Feather cloak (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Feather cloak" in English language version.

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"Kingfisher Headdresses from China". Art Institute Chicago. 21 May 2022. Retrieved 17 July 2024.

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Hiroa 1944, Plate 6 Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, pp. 9–10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, p. 3. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Harger, Barbara (1983). "Dress and Adornment of Pre-European Hawaiians". National Meeting Proceedings. Association of College Professors of Textiles and Clothing: 9–10.
Hiroa 1944, pp. 1, 9–10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, p. 10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.

baekur.is

Sveinbjörn Egilsson ed. 1848, p. 208ff, Bragaræður 56. Sveinbjörn Egilsson, ed. (1848). "Bragaræður 56 & 58". Edda Snorra Sturlusonar. Vol. 3. Copenhagen.
Sveinbjörn Egilsson ed. 1848, p. 284. Sveinbjörn Egilsson, ed. (1848). "Bragaræður 56 & 58". Edda Snorra Sturlusonar. Vol. 3. Copenhagen.
Sveinbjörn Egilsson ed. 1848, p. 292. Sveinbjörn Egilsson, ed. (1848). "Bragaræður 56 & 58". Edda Snorra Sturlusonar. Vol. 3. Copenhagen.
Sveinbjörn Egilsson ed. 1848, p. 218ff, Bragaræður 58. Sveinbjörn Egilsson, ed. (1848). "Bragaræður 56 & 58". Edda Snorra Sturlusonar. Vol. 3. Copenhagen.

books.google.com

Malo, David (1903). Hawaiian Antiquities: (Moolelo Hawaii). Translated by Emerson, Nathaniel Bright. Honolulu: Hawaiian Gazette. pp. 63, 106–107.
Pratt, H. Douglas (2005). The Hawaiian Honeycreepers: Drepanidinae. OUP Oxford. pp. 279–280. ISBN 9780198546535.
Hall, H. U. (March 1923). "Two Hawaiian Feather Garments, Ahuula". The Museum Journal (University of Pennsylvania). 14 (1): 41, 42.
Bishop, Marcia Brown (1940). Hawaiian Life of the Pre-European Period. Southworth-Anthoensen Press. pp. 36–37.

Sinclair 1976, repr. Sinclair 1995, p. 67 Sinclair, Marjorie (1976). Nāhiʻenaʻena, Sacred Daughter of Hawaiʻi. University Press of Hawaii. ISBN 9780824803674.

—— (1995). Nahi'ena'ena: Sacred Daughter of Hawaii. Mutual Publishing LLC. ISBN 9781566470803.

Holt 1985, p. 68. Holt, John Dominis (1985). The Art of Featherwork in Old Hawai'i. Topgallant Publishing Company. ISBN 9780914916680.

Sinclair 1976, repr. Sinclair 1995, p. xiii, "she firmly holds a kāhili" Sinclair, Marjorie (1976). Nāhiʻenaʻena, Sacred Daughter of Hawaiʻi. University Press of Hawaii. ISBN 9780824803674.

—— (1995). Nahi'ena'ena: Sacred Daughter of Hawaii. Mutual Publishing LLC. ISBN 9781566470803.

Kamehiro, Stacy L. (2009). The Arts of Kingship: Hawaiian Art and National Culture of the Kalakaua Era. University of Hawaii Press. pp. 46–47. ISBN 9780824832636.
Brown, Marie Alohalani (2022). Ka Po'e Mo'o Akua: Hawaiian Reptilian Water Deities. University of Hawaii Press. p. 122. ISBN 9780824891091.
Version of Haleʻole, S. N. (1863), reprinted in: Beckwith, Martha Warren (1919). "The Hawaiian Romance of Laieikawai". Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution 1911–1912. 33: 636–638.
Beckwith, Martha Warren (1982) [1940]. Hawaiian Mythology. University of Hawaii Press. p. 491. ISBN 9780824805142.
Hiroa, Te Rangi (1926). The Evolution of Maori Clothing. New Plymouth, NZ: Thomas Avery & Sons. pp. xxii, 58–59 and Pl. 22.
Buono 2012, p. 238. Buono, Amy (2012). "14. Crafts of Color: Tupi Tapirage in Early Colonial Brazil". In Feeser, Andrea; Goggin, Maureen Daly (eds.). The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400-1800. Ashgate Publishing, Ltd. pp. 235–246. ISBN 9781409429159.
Freitas da Silva, Rafael (2020) [2015]. O Rio antes do Rio (in Portuguese) (4 ed.). Relicário. n124. ISBN 9786586279047.
Françozo 2015, p. 111 citing naturalist George Marcgraf (1610–1644) Françozo, Mariana (2015). "Beyond the kunstakammer. Brazilian featherwork in early modern Europe". In Gerritsen, Anne; Riello, Giorgio (eds.). The Global Lives of Things: The Material Culture of Connections in the Early Modern World. Routledge. pp. 105–127. ISBN 9781317374565.
Françozo 2015, p. 111. Françozo, Mariana (2015). "Beyond the kunstakammer. Brazilian featherwork in early modern Europe". In Gerritsen, Anne; Riello, Giorgio (eds.). The Global Lives of Things: The Material Culture of Connections in the Early Modern World. Routledge. pp. 105–127. ISBN 9781317374565.
Soares, Bruno Brulon (2023). "§Dressed in the feather of birds". The Anticolonial Museum: Reclaiming Our Colonial Heritage. Taylor & Francis. pp. 2019–2020. ISBN 9781000932690.
Bleichmar, Daniela (2017). Visual Voyages: Images of Latin American Nature from Columbus to Darwin. Yale University Press. pp. xi–xii. ISBN 9780300224023.
Mitchell, Stephen A. (2023). Old Norse Folklore: Tradition, Innovation, and Performance in Medieval Scandinavia. Cornell University Press. ISBN 9781501773471.
Cleasby-Vigfusson (1874), s.v. "hamr"
Gunnell, Terry (1995). The Origins of Drama in Scandinavia. Boydell & Brewer Ltd. p. 82. ISBN 9780859914581.
Vigfússon & Powell 1883, Þryms-kviða; or, The Lay of Thrym, pp. 175–176. Vigfússon, Guðbrandur; Powell, Frederick York, eds. (1883). Corpus poeticum boreale: the poetry of the old northern tongue, from the earliest times to the thirteenth century (in Icelandic and English). Vol. 1. Clarendon Press.
Orchard tr. 2011, pp. 96–101, 304, Thrymskvida: The song of Thrym, Notes: Thrymskvida: The song of Thrym. The Elder Edda: A Book of Viking Lore. Translated by Orchard, Andy. London: Penguin Books. 2011. ISBN 9780141393728.
Zoega (1910), s.v. "fjaðr-hamr": 'feather coat'.
Bellows tr. (1923) Thrymskvida
McKinnel, John (2014a) [2000]. "Chapter 8. Myth as Therapy: The Function of Þrymskviða". In Kick, Donata; Shafer, John D. (eds.). Essays on Eddic Poetry. University of Toronto Press. pp. 201 and note 13. ISBN 9781442615885. ¹³ See e.g. Breta sögur, in Hauksbók.. Eiríkur Jónsson and Finnur Jónsson (Copenhagen, 1892-6), 231-302 (p. 248); this was translated from the Latin of Geoffrey of Monmouth.. Geoffrey simply refers at this point to the wings which King Bladud orders... Originally —— (2000). "Myth as Therapy: The Function of Þrymskviða". Medium Ævum. 69 (1): 1–20. doi:10.2307/43631487. JSTOR 43631487.
Davidson, Hilda Roderick Ellis (2002) [1993]. The lost beliefs of northern Europe. London: Routledge. p. 109. ISBN 9781134944682.
Byock tr. 2005 Skaldskaparmal ""Mythic and legendary tales from Skaldskaparmal: §The Theft of Idunn and Her Apples; §Loki Retrieves Idunn from the Giant Thiazi"". The Prose Edda. Translated by Byock, Jesse. Penguin UK. 2005. ISBN 9780141912745. and "Introduction", p. xxii, 'valshamr'.
Näsström, Britt-Mari [in Swedish] (1995). Freyja, the Great Goddess of the North. Department of History of Religions, University of Lund. p. 110. ISBN 9789122016946.
Cleasby-Vigfusson (1874), s.v. "fjaðr-hamr"
Morris, Katherine S. (1991). Sorceress Or Witch?: The Image of Gender in Medieval Iceland and Northern Europe. University Press of America. p. 201. ISBN 9780819182562. Freyja possessed a feather or falcon shape, ON valshamr (Skáldskaparmál 1). Frigg also owned such a costume, and Loki borrowed it (Skáldskaparmál 18)
Egeler 2009, p. 443 "Odin als auch der Riese Suttungr einen arnarhamr ('Adlerhemd')" = 'eagle shirt'. Egeler, Matthias (2009). "Keltisch-mediterrane Perspektiven auf die altnordischen Walkürenvorstellungen". In Heizmann, Wilhelm; Böldl, Klaus; Beck, Heinrich (eds.). Analecta Septentrionalia: Beiträge zur nordgermanischen Kultur- und Literaturgeschichte. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde 65 (in German). Walter de Gruyter. pp. 393–466. ISBN 9783110218701.
Vigfússon & Powell 1883, p. 465: "[Odin] turned himself into the eagle's coat, and.. Suttung.. betook himself to his eagle-skin" Vigfússon, Guðbrandur; Powell, Frederick York, eds. (1883). Corpus poeticum boreale: the poetry of the old northern tongue, from the earliest times to the thirteenth century (in Icelandic and English). Vol. 1. Clarendon Press.
Finnur Jónsson ed. 1900, p. 73. Finnur Jónsson, ed. (1900). Snorri Sturluson Edda. Købnhavn: G.E.C. Gad.
Snorri Sturluson (1916). The Prose Edda. Translated by Arthur Gilchrist Brodeur. American-Scandinavian Foundation. pp. 94–96. ISBN 9780890670002. [Odin] turned himself into the shape of an eagle and.. Suttung.. too assumed the fashion of an eagle
Snorri Sturluson (1992) [1954]. The Prose Edda: Tales from Norse Mythology. Translated by Jean I. Young. University of California Press. pp. 101–102. ISBN 9780520234772. [Odin] changed himself into an eagle and.. Suttung.. took on eagle shape
Vigfússon & Powell 1883, p. 465: "turned himself into the similitude of a serpent" vs. "turned into the eagle's coat" Vigfússon, Guðbrandur; Powell, Frederick York, eds. (1883). Corpus poeticum boreale: the poetry of the old northern tongue, from the earliest times to the thirteenth century (in Icelandic and English). Vol. 1. Clarendon Press.
Mitchell 2023 Fig. 3.1 and description in List of Illustrations
Egeler, Matthias (2013). Celtic Influences in Germanic Religion: A Survey. Münchner nordistische Studien 15. Herbert Utz Verlag. p. 117. ISBN 9783831642267.
Byock tr. 2005. ""Mythic and legendary tales from Skaldskaparmal: §The Theft of Idunn and Her Apples; §Loki Retrieves Idunn from the Giant Thiazi"". The Prose Edda. Translated by Byock, Jesse. Penguin UK. 2005. ISBN 9780141912745. and "Introduction", p. xxii, 'valshamr'.
Thorpe 1851, pp. 52–53. Thorpe, Benjamin (1851). "Thor in the house of Geirröd (Geirröðr)". Northern Mythology. Edward Lumley. pp. 52–53.
Davidson, Hilda Roderick Ellis (2013) [1968]. The Road to Hel: a study of the conception of the dead in Old Norse literature. Cambridge University Press. p. 122. ISBN 9781107632349.; originally New York: Greenwood Press, 1968
Grimstad 1983 discusses the transformation of gods "donning a feather coat", and in the attached footnoted (n18, p. 206) with an association with Oðinn's ability to transform into creatures in the Ynglinga saga. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Egeler 2009, pp. 442, 444. Egeler, Matthias (2009). "Keltisch-mediterrane Perspektiven auf die altnordischen Walkürenvorstellungen". In Heizmann, Wilhelm; Böldl, Klaus; Beck, Heinrich (eds.). Analecta Septentrionalia: Beiträge zur nordgermanischen Kultur- und Literaturgeschichte. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde 65 (in German). Walter de Gruyter. pp. 393–466. ISBN 9783110218701.
Egeler 2009, pp. 441–442. Egeler, Matthias (2009). "Keltisch-mediterrane Perspektiven auf die altnordischen Walkürenvorstellungen". In Heizmann, Wilhelm; Böldl, Klaus; Beck, Heinrich (eds.). Analecta Septentrionalia: Beiträge zur nordgermanischen Kultur- und Literaturgeschichte. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde 65 (in German). Walter de Gruyter. pp. 393–466. ISBN 9783110218701.
Finnur Jónsson ed. 1905, p. 141, Völundarkviða. Finnur Jónsson, ed. (1905). Sæmundar-Edda: Eddukvæði. Reykjavík: S. Kristjánsson.
"Lay of Volund". The Poetic Edda. Translated by Larrington, Carolyne. OUP Oxford. 2014. pp. 99–111 and note to str. 29. ISBN 9780191662942.: St, 29: "'Lucky..' said Volund 'that I can use my webbed feet'/of which Nidud's warriors deprived me!'/Laughing, Volund rose into air..".
Orchard tr. 2011, Völundarkvida: The song of Völund. The Elder Edda: A Book of Viking Lore. Translated by Orchard, Andy. London: Penguin Books. 2011. ISBN 9780141393728.
Prose prologue to Völundarkviða:"Þar váru hjá þeim álptarhamir þeira. Þat váru valkyrjur";^[94] "Near them were their swan's garments. They were Valkyries";^[95] "swan cloaks".^[96] The passage is abridged after "Slagfið..." in Vigfússon & Powell 1883, The Lay of Weyland, pp. 168–169. Vigfússon, Guðbrandur; Powell, Frederick York, eds. (1883). Corpus poeticum boreale: the poetry of the old northern tongue, from the earliest times to the thirteenth century (in Icelandic and English). Vol. 1. Clarendon Press.
McKinnel, John (2002). "Chapter 18. The Context of Völunarkviða". In Acker, Paul; Larrington, Carolyne (eds.). The Poetic Edda: Essays on Old Norse Mythology. Routeledge. p. 200. ISBN 9780815316602.
In Grimstad 1983, p. 191, it is the "second interpretation" which postulates that a transformation ring is meant; it is further explained that the ring could have belonged to the swan-maiden wife of Volund, and the ring endowed its wearer with an ability of transformation into a swan, etc. The authorities on this point of view listed (n20) are Richard Constant Boer (1907), "Völundarkviða". Arkiv för nordisk filologi 23 (Ny följd. 19): 139–140, Ferdinand Detter (1886) "Bemerkungen zu den Eddaliedern", Arkiv för nordisk filologi 3: 309–319, Halldór Halldórsson (1960) " Hringtöfrar í íslenzkum orðtökum” Íslenzk tunga 2: 18–20 Deutsche Heldensagen, pp. 10–15, Alois Wolf (München, 1965 ) "Gestaltungskerne und Gestaltungsweisen in der altgermanischen Heldendichtung", p. 84. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Grimstad 1983, p. 191. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
McKinnel, John (2014b) [2000]. "Chapter 9. Völunðarkvida: Origins and Interpretation". In Kick, Donata; Shafer, John D. (eds.). Essays on Eddic Poetry. University of Toronto Press. pp. 227–228. ISBN 9781442615885.
Grimstad 1983, p. 191 places "wings" vs. "ring" as the two major schools of thought on the interpretation of this phrase.^[102] As exponents of the "feather coat or a pair of artificial wings" view names (n19) Georg Baesecke (1937), A. G. van Hamel (1929) "On Völundarkviða" Arkiv för nordisk filologi 45: 161–175, Hellmut Rosenfeld (1955) and Philip Webster Souers (1943) as anticipating Jan de Vries (1952). Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Grimstad 1983, p. 192 Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Becker, Alfred (2021). Franks Casket: Das Runenkästchen von Auzon: Magie in Bildern, Runen und Zahlen (in German). Frank & Timme GmbH. p. 262. ISBN 9783732907380. Cf. the translation of this book, Becker (2023) The King's Gift Box: The Runic Casket of Auzon ISBN 979-8865378730 (in English)
Cleasby-Vigfusson (1874), s.v. "flygill"
Cleasby-Vigfusson (1874), s.v. "gripr(2)" "m. [Germ. griff], a vulture. Þiðr. 92
Cleasby-Vigfusson (1874), s.v. "gammr"
Haymes tr. 1988, pp. 53–54, Chapter 77. Haymes, Edward R., tr. (1988). The Saga of Thidrek of Bern. Garland. ISBN 0-8240-8489-6.
Unger tr. 1853, pp. 92–94, Chapter 77. Unger, Henrik, ed. (1853). Saga Điðriks konungs af Bern: Fortælling om Kong Thidrik af Bern og hans kæmper, i norsk bearbeidelse fra det trettende aarhundrede efter tydske kilder. Christiania: Feilberg & Landmark. pp. 92–94.
McKinnel, John (2016). "Chapter 19. Eddic poetry in Anglo-Scandinavian northern England". In Graham-Campbell, James; Hall, Richard; Jesch, Judith; Parsons, David N. (eds.). Vikings and the Danelaw. Oxbow Books. p. 334. ISBN 9781785704550.
Harris, Joseph (2005) [1985]. "Eddic Poetry". In Clover, Carol J.; Lindow, John (eds.). Old Norse-Icelandic Literature: A Critical Guide. University of Toronto Press. p. 103. ISBN 9780802038234.
Samson, Vincent (2011). "Chapitre VII. La figure littéraire du berserker et ses stéréotypes dans lessagas islandaises". Les Berserkir: Les guerriers-fauves dans la Scandinavie ancienne, de l'âge de Vendel aux vikings (VIe-XIe siècle) (in French). Translated by Clover. Villeneuve-d'Ascq: Presses Univ. Septentrion. p. 249. ISBN 9782757403532.; Samson, Vincent (2020). "Chapitre VII. La figure littéraire du berserker et ses stéréotypes dans lessagas islandaisesKapitel VII, Die literarische Figur des Berskers und seine Sterotypen". Die Berserker: Die Tierkrieger des Nordens von der Vendel- bis zur Wikingerzeit (in German). Translated by Hofmann, Anne. Walter de Gruyter GmbH & Co KG. p. 217. ISBN 9783110332926.
Sayce, A. H. (1890). "The Legend of King Bladud Sayce". Y Cymmrodor. 10: 208.
Geoffrey of Monmouth (1904) Histories of the Kings of Britain, II.iv Bladud foundeth Bath. Translated by Sebastian Evans. p. 44
Jónsson 1892–1896. Eiríkur Jónsson; Finnur Jónsson, eds. (1892–1896). Breta sögur. Hauksbók:udgiven efter de Arnamagnænske Händskrifter No. 371, 544 og 675 4º. samt forskellige Papirshändskrifter. Kongelige Nordiske oldskriftselskab (Denmark). Copenhagen: Thieles bogtr. "Af Madann", c. 12, line 157ff. (p. 248). het Bladvð er riki.. .xx. vetr konengr verit þa let hann gera ser fiaðrham
Prior, Richard Chandler Alexander (1860). "Thor of Asgard". Ancient Danish Ballads: trans by R C Alexander Prior. London: Williams and Norgate. pp. 3–10 (note to str. 3).
Mannering, Ulla (2016). Iconic Costumes: Scandinavian Late Iron Age Costume Iconography. Oxbow Books. pp. 6–27. ISBN 9781785702181.
Stokes, Whitley, ed. (1862). "tugen". Three Irish Glossaries: Cormac's Glossary, Codex A. London: Williams and Norgate. p. 43.
O'Donovan, John tr., annot. Stokes, Whitley ed., notes, eds. (1868). "tugen". Sanas Chormaic [Cormac's glossary]. Calcutta: O.T. Cutter. p. 160.
Atkinson, Robert, ed. (1901). "tugain". Ancient laws of Ireland: Glossary. Vol. VI. H.M. Stationery Office. p. 756. though one might be curious as to which was the prius here, the word or its explanation
Joyce, Patrick Weston (1903). A Social History of Ancient Ireland: Treating of the Government, Military System, and Law. Longmans, Green, and Company. p. 447.

O'Donovan, John, ed. (1847). Leabhar na g-ceart [The Book of Rights]. Dublin: Celtic Society. pp. 32–33.:

Old Irish

English

Dliġeaḋ cach riġ ó riġ Caisil
bíḋ ceist ar ḃárdaiḃ co bráth,
fo gebthar i taeiḃ na Taiḋean
ac suaiḋ na n-Gaeiḋel co gnáth

The Right of each king from the king of Caiseal,
Shall be question to bards for ever:
It shall be found along with the Taeidhean
With the chief poet of the Gaeidhil constantly

—Benén mac Sescnéin

Simms, Katharine (1998). "13 Literacy and the Irish Bards". In Pryce, Huw (ed.). Literacy in Medieval Celtic Societies. Cambridge University Press. pp. 245–246. ISBN 9780521570398.
Connellan, Owen (1860). "The Bards of Ireland". Transactions of the Ossianic Society for the Year 1857. 5: 17.
Stokes, Whitley, ed. tr. (1905). "The Colloquy of the Two Sages". Revue Celtique. 26. VIII., pp. 12, 13.
Carey, John (1996). "Obscure Styles in Medieval Ireland". Mediaevalia: A Journal of Medieval Studies. 19: 27. JSTOR 20706388.; cf. books.google
Larson, Laurence Marcellus, tr. (1917), "XI. Irish Marvels which have Miraculous Origins", The King's Mirror: (Speculum Regalae - Konungs Skuggsjá), Twayne Publishers, p. 116
Finnur Jónsson, ed. (1920). "12". Konungs skuggsjá: Speculum regale. Vol. 2. Reykjavík: I kommission i den Gyldendalske boghandel, Nordisk forlag. pp. 61–62.
Miles, Brent (2011). Heroic Saga and Classical Epic in Medieval Ireland. Cambridge: DS Brewer. pp. 75–76. ISBN 1843842645. ISSN 0261-9865.
Unschuld (2021) tr. Ben Cao Gang Mu, Volume IX, Ch. 49-28. Gu huo niao 姑獲鳥 "wench bird".
Hsieh 2003, pp. 433–434. Hsieh, Daniel 謝立義 (2003). "The Swan-Maiden Motif in Early Chinese Classical Tales". In Su, Jui-lung; Gong, Hang (eds.). Ershiyi shiji Hon, Wei, Liuchao wenxue xin shijiao: Kang Dawei jiaoshou huajia jinian lunwen ji 廿一世紀漢魏六朝文學新視角: 康達維敎授花甲紀念論文集 [New views of Han, Wei, and Six dynasties literature in the twenty-first century : a festschrift in honor of professor David R. Knechtges on his sixtieth birthday]. Wenjin chubanshe. pp. 415–470. ISBN 9789576687204.
Young 2018, p. 218. Young, Serinity (2018). Women Who Fly: Goddesses, Witches, Mystics, and other Airborne Females. Oxford University Press. ISBN 9780190659691.
Yu, Anthony C., ed. (2013). "74 Long Life reports how vicious the demons are; Pilgrim displays his transformation power". The Journey to the West: Volume III. University of Chicago Press. Ch. 74, note 3, p. 403. ISBN 9780226971421.
Kirkova, Zornica (2016). Roaming into the Beyond: Representations of Xian Immortality in Early Medieval Chinese Verse. BRILL. p. 94. ISBN 9789004313699.
Kosugi 1988, pp. 7–8, 12; Kitamura 1993, p. 57 Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Yan Shigu: "羽衣,以鳥羽為衣,取其神仙飛翔之意也". Cited/translated in Kosugi 1988, p. 2, Kitamura 1993, p. 57. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Hayashi, Ryōichi [in Japanese] (1982). "Juka bijinzu no keifu" 樹下美人図の系譜. Rekishi kōron. 8 (2/cumulative No. 75): 91.
Morrison, Michael; Price, Lorna, eds. (1997). Classical Kimono from the Kyoto National Museum: Four Centuries of Fashion. Asian Art Museum of San Francisco. p. 24. ISBN 9780939117093.
Birrell, Anne (1999). Chinese Mythology: An Introduction. Johns Hopkins U. Press. pp. 199–200. ISBN 9780801861833.
Xu Hairong 徐海荣, ed. (2000). "Changyu 氅衣". Zhōngguó fúshì dàdiǎn 中国服饰大典. 华夏出版社. p. 109. ISBN 9787508020181.
Giles (1912). "鶴" Chinese-English Dictionary (2nd ed.), s.v. "Ch'ang 氅"
Woesler, Martin (2022). "Interculturally Integrative Masterpiece of World Literature with Unique Characteristics". In Moratto, Riccardo; Liu, Kanglong; Chao, Di-kai (eds.). Dream of the Red Chamber: Literary and Translation Perspectives. Taylor & Francis. ISBN 9781000812381.
Miller 1987, p. 68, 70, etc. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Kasahara, Kazuo [in Japanese] (2001). A History of Japanese Religion. Translated by Paul McCarthy; Gaynor Sekimori. Kosei Publishing Company. p. 147. ISBN 9784333019175.
Miller 1987, p. 68. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Miller 1987, pp. 78–80. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Como, Michael I. (2008). Shotoku: Ethnicity, Ritual, and Violence in the Japanese Buddhist Tradition. Oxford University Press. ISBN 9780199884964.
Harada, Jiro (15 November 1911). "Old Japanese Folding Screens". The Studio: An Illustrated Magazine of Fine & Applied Art. 54 (224): 120. JSTOR 20706388.
Seikine, Shinryū [in Japanese] (1988). "Torige: Torige ritsujo byōbu" 鳥毛：鳥毛立女屏風とりげりつじょびょうぶ. Shōsoin no takaramono 正倉院の宝物 (in Japanese). Hokusha. p. 77. ISBN 9784586507634.
Kosugi 1988, p. 2. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23.
Kokusai Bunka Shinkōkai (1948). Introduction to Classic Japanese Literature (2 ed.). Kokusai Bunka Shinkokai. p. 155.
Ozaki 1986, pp. 242–243: やはり羽衣の類とみなされていただろう [it was probably regarded (as meaning) a sort of (thing much like) a hagoromo]". Ozaki, Nobuo (1986). "Taketori no okina" 竹取の翁. Kokubugaku nenji betsu ronbunshū: Jōdai dai 2 bu 国文学年次別論文集: 上代第2部. Hōbun shuppan. pp. 238–243. doi:10.20631/bigaku.44.2_57.
- Horiuchi, Hideaki, ed. (1997). Shin nihon koten bungaku taikei: Taketori monogatari 新日本古典文学大系:竹取物語. Iwanami Shoten.
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- Sunaga, Tomohiko [in Japanese] (2007). "Hagoromo densetsu no kokei" 羽衣説話の古形. Nihon gensō bungakushi 日本幻想文学史. Heibonsha. p. 231. ISBN 9784582766202.
- Nunome 1996, p. 11. Nunome, Junrō (March 1996). "Tennyo no hagoromo" 天女の羽衣(はごろも). Nihon bijutsu kōgei 日本美術工芸 (690). Osaka: NIhon bijutsu kogeisha: 11–15.
- Nunome 1996, p. 13. Nunome, Junrō (March 1996). "Tennyo no hagoromo" 天女の羽衣(はごろも). Nihon bijutsu kōgei 日本美術工芸 (690). Osaka: NIhon bijutsu kogeisha: 11–15.
- Nunome 1996, p. 15. Nunome, Junrō (March 1996). "Tennyo no hagoromo" 天女の羽衣(はごろも). Nihon bijutsu kōgei 日本美術工芸 (690). Osaka: NIhon bijutsu kogeisha: 11–15.

core.ac.uk

Ando 2012, p. 13. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 7, 9. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 10–11, citing Hideaki Horiuchi.^[195] Ando 2012, p. 11, citing Hideo Watanabe^[196]。 Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 6–7. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.

dil.ie

eDIL s.v. "tuigen, tugan": var. "stuigen"
eDIL s.v. "croiccenn"
eDIL s.v. "lachu"
eDIL s.v. "suí"
eDIL s.v. "éices"
eDIL s.v. "1 taíden"
eDIL s.v. "tuignech"
eDIL s.v. "1 geilt" gives definition as "one who goes mad from terror; a panic-stricken fugitive from battle; a crazy person living in the woods..", citing Irish Mirabilia in Speculum Regale ("King's Mirror"). Usage as Suibne Geilt's sobriquet also mentioned.

doi.org

McKinnel, John (2014a) [2000]. "Chapter 8. Myth as Therapy: The Function of Þrymskviða". In Kick, Donata; Shafer, John D. (eds.). Essays on Eddic Poetry. University of Toronto Press. pp. 201 and note 13. ISBN 9781442615885. ¹³ See e.g. Breta sögur, in Hauksbók.. Eiríkur Jónsson and Finnur Jónsson (Copenhagen, 1892-6), 231-302 (p. 248); this was translated from the Latin of Geoffrey of Monmouth.. Geoffrey simply refers at this point to the wings which King Bladud orders... Originally —— (2000). "Myth as Therapy: The Function of Þrymskviða". Medium Ævum. 69 (1): 1–20. doi:10.2307/43631487. JSTOR 43631487.
Benoit, Jérémie (1989). "Le Cygne et la Valkyrie. Dévaluation d'un mythe". Romantisme (in French). 19 (64): 69–84. doi:10.3406/roman.1989.5588.
Kitamura 1993, pp. 57–58. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Kitamura 1993, p. 58. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Kosugi 1988, pp. 7–8, 12; Kitamura 1993, p. 57 Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Yan Shigu: "羽衣,以鳥羽為衣,取其神仙飛翔之意也". Cited/translated in Kosugi 1988, p. 2, Kitamura 1993, p. 57. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Miller 1987, p. 68, 70, etc. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Miller 1987, p. 68. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Miller 1987, pp. 78–80. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Ozaki 1986, pp. 242–243: やはり羽衣の類とみなされていただろう [it was probably regarded (as meaning) a sort of (thing much like) a hagoromo]". Ozaki, Nobuo (1986). "Taketori no okina" 竹取の翁. Kokubugaku nenji betsu ronbunshū: Jōdai dai 2 bu 国文学年次別論文集: 上代第2部. Hōbun shuppan. pp. 238–243. doi:10.20631/bigaku.44.2_57.
- Watanabe 1983, pp. 38–39. Watanabe, HIdeao [in Japanese] (1983). "Taketori monogatari to shinsentan: bunjin to monogatari: Shoki monogatari seiritushi kaitei" 竹取物語と神仙譚 : 文人と物語・<初期物語成立史階梯>. Nihon bungaku 日本文学. 32 (3): 26–43. doi:10.20620/nihonbungaku.32.3_260.

handle.net

hdl.handle.net

Ando 2012, p. 13. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 7, 9. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 10–11, citing Hideaki Horiuchi.^[195] Ando 2012, p. 11, citing Hideo Watanabe^[196]。 Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.
Ando 2012, pp. 6–7. Ando, Shigegaktsu (30 March 2012). "Taketori monogatari to shinsen shisoō: 'Ama no hagoromo' no yurai" 竹取物語と神仙思想 ―「天の羽衣」の由来― (PDF). Nihon bunka ronsō 日本文化論叢. 20. Aichi University of Education: 5–14. hdl:10424/4511.

harvard.edu

eaa.fas.harvard.edu

Wang 2005, p. 52. Wang, Eugene Y. (2005). "Mirror, Moon, and Memory in Eighth-Century China: From Dragon Pond to Lunar Palace" (PDF). In Brown, Claudia; Chou, Ju-hsi (eds.). Clarity and Luster: New Light on Bronze Mirrors in Tang and Post-Tang Dynasty China, 600-1300. Cleveland Museum of Art in association with Brepols. pp. 42–67. ISBN 9782503520810.
Wang 2005, p. 61. Wang, Eugene Y. (2005). "Mirror, Moon, and Memory in Eighth-Century China: From Dragon Pond to Lunar Palace" (PDF). In Brown, Claudia; Chou, Ju-hsi (eds.). Clarity and Luster: New Light on Bronze Mirrors in Tang and Post-Tang Dynasty China, 600-1300. Cleveland Museum of Art in association with Brepols. pp. 42–67. ISBN 9782503520810.

heimskringla.no

"Völsunga saga – heimskringla.no". heimskringla.no. Retrieved 26 June 2022.

honoluluadvertiser.com

the.honoluluadvertiser.com

Ron Staton (9 June 2003). "Historic feather garment to be displayed". The Honolulu Advertiser.

jst.go.jp

jstage.jst.go.jp

Kitamura 1993, pp. 57–58. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Kitamura 1993, p. 58. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Kosugi 1988, pp. 7–8, 12; Kitamura 1993, p. 57 Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Yan Shigu: "羽衣,以鳥羽為衣,取其神仙飛翔之意也". Cited/translated in Kosugi 1988, p. 2, Kitamura 1993, p. 57. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Watanabe 1983, pp. 38–39. Watanabe, HIdeao [in Japanese] (1983). "Taketori monogatari to shinsentan: bunjin to monogatari: Shoki monogatari seiritushi kaitei" 竹取物語と神仙譚 : 文人と物語・<初期物語成立史階梯>. Nihon bungaku 日本文学. 32 (3): 26–43. doi:10.20620/nihonbungaku.32.3_260.

jstor.org

Charlot, John (June 1991). "The Feather Skirt of Nāhiʻenaʻena: an Innovation in Postcontact Hawaiian Art". The Journal of the Polynesian Society. 100 (2): 137. JSTOR 20706388.
Ruggerini 2006, pp. 204–205. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
McKinnel, John (2014a) [2000]. "Chapter 8. Myth as Therapy: The Function of Þrymskviða". In Kick, Donata; Shafer, John D. (eds.). Essays on Eddic Poetry. University of Toronto Press. pp. 201 and note 13. ISBN 9781442615885. ¹³ See e.g. Breta sögur, in Hauksbók.. Eiríkur Jónsson and Finnur Jónsson (Copenhagen, 1892-6), 231-302 (p. 248); this was translated from the Latin of Geoffrey of Monmouth.. Geoffrey simply refers at this point to the wings which King Bladud orders... Originally —— (2000). "Myth as Therapy: The Function of Þrymskviða". Medium Ævum. 69 (1): 1–20. doi:10.2307/43631487. JSTOR 43631487.
Ruggerini 2006, pp. 206. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, pp. 204, 209. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, pp. 203, 206. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, p. 215. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, p. 214. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, pp. 218–220. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Ruggerini 2006, p. 220. Ruggerini, Maria Elena (2006). "Tales of Flight in Old Norse and Medieval English Texts". Viking and Medieval Scandinavia. 2: 201–238. JSTOR 45019112.
Carey, John (1996). "Obscure Styles in Medieval Ireland". Mediaevalia: A Journal of Medieval Studies. 19: 27. JSTOR 20706388.; cf. books.google
Miller 1987, p. 68, 70, etc. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Miller 1987, p. 68. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Miller 1987, pp. 78–80. Miller, Alan L. (1987). "The Swan-Maiden Revisited: Religious Significance of "Divine-Wife" Folktales with Special Reference to Japan". Asian Folklore Studies. 46 (1). Nanzan University Institute of Anthropology: 55–86. doi:10.2307/1177885. JSTOR 1177885.
Harada, Jiro (15 November 1911). "Old Japanese Folding Screens". The Studio: An Illustrated Magazine of Fine & Applied Art. 54 (224): 120. JSTOR 20706388.

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Sugiyama 1942, p. 41. Sugiyama, Sueo (1942). "2. Hagoromo to mino" ニ、羽衣と蓑. Nihon genshi seni kōgeishi dozokuron 日本原始繊維工芸史土俗編 (in Japanese). Yuzankaku. pp. 41–42. ndldm:1872149.

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"Elton John gifted rare Maori cloak". The New Zealand Herald. 7 December 2007. Retrieved 30 September 2011.

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In Grimstad 1983, p. 191, it is the "second interpretation" which postulates that a transformation ring is meant; it is further explained that the ring could have belonged to the swan-maiden wife of Volund, and the ring endowed its wearer with an ability of transformation into a swan, etc. The authorities on this point of view listed (n20) are Richard Constant Boer (1907), "Völundarkviða". Arkiv för nordisk filologi 23 (Ny följd. 19): 139–140, Ferdinand Detter (1886) "Bemerkungen zu den Eddaliedern", Arkiv för nordisk filologi 3: 309–319, Halldór Halldórsson (1960) " Hringtöfrar í íslenzkum orðtökum” Íslenzk tunga 2: 18–20 Deutsche Heldensagen, pp. 10–15, Alois Wolf (München, 1965 ) "Gestaltungskerne und Gestaltungsweisen in der altgermanischen Heldendichtung", p. 84. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.

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Carey, John (1996). "Obscure Styles in Medieval Ireland". Mediaevalia: A Journal of Medieval Studies. 19: 27. JSTOR 20706388.; cf. books.google

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Burl Burlingame (6 May 2003). "Rare pa'u pageantry The grand cloak is made of hundreds of thousands of feathers from the 'oo and mamo birds". Honolulu Star-Bulletin. Retrieved 29 November 2001.

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Kay, Martin (9 April 2009). "Clark gets cloak for a queen". The Dominion Post. Retrieved 30 September 2011.

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Mary Kawena Pukui; Samuel Hoyt Elbert (2003). "lookup of ʻahu ʻula". in Hawaiian Dictionary. Ulukau, the Hawaiian Electronic Library, University of Hawaii Press.; Kepau's Combined Hawaiian Dictionary, s.v. "ʻahu ʻula"
Mary Kawena Pukui; Samuel Hoyt Elbert (2003). "lookup of pāʻū". in Hawaiian Dictionary. Ulukau, the Hawaiian Electronic Library, University of Hawaii Press. Kepau's Combined Hawaiian Dictionary, s.v. "pā.ʻū"

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Hiroa 1944, Plate 6 Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, pp. 9–10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, p. 3. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, pp. 1, 9–10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.
Hiroa 1944, p. 10. Hiroa, Te Rangi (1944). "The Local Evolution of Hawaiian Feather Capes and Cloaks". The Journal of the Polynesian Society. 53 (1): 1–16. Archived from the original on 14 October 2008.

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Mary Kawena Pukui; Samuel Hoyt Elbert (2003). "lookup of ʻahu ʻula". in Hawaiian Dictionary. Ulukau, the Hawaiian Electronic Library, University of Hawaii Press.; Kepau's Combined Hawaiian Dictionary, s.v. "ʻahu ʻula"
Mary Kawena Pukui; Samuel Hoyt Elbert (2003). "lookup of pāʻū". in Hawaiian Dictionary. Ulukau, the Hawaiian Electronic Library, University of Hawaii Press. Kepau's Combined Hawaiian Dictionary, s.v. "pā.ʻū"

wikipedia.org

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Quoting waka poet and critic Tomohiko Sunaga: "[what] the ancient people called a hire (領巾), a sheer silk, thin scarf 古代の人々が「領巾」と称した薄絹の細長いスカーフ" or, "the Benten or Kisshōten's long, thin cloth worn floatingly around their shoulders 弁天様や吉祥天女がふわりと肩に被いている細長い布".
Kosugi 1988, pp. 7–8, 12; Kitamura 1993, p. 57 Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Yan Shigu: "羽衣,以鳥羽為衣,取其神仙飛翔之意也". Cited/translated in Kosugi 1988, p. 2, Kitamura 1993, p. 57. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23. Kitamura, Haruka (September 1993). "Ujin zō wo chūshin to suru 'Kandai shinsen sekaizu' kō" 羽人像を中心とする「漢代神仙世界図」考 [Studies of the Winged Figure Image (Yuren Xiang : 羽人像) of the 'Han Dynasty Shenxian (神仙) Pictorial World']. Bigaku 美學 [Aesthetics]. 44 (2): 57–68. doi:10.20631/bigaku.44.2_57.
Hayashi, Ryōichi [in Japanese] (1982). "Juka bijinzu no keifu" 樹下美人図の系譜. Rekishi kōron. 8 (2/cumulative No. 75): 91.
Kasahara, Kazuo [in Japanese] (2001). A History of Japanese Religion. Translated by Paul McCarthy; Gaynor Sekimori. Kosei Publishing Company. p. 147. ISBN 9784333019175.
Seikine, Shinryū [in Japanese] (1988). "Torige: Torige ritsujo byōbu" 鳥毛：鳥毛立女屏風とりげりつじょびょうぶ. Shōsoin no takaramono 正倉院の宝物 (in Japanese). Hokusha. p. 77. ISBN 9784586507634.
Kosugi 1988, p. 2. Kosugi, Kazuo [in Japanese] (1988). "Shinsen no ui wo ronjite torige tachi-onna byōbu ni oyobu" 神仙の羽衣を論じて鳥毛立女屏風に及ぶ [The Shen-Xian(神仙)'s Robe covered with bird's feathers and Torige Tachi-Onna Byōbu in Shōsōin]. Bijutsuhi kenkyū 美術史研究 [The Study of the History of Art]. 26. Waseda University: 1–23.
Watanabe 1983, pp. 38–39. Watanabe, HIdeao [in Japanese] (1983). "Taketori monogatari to shinsentan: bunjin to monogatari: Shoki monogatari seiritushi kaitei" 竹取物語と神仙譚 : 文人と物語・<初期物語成立史階梯>. Nihon bungaku 日本文学. 32 (3): 26–43. doi:10.20620/nihonbungaku.32.3_260.
Sunaga, Tomohiko [in Japanese] (2007). "Hagoromo densetsu no kokei" 羽衣説話の古形. Nihon gensō bungakushi 日本幻想文学史. Heibonsha. p. 231. ISBN 9784582766202.

is.wikipedia.org

Grimstad 1983 discusses the transformation of gods "donning a feather coat", and in the attached footnoted (n18, p. 206) with an association with Oðinn's ability to transform into creatures in the Ynglinga saga. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
In Grimstad 1983, p. 191, it is the "second interpretation" which postulates that a transformation ring is meant; it is further explained that the ring could have belonged to the swan-maiden wife of Volund, and the ring endowed its wearer with an ability of transformation into a swan, etc. The authorities on this point of view listed (n20) are Richard Constant Boer (1907), "Völundarkviða". Arkiv för nordisk filologi 23 (Ny följd. 19): 139–140, Ferdinand Detter (1886) "Bemerkungen zu den Eddaliedern", Arkiv för nordisk filologi 3: 309–319, Halldór Halldórsson (1960) " Hringtöfrar í íslenzkum orðtökum” Íslenzk tunga 2: 18–20 Deutsche Heldensagen, pp. 10–15, Alois Wolf (München, 1965 ) "Gestaltungskerne und Gestaltungsweisen in der altgermanischen Heldendichtung", p. 84. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Grimstad 1983, p. 191. Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Grimstad 1983, p. 191 places "wings" vs. "ring" as the two major schools of thought on the interpretation of this phrase.^[102] As exponents of the "feather coat or a pair of artificial wings" view names (n19) Georg Baesecke (1937), A. G. van Hamel (1929) "On Völundarkviða" Arkiv för nordisk filologi 45: 161–175, Hellmut Rosenfeld (1955) and Philip Webster Souers (1943) as anticipating Jan de Vries (1952). Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.
Grimstad 1983, p. 192 Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.

de.wikipedia.org

In the German translation, Exkursionsseele equivalent to free-soul [de] is used.
Grimstad 1983, p. 191 places "wings" vs. "ring" as the two major schools of thought on the interpretation of this phrase.^[102] As exponents of the "feather coat or a pair of artificial wings" view names (n19) Georg Baesecke (1937), A. G. van Hamel (1929) "On Völundarkviða" Arkiv för nordisk filologi 45: 161–175, Hellmut Rosenfeld (1955) and Philip Webster Souers (1943) as anticipating Jan de Vries (1952). Grimstad, Kaaren (1983). "The Revenge of Völundr". In Glendinning, Robert James; Haraldur Bessason [in Icelandic] (eds.). Edda: A Collection of Essays. University of Manitoba Press. pp. 187–209. ISBN 9780887553196.

zh.wikipedia.org

As recorded in Xue Yongruo [zh]'s Shu yi ji ("Records of the Collected Strange": 集異記).

sv.wikipedia.org

Näsström, Britt-Mari [in Swedish] (1995). Freyja, the Great Goddess of the North. Department of History of Religions, University of Lund. p. 110. ISBN 9789122016946.

wiktionary.org

en.wiktionary.org

The translation "griffin" here is backed by German sources, such as Franz Rolf Schröder block-quoted in English translation,^[109] and Alfred Becker.^[107] But "griffin" is lacking in Haymes's English translation: the terms gripr and gambr (gammr) are both glossed as 'vulture' in Cleasby-Vigfusson,^[110]^[111] which explains why Haymes's translation collapses three birds into two: "winged haunch of a vulture, or of a bird called ostrich". But Cleasby-Vigfusson admits gripr derives from German griff [meaning 'griffin'] and only cites this one instance in the Þiðreks saga;^[110] the word is clearly a hapax legomenon.^[107]
Under the "Treatise on Suburban Sacrifices" (郊祀志).
Quoting waka poet and critic Tomohiko Sunaga: "[what] the ancient people called a hire (領巾), a sheer silk, thin scarf 古代の人々が「領巾」と称した薄絹の細長いスカーフ" or, "the Benten or Kisshōten's long, thin cloth worn floatingly around their shoulders 弁天様や吉祥天女がふわりと肩に被いている細長い布".
Nunome notes that given the association of the stock phrase ten'i muhō (天衣無縫) meaning "seamless", the Noh costume which is clearly not seamless must be regarded as "altered それにふさわしく変形されたもの", only approximating the genuine item.
The Chinese text gives 素練, which refers to white glossed silk (練り絹, nerikinu) according to Ando. An Edo Period source (『貞享記』 (Jōteiki)) cited by Nunome contrarily states that the ama no hagoromo was made of raw silk (生絹, kiginu) or unglossed silk.^[204]
Note that the same verb (brásk, preterite of bregða is used by the Snorra Edda to describe Odin's transformation into the serpent's likeness, so by being consistent in the rendering of the same verb, Vigfusson & Powell produced the (awkward) translation "turned into the eagle's coat".^[66] Ruggerini argues that the verb taka "to wear" is not used, and the bregða i meaning changing appearance into something else, suggests use of black magic like seiðr.^[67]
Jan de Vries [1952] pp. 196–197 contended that the plural word fitjar in the phrase à fitjum need not be translated "webbed feet" but can be interpreted to mean "wings", cognate with Old Saxon federac and Middle Low German vittek, though McKinnel considers this problematic.^[103]
Supplementing "[male] mallard" as O'Donovan abridged the term coilech to indicate gender, and lachu does not specify this species but is 'duck in general', while coilech lachan is "wild drake".^[132] Joyce substituted "mallards" with "drakes".^[133]

worldcat.org

search.worldcat.org

Miles, Brent (2011). Heroic Saga and Classical Epic in Medieval Ireland. Cambridge: DS Brewer. pp. 75–76. ISBN 1843842645. ISSN 0261-9865.