Ich will den Kreuzstab gerne tragen, BWV 56 (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Ich will den Kreuzstab gerne tragen, BWV 56" in English language version.

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24books.google.com

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Schweitzer 1911, p. 255. Schweitzer, Albert (1911). J. S. Bach. Vol. 2. Translated by Newman, Ernest. London: Adam and Charles Black. pp. 75, 255–256, 380.
Schweitzer 1911, p. 380. Schweitzer, Albert (1911). J. S. Bach. Vol. 2. Translated by Newman, Ernest. London: Adam and Charles Black. pp. 75, 255–256, 380.
Drinker 1942. Drinker, Henry S. (1942). Texts of the Choral Works of Johann Sebastian Bach in English translation. Vol. 1. Cantatas 1 to 100. New York City: The Association of American Colleges Arts Program.
Pirro 2014, p. 96. Pirro, André (2014). The Aesthetic of Johann Sebastian Bach. Translated by Joe Armstrong. Lanham, Maryland: Rowman & Littlefield. ISBN 978-1442232914.
Schweitzer 1911, p. 75. Schweitzer, Albert (1911). J. S. Bach. Vol. 2. Translated by Newman, Ernest. London: Adam and Charles Black. pp. 75, 255–256, 380.
Schweitzer 1911, p. 75. Schweitzer, Albert (1911). J. S. Bach. Vol. 2. Translated by Newman, Ernest. London: Adam and Charles Black. pp. 75, 255–256, 380.
Schweitzer 1911, pp. 255–256. Schweitzer, Albert (1911). J. S. Bach. Vol. 2. Translated by Newman, Ernest. London: Adam and Charles Black. pp. 75, 255–256, 380.

audaud.com

Lemco 2015. Lemco, Gary (15 November 2015). "Bach: Cantatas for Bass/ Concerto for Oboe d'amore = Ich hatte viel Bekuemmernis, BWV 21: Sinfonia; Ich will den Kreuzstab gerne tragen, BWV 56; Concerto in A Major for Oboe d'amore, after BWV 1055; Ich habe genug, BWV 82". Audiophile Editions (in German). Retrieved 5 August 2022.

bach-cantatas.com

Wollny 2017, p. 5. Wollny, Peter (2017). "Johann Sebastian Bach: Cantatas for Bass" (PDF). Harmonia Mundi. Translated by Charles Johnston. pp. 5–6. Retrieved 16 April 2022.
Oron 2022. Oron, Aryeh (2022). "Cantata BWV 56 Ich will den Kreuzstab gerne tragen". Bach Cantatas Website. Retrieved 3 August 2022.
Oron 2016. Oron, Aryeh (2016). "Cantata BWV 56 / Ich will den Kreuzstab gerne tragen / Discography - Part 1". Bach Cantatas Website. Retrieved 5 August 2022.

bach-chorales.com

Chorale 2018. "BWV 56.5". bach-chorales.com. Retrieved 15 March 2018.
Chorale BWV 301 2018. "BWV 301". bach-chorales.com. Retrieved 15 March 2018.

bach-digital.de

Bach Digital 48 2022. "Ich elender Mensch, wer wird mich erlösen BWV 48; BC A 144". Bach Digital. 2022. Retrieved 21 March 2022.
Bach Digital 5 2022. "Wo soll ich fliehen hin BWV 5; BC A 145". Bach Digital. 2022. Retrieved 21 March 2022.
Chorale Bach Digital 2018. "Du, o schönes Weltgebäude". Bach Digital. 2018. Retrieved 15 March 2018.
Staatsbibliothek Score 2018. "Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz / D-B Mus.ms. Bach P 118". Bach Digital. 2018. Retrieved 11 March 2018.
Staatsbibliothek Parts 2018. "Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz / D-B Mus.ms. Bach St 58". Bach Digital. 2018. Retrieved 11 March 2018.

bach-leipzig.de

Bach Archive 2022. "Bachs Kantatendichter identifiziert". Bach Archive (in German). July 2022. Retrieved 12 August 2022.

bach.org

Traupman-Carr 2006. Traupman-Carr, Carol (2006). "Cantata BWV 56 Ich will den Kreuzstab gerne tragen". The Bach Choir of Bethlehem. Retrieved 30 September 2015.

bachfestleipzig.de

Bachfest 2016. "Bachs Kantatendichter identifiziert". Bachfest Leipzig (in German). 2016. Retrieved 30 December 2016.

bachnetwork.co.uk

Blanken 2015, pp. 1–2. Blanken, Christine (2015). "A Cantata-Text Cycle of 1728 from Nuremberg: A preliminary report on a discovery relating to J. S. Bach's so-called "Third Annual Cycle"" (PDF). Bach Network. Retrieved 1 March 2016.
Blanken 2015, pp. 4–6. Blanken, Christine (2015). "A Cantata-Text Cycle of 1728 from Nuremberg: A preliminary report on a discovery relating to J. S. Bach's so-called "Third Annual Cycle"" (PDF). Bach Network. Retrieved 1 March 2016.
Blanken 2015, pp. 8–11. Blanken, Christine (2015). "A Cantata-Text Cycle of 1728 from Nuremberg: A preliminary report on a discovery relating to J. S. Bach's so-called "Third Annual Cycle"" (PDF). Bach Network. Retrieved 1 March 2016.
Blanken 2015, pp. 27. Blanken, Christine (2015). "A Cantata-Text Cycle of 1728 from Nuremberg: A preliminary report on a discovery relating to J. S. Bach's so-called "Third Annual Cycle"" (PDF). Bach Network. Retrieved 1 March 2016.

bis.se

BIS 2005. "J. S. Bach – Cantatas, Vol. 41 (BWV 56, 82, 158, 84)". BIS. Retrieved 23 March 2022.

books.google.com

Wolff 2002, pp. 237–257. Wolff, Christoph (2002). "Redefining a Venerable Office / Cantor and Music Director in Leipzig: 1720s". Johann Sebastian Bach: The Learned Musician. New York City: W. W. Norton & Company. pp. 237–288. ISBN 978-0-393-32256-9.
Dürr & Jones 2006, pp. 23–26. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Buelow 2016, p. 272. Buelow, George J., ed. (2016). "Leipzig: a Cosmopolitan Trade Cenre". The Late Baroque Era: Vol. 4. From The 1680s To 1740. Berlin: Springer. pp. 254–295. ISBN 978-1-34-911303-3.
Dürr & Jones 2006, pp. 22–28. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Dürr & Jones 2006, pp. 29–35. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Jones 2013, p. 169. Jones, Richard D. P. (2013). 1717–1750: Music to Delight the Spirit. Vol. 2. Oxford: Oxford University Press. pp. 168–295. ISBN 978-0-19-150384-9.
Jones 2013, p. 170. Jones, Richard D. P. (2013). 1717–1750: Music to Delight the Spirit. Vol. 2. Oxford: Oxford University Press. pp. 168–295. ISBN 978-0-19-150384-9.
Jones 2013, pp. 171–172. Jones, Richard D. P. (2013). 1717–1750: Music to Delight the Spirit. Vol. 2. Oxford: Oxford University Press. pp. 168–295. ISBN 978-0-19-150384-9.
Jones 2013, pp. 175–176. Jones, Richard D. P. (2013). 1717–1750: Music to Delight the Spirit. Vol. 2. Oxford: Oxford University Press. pp. 168–295. ISBN 978-0-19-150384-9.
Dürr & Jones 2006, p. 582. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Gardiner 2013, p. 349. Gardiner, John Eliot (2013). Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. London: Penguin UK. pp. 349–350. ISBN 978-1-84-614721-0.
Dürr & Jones 2006, pp. 570–572. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Dürr & Jones 2006, p. 580. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Dürr & Jones 2006, pp. 580–581. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Dürr & Jones 2006, pp. 582–583. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Gardiner 2013, pp. 349–350. Gardiner, John Eliot (2013). Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. London: Penguin UK. pp. 349–350. ISBN 978-1-84-614721-0.
Gardiner 2013, p. 350. Gardiner, John Eliot (2013). Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. London: Penguin UK. pp. 349–350. ISBN 978-1-84-614721-0.
Dürr & Jones 2006, p. 583. Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford: Oxford University Press. ISBN 978-0-19-929776-4.
Kruse 2014, p. 239. Kruse, Andreas (2014). "Zwei Schlusschoräle als Beispiele für den Ausdruck der Erlösungserwartung". Die Grenzgänge des Johann Sebastian Bach: Psychologische Einblicke (in German). Berlin: Springer. pp. 239–243. ISBN 978-3-64-254627-3.
Kruse 2014, pp. 239–240. Kruse, Andreas (2014). "Zwei Schlusschoräle als Beispiele für den Ausdruck der Erlösungserwartung". Die Grenzgänge des Johann Sebastian Bach: Psychologische Einblicke (in German). Berlin: Springer. pp. 239–243. ISBN 978-3-64-254627-3.
Keuchen 2004, pp. 129–130. Keuchen, Marion (2004). Die "Opferung Isaaks" im 20. Jahrhundert auf der Theaterbühne: Auslegungsimpulse im Blick auf "Abrahams Zelt" (Theater Musentümpel – Andersonn) und "Gottesvergiftung" (Choralgraphisches Theater Heidelberg – Grasmück) (in German). Münster: LIT Verlag. pp. 128–134. ISBN 978-3-82-587196-3.
Spitz 2007. Spitz, Markus Oliver (2007). "Robert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier". Processes of Transposition: German Literature and Film. Leiden: Brill. pp. 319–332. ISBN 978-9-40-120501-6.
Keuchen 2004, p. 136. Keuchen, Marion (2004). Die "Opferung Isaaks" im 20. Jahrhundert auf der Theaterbühne: Auslegungsimpulse im Blick auf "Abrahams Zelt" (Theater Musentümpel – Andersonn) und "Gottesvergiftung" (Choralgraphisches Theater Heidelberg – Grasmück) (in German). Münster: LIT Verlag. pp. 128–134. ISBN 978-3-82-587196-3.
Griffel 2018, p. 427. Griffel, Margaret Ross (2018). Operas in German: A Dictionary. Lanham, Maryland: Rowman & Littlefield. ISBN 978-1-44-224797-0.

brilliantclassics.com

Brilliant Classics 2022. "J.S. Bach: Complete Sacred Cantatas - Sämtliche geistliche Kantaten". Brilliant Classics. Retrieved 5 August 2022.

carus-verlag.com

Carus 2000. "Johann Sebastian Bach / Ich will den Kreuzstab gerne tragen / Kantate zum 19. Sonntag nach Trinitatis / BWV 56, 1726". Carus-Verlag. 2000. Retrieved 5 April 2018.
Carus Stuttgarter 2000. "Stuttgart Bach Edition – Bach vocal". Carus-Verlag. 2000. Retrieved 11 May 2018.

challengerecords.com

Challenge 2001. "Ton Koopman / Amsterdam Baroque Orchestra & Choir / Solo Cantatas for Bass". Challenge Records. 2001. Retrieved 6 April 2018.

doi.org

Marshall 1970, p. 206. Marshall, Robert L. (1970). "How J. S. Bach Composed Four-Part Chorales". The Musical Quarterly. 56 (2). Oxford: Oxford University Press: 198–220. doi:10.1093/mq/LVI.2.198. JSTOR 740990.
Elste 2000. Elste, Martin (2000). "Die geistlichen Kantaten BWV 1–200" [Sacred cantatas BWV 1–200]. Meilensteine der Bach-Interpretation 1750–2000 [Milestones in Bach interpretation 1750–2000] (in German). Berlin: Springer. pp. 151–169. doi:10.1007/978-3-476-03792-3_14. ISBN 978-3-47-603792-3.

emmanuelmusic.org

Dellal 2018. Dellal, Pamela (2018). "BWV 56 – Ich will den Kreuzstab gerne tragen". Emmanuel Music. Retrieved 21 August 2022.

gramophone.co.uk

Freeman-Attwoood 2000. Freeman-Attwoood, Jonathan (November 2000). "Bach Edition, Volume 4". Gramophone. Retrieved 5 August 2022.
Freeman-Attwoood 2005. Freeman-Attwoood, Jonathan (2005). "Bach Cantatas, Vol. 17". Gramophone. Retrieved 4 August 2022.
Anderson 1989. Anderson, Nicholas (1989). "Bach Cantatas 56 & 82". Gramophone. Retrieved 5 April 2018.

imslp.org

The chorale appeared as No. 87 of Bach's "371 Four-part Chorales", edited by Carl Ferdinand Becker and published in 1831 by Breitkopf & Härtel. See 371 Vierstimmige Choralgesänge: Scores at the International Music Score Library Project.

jpc.de

JPC 2007. "Johann Sebastian Bach: Kantaten BWV 56,82,158". jpc.de. 2006. Retrieved 5 April 2018.

jsbach.org

Shiloni 2014. Shiloni, Ehud (2014). "Kantaten: "Kreuzstab"&"Ich Habe Genug"". jsbach.org. Archived from the original on 14 August 2014. Retrieved 30 September 2015.

jstor.org

Unger 1997. Unger, Melvin P. (1997). "Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited". Bach. 28 (1/2). Riemenschneider Bach Institute: 87–125. JSTOR 41640435.
Marshall 1970, p. 206. Marshall, Robert L. (1970). "How J. S. Bach Composed Four-Part Chorales". The Musical Quarterly. 56 (2). Oxford: Oxford University Press: 198–220. doi:10.1093/mq/LVI.2.198. JSTOR 740990.

klassik.com

magazin.klassik.com

Lange 2013. Lange, Matthias (2013). "Bach, Johann Sebastian – Solokantaten für Bass / Kernbestand". magazin.klassik.com. Retrieved 6 April 2018.

musicweb-international.com

Quinn 2012. Quinn, John (2012). "Johann Sebastian Bach (1685–1750) / The RIAS Bach Cantatas Project". musicweb-international.com. Retrieved 5 April 2018.
Quinn 2005. Quinn, John (2005). "Johann Sebastian Bach (1685–1750) The Cantatas". musicweb-international.com. Retrieved 5 April 2018.
McElhearn 2002. McElhearn, Kirk (2 April 2002). "Johann Sebastian Bach (1685–1750) / Cantatas for Bass". musicweb-international.com. Retrieved 5 August 2022.
Barfoot 2002. Barfoot, Terry (February 2002). "Johann Sebastian Bach (1685–1750) / Cantatas". musicweb-international.com. Retrieved 5 August 2022.
Cookson 2010. Cookson, Michael (10 March 2010). "Johann Sebastian Bach (1685–1750) / Cantatas for Bass". musicweb-international.com. Retrieved 19 April 2022.

muziekweb.nl

Muziekweb 2022. "Eduard van Beinum / Live : The radio recordings; live : the radio recordings; vol.1". Muziekweb. Retrieved 5 August 2022.

pregardien.com

Wolff 2001, p. 7. Wolff, Christoph (2001). "Bach's Third Yearly Cycle of Cantatas from Leipzig (1725–1727), II" (PDF). Bach Cantatas Website. pp. 7–9. Retrieved 30 September 2015.
Wolff 2001, p. 8. Wolff, Christoph (2001). "Bach's Third Yearly Cycle of Cantatas from Leipzig (1725–1727), II" (PDF). Bach Cantatas Website. pp. 7–9. Retrieved 30 September 2015.
Wolff 2001, pp. 8–9. Wolff, Christoph (2001). "Bach's Third Yearly Cycle of Cantatas from Leipzig (1725–1727), II" (PDF). Bach Cantatas Website. pp. 7–9. Retrieved 30 September 2015.

schott-music.com

en.schott-music.com

Schott 2018. "Toccata "Schlafes Bruder"". Schott Music. Retrieved 14 May 2018.

springer.com

link.springer.com

Elste 2000. Elste, Martin (2000). "Die geistlichen Kantaten BWV 1–200" [Sacred cantatas BWV 1–200]. Meilensteine der Bach-Interpretation 1750–2000 [Milestones in Bach interpretation 1750–2000] (in German). Berlin: Springer. pp. 151–169. doi:10.1007/978-3-476-03792-3_14. ISBN 978-3-47-603792-3.

uwa.edu.au

limina.arts.uwa.edu.au

Corall 2015, p. 11. Corall, Georg (2015). "Johann Sebastian Bach's Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto" (PDF). Limina. Retrieved 13 May 2015.
Corall 2015, pp. 2, 6–7. Corall, Georg (2015). "Johann Sebastian Bach's Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto" (PDF). Limina. Retrieved 13 May 2015.

web.archive.org

Shiloni 2014. Shiloni, Ehud (2014). "Kantaten: "Kreuzstab"&"Ich Habe Genug"". jsbach.org. Archived from the original on 14 August 2014. Retrieved 30 September 2015.