Analysis of information sources in references of the Wikipedia article "Mermaid" in English language version.
The banning of some names, like Maneli (meaning Mermaid) [...] seemed to have no rationale at all
Nach der Þiðreks saga 36 ( 46 ) ist der Riese Vaði der Sohn einer siókona (Meerfrau)
Edmond Faral has called attention to what he believes is the first mention of this new type of siren.151 It is contained in the late seventh or early eighth century Liber monstrorum
Physiologus de Berne.. En contradiction avec le texte qui dépeint une Sirène-oiseau, c'est une Sirène – poisson qui, dans l'illustration, apparaît face au centaure.(in French); Leclercq-Marx, Jacqueline (1997). La sirène dans la pensée et dans l'art de l'Antiquité et du Moyen Âge: du mythe païen au symbole chrétien. Classe des beaux-arts, Académie royale de Belgique. p. 62ff. ISSN 0775-3276.
The chapter devoted to the Siren and the Centaur is an excellent example of this because the Siren is represented as a woman-fish whereas she is described in the form of a woman-bird..
..further compared to a seal: 'Hon er loðin (hairy or furry) sem selr ok grá at lit'
Iara renasce como mulher-peixe, uma imagem similar à sereia dos europeus.
There can be heard melodious flutes and.. cymbals.. as I recounted.. on the sister Fates and the nymphs, as Pliny.. reads..'An embassy was dispatched from Olysippo.. to the Emperor Tiberius that Triton had been seen.. And.. the Nereids... the people.. listened from afar to her dismal moans at the hour of her death', etc.; e-book (unpaginated)
Sunt & beluae in mari quasi hominis figuram imitantes, lugubres in cantu, vt nereides; etiam marini homines, toto corpore absoluta similitudine..
There are also sea-creatures, like mermaids, which sing plaintively and are similar in shape to human beings; and there are mermen; e-book (unpaginated)
Physiologus de Berne.. En contradiction avec le texte qui dépeint une Sirène-oiseau, c'est une Sirène – poisson qui, dans l'illustration, apparaît face au centaure.(in French); Leclercq-Marx, Jacqueline (1997). La sirène dans la pensée et dans l'art de l'Antiquité et du Moyen Âge: du mythe païen au symbole chrétien. Classe des beaux-arts, Académie royale de Belgique. p. 62ff. ISSN 0775-3276.
The chapter devoted to the Siren and the Centaur is an excellent example of this because the Siren is represented as a woman-fish whereas she is described in the form of a woman-bird..
Se em Gandavo permanece ambíguo o tratamento do tropo da feminização da natureza, referida ao monstruoso, em Fernão Cardim essa figuração deixa-se entrever de form sugestiva, buscada a outro tropo da mentalidade religiosa medieval [If in Gandavo the treatment of the trope of the feminization of nature, referring to the monstrous, remains ambiguous, in Fernão Cardim this figuration lets itself be glimpsed in a suggestive way, sought from another trope of the medieval religious mentality.]
Physiologus de Berne.. En contradiction avec le texte qui dépeint une Sirène-oiseau, c'est une Sirène – poisson qui, dans l'illustration, apparaît face au centaure.(in French); Leclercq-Marx, Jacqueline (1997). La sirène dans la pensée et dans l'art de l'Antiquité et du Moyen Âge: du mythe païen au symbole chrétien. Classe des beaux-arts, Académie royale de Belgique. p. 62ff. ISSN 0775-3276.
The chapter devoted to the Siren and the Centaur is an excellent example of this because the Siren is represented as a woman-fish whereas she is described in the form of a woman-bird..
Se em Gandavo permanece ambíguo o tratamento do tropo da feminização da natureza, referida ao monstruoso, em Fernão Cardim essa figuração deixa-se entrever de form sugestiva, buscada a outro tropo da mentalidade religiosa medieval [If in Gandavo the treatment of the trope of the feminization of nature, referring to the monstrous, remains ambiguous, in Fernão Cardim this figuration lets itself be glimpsed in a suggestive way, sought from another trope of the medieval religious mentality.]
Dutch captain David Dannel [sic.].. a mermaid with 'flowing hair..'
these 'marine beasts' have featured in folk tradition for many centuries now, and until relatively recently they have maintained a reasonably standard set of characteristics. Many folklorists and mythographers deem that the origin of the mythic mermaid is the dugong, posing a theory that mythologised tales have been constructed around early sightings of dugongs by sailors.
Se em Gandavo permanece ambíguo o tratamento do tropo da feminização da natureza, referida ao monstruoso, em Fernão Cardim essa figuração deixa-se entrever de form sugestiva, buscada a outro tropo da mentalidade religiosa medieval [If in Gandavo the treatment of the trope of the feminization of nature, referring to the monstrous, remains ambiguous, in Fernão Cardim this figuration lets itself be glimpsed in a suggestive way, sought from another trope of the medieval religious mentality.]
氐人國在建木西, 其為人人面而魚身, 無足.
Physiologus de Berne.. En contradiction avec le texte qui dépeint une Sirène-oiseau, c'est une Sirène – poisson qui, dans l'illustration, apparaît face au centaure.(in French); Leclercq-Marx, Jacqueline (1997). La sirène dans la pensée et dans l'art de l'Antiquité et du Moyen Âge: du mythe païen au symbole chrétien. Classe des beaux-arts, Académie royale de Belgique. p. 62ff. ISSN 0775-3276.
The chapter devoted to the Siren and the Centaur is an excellent example of this because the Siren is represented as a woman-fish whereas she is described in the form of a woman-bird..
