Kibi dango (Okayama) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Kibi dango (Okayama)" in English language version.

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Kahara (2004), p. 42 reports that as of its writing "more than fifteen companies in Okayama City have been producing kibi-dango, some of which do not contain millet". Sangetsudō also once advertised that its formula did not use any millet. (See below). Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), p. 41 Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), p. 42, as of its writing. Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), p. 43: "When used to refer to a local specialty of Okayama, [K]ibi-dango has always meant both millet dumplings of the Momotaro story and a dumpling of the Kibi region. In Japanese language, words like this are often made from two homonymic words." Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004) Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), p.42, note 8 Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Okuyama, Masurō [奥山益朗], ed. (1983), Wagashi no jiten 和菓子の辞典 (in Japanese), Tokyodo Shuppan, p. 112, ISBN 4490102615
Kahara (2004), p. 41, after Oka Chōhei Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Oka, Chōhei [岡長平] (1960), Okayama shominshi: me de kiku hanashi おかやま庶民史: 目で聞く話, Nihon Bunkyō Shuppan; reprinted as Oka, Chōhei (1986), Okyama no aji fudoki 岡山の味風土記, Nihon Bunkyō Shuppan, pp. 142–144, ISBN 9784821251216
Ichikawa, Shunsuke [市川俊介] (2005), Okayama no Momotarō おかやまの桃太郎, Okayama Bunko No. 233, Nihon Bunkyō Shuppan, pp. 83–85, ISBN 9784821252336
Taniguchi, Sumio [谷口澄夫] (1970), 岡山県の歴史title=Okayama ken no rekishi (in Japanese), Kodama, Kōta [児玉幸多] (supervising editor), Yamakawa Shuppansha, p. 64; 1984 edition: Appendix, p.46. (in Japanese)
Fujii, Shun [藤井駿] (1980), Kibi chihō shi no kenkyū 吉備地方史の研究 (in Japanese), Sanyo Shinbunsha
Kahara (2004), p. 42 Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), p. 49 Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.
Kahara (2004), pp. 40–45 Kahara, Nahoko (2004). "From Folktale Hero to Local Symbol: The Transformation of Momotaro (the Peach Boy) in the Creation of a Local Culture". Waseda Journal of Asian Studies. 25: 35–.

koeido.com

Koeido Co., Ltd. "和菓子廣榮堂本店：廣榮堂のきびだんご150年のあゆみ" [Wagashi Kōeidō Honten: 150 year foot-track of the Kōeidō kibi dango] (in Japanese). Retrieved 15 May 2014.
Koeido Co., Ltd [廣榮堂本店]. "Enkaku (history)" 沿革 (in Japanese). Retrieved 15 May 2014.

ndl.go.jp

dl.ndl.go.jp

The specified year shifts slightly according to source. Shida (Shida (1941), p. 312) states that according to information given him by Kōeidō, the confection was created around 1853 (Kaei 6) and dubbed "Kibi dango" around 1855 (Ansei 2). Shida, Gishū [志田義秀] (1941), "Momotarō Gairon [下篇 2 桃太郞槪論]", Nihon no densetsu to dōwa 日本の伝説と童話, Daitō Shuppansha, pp. 303–315
Takeda, Asajirō [武田淺次郎] (1895), Sanyō meisho ki 山陽名所記, Okayama, pp. 1–5, 45{{citation}}: CS1 maint: location missing publisher (link)

umich.edu

deepblue.lib.umich.edu

Henry (2009), pp. 178– Henry, David A. (2009). Momotarō, or the Peach Boy: Japan's Best-Loved Folktale as National Allegory (PDF) (Ph. D. thesis). Vol. 25. University of Michigan. pp. 35–.
Henry (2009), pp.170- and passim Henry, David A. (2009). Momotarō, or the Peach Boy: Japan's Best-Loved Folktale as National Allegory (PDF) (Ph. D. thesis). Vol. 25. University of Michigan. pp. 35–.
Henry (2009), pp. 167–9, 176, given as "Namba Ginnosuke" Henry, David A. (2009). Momotarō, or the Peach Boy: Japan's Best-Loved Folktale as National Allegory (PDF) (Ph. D. thesis). Vol. 25. University of Michigan. pp. 35–.

waseda.jp

Kahara, Nahoko [加原奈穗子] (2011). "Densetsu no furusato no sōzō: Okayama-ken no Kibiji to Momotarō densetsu" 「伝説のふるさと」の創造── 岡山県の「吉備路」と桃太郎伝説 ── [Rethinking authenticity in the invention of a local tradition] (PDF). The Waseda Commercial Review (in Japanese) (427): 150.

wiktionary.org

en.wiktionary.org

The 2nd man in the group was Shigaraki Sōsuke (信楽宗介), a resident of Takasagochō and also a myōdai merchant of Shigaraki ware,^[13] who also sold moxa of Mount Ibuki from the same Ōmi Province.^[9]^[14] The 3rd man in the party was a resident of Kamiyachō, the kyōka poet Sasano Ippō (笹野一方) whose art name was Higenaga or "longbeard"^[9]^[14]