Mandopop (English Wikipedia)

"Jay Chou, BTS, Stray Kids, SEVENTEEN, and more have the top-selling albums in the world in 2022". Jay Chou, BTS, Stray Kids, SEVENTEEN, and more have the top-selling albums in the world in 2022 | Bandwagon | Music media championing and spotlighting music in Asia. 27 March 2023. Retrieved 11 April 2024.

berkeley.edu

orias.berkeley.edu

Andrew F. Jones. "ORIAS: Sonic Histories: Chinese Popular Music in the Twentieth Century" (PDF). Archived from the original (PDF) on 29 October 2013.

books.google.com

Marc L. Moskowitz (2009). Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations. University of Hawaii Press. p. 1. ISBN 978-0824834227.
Jones. Andrew F. (2001). Yellow Music - CL: Media Culture and Colonial Modernity in the Chinese Jazz Age. Duke University Press. pp. 53–54. ISBN 0-8223-2694-9.
Glen Peterson (1998). The Power of Words: Literacy and Revolution in South China, 1949-95. University of British Columbia Press. pp. 103–104. ISBN 978-0774806121.
Yingjin Zhang, ed. (1999). Cinema and Urban Culture in Shanghai, 1922-1943. Stanford University Press. p. 183. ISBN 978-0804735728.
May Bo Ching (2009). Helen F. SIU; Agnes S. KU (eds.). Hong Kong Mobile: Making a Global Population. Hong Kong University Press. p. 60. ISBN 978-9622099180.
鲁迅 (January 2013). "阿金". 鲁迅散文精选 (Selected Writings of Lu Xun). 二十一世纪出版社. p. 215. ISBN 9787539183763. 但我却也叨光听到了男嗓子的上低音（barytone）的歌声，觉得很自然，比绞死猫儿似的《毛毛雨》要好得天差地远。 translation: "But I was blessed with a performance of male baritone voice, and it sounded very natural; compared to the strangling cat sound of "The Drizzle", the difference is like heaven and earth.
Gary G. Xu (2012). "Chapter 24 - Chinese Cinema and Technology". In Yingjin Zhang (ed.). A Companion to Chinese Cinema. Wiley-Blackwell. ISBN 978-1444330298.
Allen Chun; Ned Rossiter; Brian Shoesmith, eds. (2004). Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries. Routledge. pp. 144–146. ISBN 978-0700714018.
Broughton, Simon; Ellingham, Mark; Trillo, Richard (2000). World Music: The Rough Guide. Rough Guides Publishing Company. p. 49. ISBN 1-85828-636-0.
Broughton, Simon; Ellingham, Mark; Trillo, Richard (2000). World Music: The Rough Guide. Rough Guides Publishing Company. p. 34. ISBN 1-85828-636-0.
張夢瑞 (2003). 金嗓金曲不了情. 聯經出版. pp. 111–117. ISBN 9789570826425.
張夢瑞 (2003). 金嗓金曲不了情. 聯經出版. pp. 118–124. ISBN 9789570826425.
Marc L. Moskowitz (2009). Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations. University of Hawaii Press. p. 6. ISBN 978-0824834227.
Reed, Barbara Edith; Davison, Gary Marvin (1998). Culture and Customs of Taiwan. Greenwood Press. p. 80. ISBN 0-313-30298-7.
Kwok B. Chan; Jan W. Walls; David Hayward, eds. (2007). East-West Identities: Globalization, Localization, and Hybridization. Brill. pp. 251–253. ISBN 978-9004151697.
Ebert, Hans (20 October 1984). "Taiwan Seen Making Pop Progress". Billboard. Vol. 96, no. 42. p. 65. Archived from the original on 22 April 2023. Retrieved 5 July 2024 – via Google Books.
Richard Gunde (2001). Culture and Customs of China. Greenwood. p. 101. ISBN 978-0313361180.
Marc L. Moskowitz (2009). Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations. University of Hawaii Press. pp. 7–9. ISBN 978-0824834227.
Jeroen de Kloet (2010). China with a Cut: Globalisation, Urban Youth and Popular Music. Amsterdam University Press. p. 171. ISBN 978-9089641625.
Bernstein, Arthur; Sekine, Naoki; Weissman, Dick (2013), The Global Music Industry: Three Perspectives, Routledge, ISBN 9781135922474
Moskowitz, Marc L. (2010), Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations, University of Hawaii Press, ISBN 9780824833695
Sung, Sang-Yeon (2008), Globalization and the Regional Flow of Popular Music: The Role of the Korean Wave (Hanliu) in the Construction of Taiwanese Identities and Asian Values, ISBN 9780549703242

china.org.cn

China.org.cn. "China.org.cn." Chinese pop music since the 1980s p2. Retrieved on 5 January 2009.
China.org.cn. "China.org.cn." Chinese pop music since the 1980s p3. Retrieved on 5 January 2009.

chinadaily.com.cn

Chen, Nan (30 September 2019). "Everything to their names". China Daily. Archived from the original on 25 September 2023. Retrieved 5 October 2024.
Nan, Chen (15 October 2018). "Celebrating a memorable song". China Daily. Retrieved 21 October 2024.
江巍. "Popular animation theme song inspires kids across nation". www.chinadaily.com.cn. Retrieved 6 January 2024.

chinanews.com.cn

"一声呐喊　让乐坛不再一无所有" [The soar that made the music world no longer empty]. China News Service. Beijing Youth Daily. 22 September 2009. Archived from the original on 17 February 2024.

comcast.net

home.comcast.net

Taiwanese Pop Songs History. "Taiwanese Pop Songs History Archived 22 February 2007 at the Wayback Machine." Article. Retrieved on 2 May 2007.

cqvip.com

Pang, Zhonghai; Chu, Liming (2020). "1980年代中国流行音乐歌词的主题生成及其"启蒙"逻辑" [Themes of the lyrics of Chinese pop music in the 1980s and their logic of "Enlightenment"]. Journal of Northeast Normal University (in Chinese) (6). doi:10.16164/j.cnki.22-1062/c.2020.06.011 – via CQVIP.

doi.org

Moskowitz, Marc L. (2009). "In Mandopop under siege: culturally bound criticisms of Taiwan's pop music". Popular Music. 28/1: 69–83. doi:10.1017/S026114300800161X. S2CID 35402405.
Pang, Zhonghai; Chu, Liming (2020). "1980年代中国流行音乐歌词的主题生成及其"启蒙"逻辑" [Themes of the lyrics of Chinese pop music in the 1980s and their logic of "Enlightenment"]. Journal of Northeast Normal University (in Chinese) (6). doi:10.16164/j.cnki.22-1062/c.2020.06.011 – via CQVIP.
Matusitz, Jonathan (February 2010). "Semiotics of Music: Analysis of Cui Jian's "Nothing to My Name," the Anthem for the Chinese Youths in the Post-Cultural Revolution Era". The Journal of Popular Culture. 43 (1): 156–175. doi:10.1111/j.1540-5931.2010.00735.x.

gg800.com

ent.gg800.com

"华语歌坛百名歌手销量统计（2006年版）". GG800.com. Archived from the original on 5 July 2007. Retrieved 1 May 2009.

ifpi.org

"IFPI Recording Industry In Numbers 2009 – China" (PDF). International Federation of the Phonographic Industry.

inf.news

"Eason Chan's "Lonely Warrior" continues to dominate the charts and becomes an annual phenomenon in the Chinese music scene". Retrieved 6 January 2024.

kakiseni.com

Kakisensi web. "Kakiseni article Archived 10 June 2007 at the Wayback Machine." An introduction to shidaiqu. Retrieved on 26 April 2007.

kbs.co.kr

english.kbs.co.kr

"FT Island's 4th Album Hits No. 1 on Taiwan's Weekly Music Chart". Korean Broadcasting System. 16 October 2012. Retrieved 24 March 2014.

localnoise.net.au

Tony Mitchell. "Tian Ci – Faye Wong and English Songs in the Cantopop and Mandapop Repertoire". Local Noise. Archived from the original on 3 August 2012.

lotayu.org

Lotayu.org. "Lotayu.org Archived 24 February 2009 at the Wayback Machine." 歷史報道 : 《明天會更好》幕後. Retrieved on 6 January 2009.

musicbusinessresearch.wordpress.com

John Fangjun Li (28 December 2012). "a brief history of china's music industry – part 2: the recorded music industry in china from the early 1900s to the late 1940s". Music Business Research.
Peter Tschmuck; John Fangjun Li (29 December 2012). "A brief history of china's music industry – part 3: the recorded music industry in china from the 1950s to the early 2000s". Music Business Research.
John Fangjun Li (30 December 2012). "A brief history of china's music industry – part 4: the contemporary digital music industry in china". Music Business Research.

naxos.com

"FROM SHANGHAI WITH LOVE". Naxos.

open.com.hk

Open.com.hk. "Open.com.hk Archived 27 November 2010 at the Wayback Machine." 戒嚴統治的前後景觀. Retrieved on 2 January 2010.

personpsy.org

Guo, Yongyu (1994). "狂欢、舞蹈、摇滚乐与社会无意识" [Carnival, dance, rock music and social unconsciousness] (PDF). Personality and Social Psychology (in Chinese) (4): 34–39. 美学家高尔泰认为摇滚乐承担起了"启蒙"这一歌手可能根本没有想到的也不愿意承担的时代使命：也许摇滚乐是中国目前唯一可以胜任启蒙的艺术出式了。因为理论界的范围大狭窄，起不了大面积的启蒙影响，而音乐是一种特殊的语言，它能起到任何其他方式都达不到的作用。中国需要启蒙……

psychemusic.org

"SHIDAIQU, An early Chinese popular Mmsic style that flourished in the 20s->50s in Shanghai, China and which evolved further in the 50s->60s in Hong Kong".

scmp.com

"From Shanghai with love". South China Morning Post. 31 December 2001.

semanticscholar.org

api.semanticscholar.org

Moskowitz, Marc L. (2009). "In Mandopop under siege: culturally bound criticisms of Taiwan's pop music". Popular Music. 28/1: 69–83. doi:10.1017/S026114300800161X. S2CID 35402405.

sina.com.cn

news.sina.com.cn

"崔健给了中国一种声音" [Cui Jian gave China a type of voice]. Sina (in Chinese). The Beijing News. 10 November 2008. Archived from the original on 24 April 2024. Retrieved 7 October 2024.

sina.com.hk

portal.sina.com.hk

美通社 (8 December 2023). "2023 Spotify Wrapped: How the world listened to Mandopop this year". 新浪香港. Retrieved 6 January 2024.

straitstimes.com

stcommunities.straitstimes.com

"Taiwan indie label B'in Music goes back to basics: good material, live shows". The Straits Times. Singapore Press Holdings. 6 March 2013. Archived from the original on 24 March 2014. Retrieved 24 March 2014.

taipeitimes.com

Faye Wong is All Woman Taipei Times, 26 November 2004. Retrieved 4 December 2006.
Huang, Andrew C.C. (18 December 2009). "MUSIC: Standing on the shoulders of idols". Taipei Times. p. 15. Retrieved 16 July 2011.
Wang, Amber (24 June 2012). "Asian stars go overseas to find fame". Taipei Times. Retrieved 24 March 2014.

taiwan-panorama.com

"The Haishan Records story". Taiwan Panorama.

ucla.edu

international.ucla.edu

"Cui Jian: Father of Chinese Rock 'N' Roll". UCLA. 3 June 2005. Archived from the original on 5 January 2024. Retrieved 4 October 2024.

vantage-magazine.com

""SHANGHAI IN THE 1930S"- Legendary Women". Vantage Shanghai. 11 July 2013. Archived from the original on 6 February 2015. Retrieved 6 February 2015.

web.archive.org

Kakisensi web. "Kakiseni article Archived 10 June 2007 at the Wayback Machine." An introduction to shidaiqu. Retrieved on 26 April 2007.
""SHANGHAI IN THE 1930S"- Legendary Women". Vantage Shanghai. 11 July 2013. Archived from the original on 6 February 2015. Retrieved 6 February 2015.
Andrew F. Jones. "ORIAS: Sonic Histories: Chinese Popular Music in the Twentieth Century" (PDF). Archived from the original (PDF) on 29 October 2013.
Taiwanese Pop Songs History. "Taiwanese Pop Songs History Archived 22 February 2007 at the Wayback Machine." Article. Retrieved on 2 May 2007.
Open.com.hk. "Open.com.hk Archived 27 November 2010 at the Wayback Machine." 戒嚴統治的前後景觀. Retrieved on 2 January 2010.
Lotayu.org. "Lotayu.org Archived 24 February 2009 at the Wayback Machine." 歷史報道 : 《明天會更好》幕後. Retrieved on 6 January 2009.
Ebert, Hans (20 October 1984). "Taiwan Seen Making Pop Progress". Billboard. Vol. 96, no. 42. p. 65. Archived from the original on 22 April 2023. Retrieved 5 July 2024 – via Google Books.
Chen, Nan (30 September 2019). "Everything to their names". China Daily. Archived from the original on 25 September 2023. Retrieved 5 October 2024.
"Cui Jian: Father of Chinese Rock 'N' Roll". UCLA. 3 June 2005. Archived from the original on 5 January 2024. Retrieved 4 October 2024.
"一声呐喊　让乐坛不再一无所有" [The soar that made the music world no longer empty]. China News Service. Beijing Youth Daily. 22 September 2009. Archived from the original on 17 February 2024.
"崔健给了中国一种声音" [Cui Jian gave China a type of voice]. Sina (in Chinese). The Beijing News. 10 November 2008. Archived from the original on 24 April 2024. Retrieved 7 October 2024.
"Dai Si Cong: Faye's Success Continues to be Unparallelled" Archived 7 December 2008 at the Wayback Machine (in Chinese), Xinhua News, 12 June 2006. Retrieved 28 March 2007.
"华语歌坛百名歌手销量统计（2006年版）". GG800.com. Archived from the original on 5 July 2007. Retrieved 1 May 2009.
"Taiwan indie label B'in Music goes back to basics: good material, live shows". The Straits Times. Singapore Press Holdings. 6 March 2013. Archived from the original on 24 March 2014. Retrieved 24 March 2014.

wiley.com

onlinelibrary.wiley.com

Matusitz, Jonathan (February 2010). "Semiotics of Music: Analysis of Cui Jian's "Nothing to My Name," the Anthem for the Chinese Youths in the Post-Cultural Revolution Era". The Journal of Popular Culture. 43 (1): 156–175. doi:10.1111/j.1540-5931.2010.00735.x.

xinhuanet.com

cq.xinhuanet.com

"Dai Si Cong: Faye's Success Continues to be Unparallelled" Archived 7 December 2008 at the Wayback Machine (in Chinese), Xinhua News, 12 June 2006. Retrieved 28 March 2007.

xinmin.cn

news.xinmin.cn

金曲20年張學友魅力依舊《吻別》成歌迷最愛

yahoo.com

tw.news.yahoo.com

"他撿別人挑剩的歌卻紅遍整個亞洲". Yahoo News (in Chinese). 14 December 2021. Retrieved 4 January 2024.