, in 1918, Malevich wrote: "Cubism and Futurism are the revolutionary banners of art". Versari, Maria Elena (2015). "Avant-garde Iconographies of Combat: From the "Futurist Synthesis of War" to "Beat the Whites with the Red Wedge"". Annali d'Italianistica. 33: 187–204. ISSN 0741-7527. JSTOR 43894801.
Larson (1976) writes "I once heard a crank art historian remark that this figure was the new Renaissance man, since his stance is something like the guy in Leonardo's famous drawing, but there isn't any circle in the Lissitzky, since obviously a circle could here be confused with the sun." Larson, Philip (1976). "El Lissitzky's "Victory Over The Sun"". The Print Collector's Newsletter. 7 (1): 10–11. ISSN 0032-8537. JSTOR 44130035.
Versari 2015. Versari, Maria Elena (2015). "Avant-garde Iconographies of Combat: From the "Futurist Synthesis of War" to "Beat the Whites with the Red Wedge"". Annali d'Italianistica. 33: 187–204. ISSN 0741-7527. JSTOR 43894801.
Larson 1976. Larson, Philip (1976). "El Lissitzky's "Victory Over The Sun"". The Print Collector's Newsletter. 7 (1): 10–11. ISSN 0032-8537. JSTOR 44130035.
van Thoor 2020. van Thoor, M. T. A. (2020). An extraordinary photograph: Gerrit Rietveld, Mart Stam and El Lissitzky at the Schröder House, 1926 (PDF). Delft University of Technology. pp. 381–390. ISBN 978-94-6366-360-1. ISSN 2451-9812. Retrieved 23 November 2022.
Marks 2003. Marks, Steven G. (2003). "Abstract Art and the Regeneration of Mankind". New England Review (1990-). 24 (1): 53–79. ISSN 1053-1297. JSTOR 40244213.
Buchloh 1984. Buchloh, Benjamin H. D. (1984). "From Faktura to Factography". October. 30: 83–119. doi:10.2307/778300. ISSN 0162-2870. JSTOR 778300.
Wolf 1999. Wolf, Erika (1999). "When Photographs Speak, To Whom Do They Talk? The Origins and Audience of SSSR na stroike (USSR in Construction)". Left History: An Interdisciplinary Journal of Historical Inquiry and Debate. 6 (2). doi:10.25071/1913-9632.5382. ISSN 1913-9632. Retrieved 7 September 2022.
Harte 2002. Harte, Timothy C. (2002). "Review of For the Voice". The Slavic and East European Journal. 46 (1): 173–175. doi:10.2307/3086246. ISSN 0037-6752. JSTOR 3086246.

yale.edu

collections.library.yale.edu

See catalog.

artgallery.yale.edu

"Proun 99 | Yale University Art Gallery". artgallery.yale.edu. Retrieved 3 January 2024.

yivoencyclopedia.org

"Lissitzky, El". yivoencyclopedia.org. YIVO. Retrieved 18 September 2022.

yorku.ca

lh.journals.yorku.ca

Wolf 1999. Wolf, Erika (1999). "When Photographs Speak, To Whom Do They Talk? The Origins and Audience of SSSR na stroike (USSR in Construction)". Left History: An Interdisciplinary Journal of Historical Inquiry and Debate. 6 (2). doi:10.25071/1913-9632.5382. ISSN 1913-9632. Retrieved 7 September 2022.